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This book addresses the major critical and interpretive issues of contemporary experimental poetic texts. Critical approaches, historical contexts, and basic concepts are surveyed in two introductory essays, while the study of poetic movements in historical context and the chronological trajectory of production of experimental texts are discussed in the first major segment of the volume, Experimentation in Its Historical Moment. The principal topic addressed here is the nature of experimental poetry in revolutionary social contexts. The second major theme, focused upon in the section Experimentation in the Language Arts, is that of language as a vehicle for experiments and cognitive quests, aimed not at the production of truth or social emancipation but at experiential aspects of language and language use. Haroldo de Campos's fragmented poetic prose work Galàxias is a highlighted topic of attention, as are poetic and language experiments in Lettrism, Fluxus, sound poetry, and new technological poetries. The development of the basic tenets of Concrete poetry and current critical perspectives on its status in poetical experimentation constitute the basis of the third section of the book, Concrete and Neo-Concrete Poetry. The relationship of historical Concrete poetry to artistic genres is presented, with special emphasis on Brazil and on contemporary visual writing. The section Memoirs of Concrete, in the context of oral history, includes retrospective accounts by two of Concrete poetry's most renowned editors. The closing section of this book presents statements on the theory and practice of avant-garde poetry by 22 participants in the Yale Symphosymposium on Contemporary Poetics and Concretism.
Avant-garde (Aesthetics) --- Experimental poetry --- Concrete poetry --- Poésie expérimentale --- Poésie concrète --- Avant-garde (Esthétique) --- Avant-garde (Aesthetics). --- Poésie expérimentale --- Poésie concrète --- Avant-garde (Esthétique) --- Poetry --- Literature --- anno 1900-1999 --- Aesthetics --- Modernism (Art) --- History and criticism --- History and criticism. --- Histoire et critique --- History and criticism.. --- AVANT-GARDE (LITTERATURE) --- POESIE VISUELLE --- POESIE CONCRETE --- POESIE EXPERIMENTALE --- HISTOIRE ET CRITIQUE
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This study of literary themes, linguistic practice and cultural traditions analyzes the oral traditions of Indo-Portugese creole verse, as a synthesis from European, African and Asian sources. This musical, dramatic and textual syncretism defines tradition within the group and maintains the identity of the creole community. References are primarily to Indian and Sri Lankan materials collected in the late nineteenth century and to data in the H. Nevill collection, an extensive manuscript of Sri Lankan Creole texts from the 1870s or 1880s, housed in the British Museum. The importance of these texts is linguistic, anthropological and sociological. They are persistent in their ability to give definition to creole culture, surviving in South Asia from the seventeenth century to the present.
Creole poetry, Portuguese --- Folk poetry, Portuguese --- Literature and folklore --- Creole dialects, Portuguese --- Portuguese Creole languages --- Folklore and literature --- Literature and folk-lore --- Folklore --- Portuguese folk poetry --- Portuguese poetry --- Portuguese Creole poetry --- History and criticism. --- Langues créoles (portugaises) --- Poésie créole (portugaise) --- Poésie populaire portugaise --- Littérature et folklore --- History and criticism --- Histoire et critique
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Acculturation --- Colonies. --- Portugal --- History --- Colonies --- Discovery and exploration. --- Histoire --- Exhibitions
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