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Kitty Clive (1711-1785) was a top London stage star. She dominated spoken as well as musical comedy. From the 1740s onwards, her reputation suffered a sharp decline. For anyone curious about star production in eighteenth-century Britain, her story is not to be missed.
Singers --- Musicals --- Musical theater --- Theater --- Lyric theater --- Musical comedies --- Musical plays --- Musical revues, comedies, etc. --- Musical shows --- Operettas --- Shows, Musical --- Dramatic music --- Vocalists --- Musicians --- History and criticism. --- History --- Clive, Kitty, --- Clive, --- Clive, Catherine, --- Clive, Catherine Raftor, --- Raftor, Catherine, --- 1700-1799 --- Great Britain. --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales --- British cultural history. --- British theatre. --- Kitty Clive. --- London stage star. --- The Fair Songster. --- celebrity culture. --- celebrity status. --- eighteenth-century entertainment. --- eighteenth-century theatre. --- entertainment industry. --- musical comedy. --- musical performances. --- musical theatre. --- stage artist. --- stage performances. --- stage production. --- theatre history. --- theatrical biography. --- theatrical celebrity. --- theatrical history. --- theatrical success.
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Music --- Music/culture --- Social aspects --- Strohm, Reinhard --- 78.15 Strohm --- Festschrift - Libri Amicorum --- Music - Social aspects
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The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualisations of the 'work' within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historicalwritings can reveal period views on the 'work' in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighteenth century, and interrogates current notions of canon formation and the exchange between local and foreign traditions.
Music --- Social aspects. --- History and criticism. --- Strohm, Reinhard. --- Criticism --- Music and society --- European music. --- artistic autonomy. --- genre. --- historical writings. --- music work. --- musical treatises. --- nineteenth-century music. --- social and cultural practice. --- Philosophy and aesthetics.
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