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Decoration and ornament --- Decoration and ornament --- History --- Exhibitions --- History --- Exhibitions
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Exhibitions --- oil sketches --- painting and painting techniques --- inspiration --- preliminary sketches [sketches] --- easel paintings [paintings by form] --- Rubens, Peter Paul --- painting techniques --- painting [image-making] --- Painting, Baroque --- Baroque painting --- Paintings, Baroque --- Italian influences --- Rubens, Peter Paul, --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Themes, motives --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- Rubens, Peter Paul.
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Point of View #18 showcases a painting 'rediscovered' in the depot, a work by Otto van Veen who was Rubens' last and most important teacher. It has not been on display since the eighteenth century, possibly because of its highly unusual subject matter, a celebration of strong, independent and courageous women. For a long time art historians were mystified by this exceptional depiction of confident women clearly at ease with their nudity; however, the arms scattered around in the foreground allow us to identify them as amazons. Although we now know both the name of the artist and the subject matter, this work painted in Antwerp around 1600 still poses a number of fascinating questions: was the panel formerly in the collection of Emperor Rudolf II? What is the meaning of the monogram on the panels reverse, and is it possible that the young Rubens was involved in its production Van Veen's Amazons probably dates from the time Rubens, worked in van Veen's studio, making the painting a vital starting point for our understanding of the younger masters early work. The composition will be included in our important upcoming Rubens exhibition where it will be shown together with early works by this exceptional Flemish painter, documenting the evolution of Rubens' depiction of women.
Conservation. Restoration --- iconography --- nudes [representations] --- women [female humans] --- Amazone --- Veen, van, Otto --- Kunsthistorisches Museum [Vienna] --- Exhibitions
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influence --- Rubens, Peter Paul --- Painting, European --- Painting, Flemish --- Flemish influences. --- Rubens, Peter Paul, --- Rubens, Peter Paul, Sir, --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- lust --- geweld --- poëzie --- 17de eeuw --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- Flemish influences --- kracht, geweld --- wellust, luxe, "Luxuria"; "Lussuria" (Ripa) ~ verpersoonlijking van een van de hoofdzonden. --- kracht, geweld. --- poëzie. --- Rubens, Peter Paul. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- wellust, luxe, "Luxuria"; "Lussuria" (Ripa) ~ verpersoonlijking van een van de hoofdzonden
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In de zomer van 2018 organiseert het MAS in Antwerpen in samenwerking met het Rubenshuis een eerste monografische tentoonstelling over de vergeten kunstenares Michaelina Wautier (1614-1689). Ze werd geboren in Mons maar bouwde haar loopbaan uit in Brussel waar ze rond 1650 actief was. De kunstenares onderhield contacten met het hof van aartshertog Leopold-Wilhelm die vier van haar werken in zijn collectie had. Van haar hand zijn een dertigtal schilderijen en één tekening bekend. Meer dan een derde hiervan is voluit gesigneerd en gedateerd. Michaelina schilderde meesterlijke historiestukken, indringende portretten, ontwapenende genretaferelen en verstilde bloemstukken. Haar veelzijdigheid is zonder meer grensverleggend te noemen
Wautier, Michaelina --- Exhibitions --- 75.07 --- Schilderkunst ; 17de eeuw ; M. Wautier --- Schilderkunst ; Barok --- Wautier, Michaelina 1604-1689 (°Bergen/Mons, België) --- Kunst ; van vrouwen --- Vrouwelijke kunstenaars --- Tentoonstellingscatalogi ; Antwerpen ; Museum aan de Stroom (MAS) --- Schilderkunst ; schilders --- Artists --- Artists. --- Painters --- Painters. --- Woutiers, Michaelina, --- Criticism and interpretation. --- Belgium. --- barok --- sociale geschiedenis --- vrouwelijke kunstenaars --- vrouwen --- Teniers, David (II) --- Wautier, Charles --- 17de eeuw --- Europa --- vrouw --- Painting --- easel paintings [paintings by form] --- Baroque --- kunst --- schilderkunst --- België --- zeventiende eeuw --- 75.071 --- Wautier Michaelina --- portretschilderkunst --- portretten --- historieschilderkunst --- religieuze schilderkunst --- stillevens --- genreschilderkunst --- Wautier, Michaelina, --- barok. --- vrouwelijke kunstenaars. --- vrouw. --- sociale geschiedenis. --- Wautier, Michaelina. --- Wautier, Charles. --- Teniers, David II. --- 17de eeuw. --- Europa. --- Teniers, David II
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In Antwerp in the summer of 2018 the MAS, in collaboration with the Rubens House, will be organizing a first-ever monographic exhibition of the forgotten female artist Michaelina Wautier (1614-89). She was born in Mons but developed her career in Brussels, where she was working in around 1650. The artist maintained contacts with the court of the Archduke Leopold Wilhelm of Austria who had four of her works in his collection. We know of some thirty paintings and one drawing by her hand. More than a third of these are signed in full and dated. Wautier painted masterful historical pieces, incisive portraits, endearing genre scenes and tranquil flower arrangements. There is no doubt that she displayed a ground-breaking versatility. Challenging themes, masterly techniques and a grand scale are all characteristic of her work. All her pieces were produced between 1643 and 1659. Her masterpiece is undoubtedly The Triumph of Bacchus held at the Kunsthistorisches Museum in Vienna. Michaelina Wautier appears in the painting as a seminude bacchante and is the only one of the figures present to look directly at the viewer
Exhibitions --- Wautier, Michaelina --- Wautier, Michaelina - 1604-1689
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Painting, Flemish --- Peinture flamande --- Influence --- Rubens, Sir Peter Paul, --- Catalogues raisonnés --- Londen, Whitehall, Banqueting House --- James I [Great Britain] --- Whitehall Palace (Londen) --- Banqueting House (Londen) --- interieur (huis) --- Mural painting and decoration --- 759.9493 --- Arts Painting Belgium --- ceiling paintings --- Private houses --- Rubens, Peter Paul --- London --- Ceilings, Painted --- Fresco painting --- Murals --- Painted ceilings --- Painting, Decorative --- Wall decoration --- Wall-painting --- Art --- Decoration and ornament --- Interior decoration --- Painting --- Rubens, Peter Paul, --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Banqueting House (London, England) --- Whitehall Palace (London, England) --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Catalogues raisonnés. --- Sculpture, Flemish --- Altarpieces, Flemish. --- Frescoes --- Frescos --- Rubens, Petrus Paulus, --- Catalogs --- Architecture, Modern --- Mural painting and decoration - England - London --- Rubens, Petrus Paulus, - 1577-1640 --- Rubens, Petrus Paulus, - 1577-1640 - Catalogs --- Art and mythology. --- Rubens (pierre paul) 1577-1640 --- Peinture et decoration murales --- Catalogues raisonnes --- Grande bretagne --- Londres (gb) --- Whitehall palace --- Whitehall Palace (Londen). --- Banqueting House (Londen). --- Rubens, Peter Paul.
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