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Produced on the fringes of philosophy and literary criticism, this book is a pioneering study which aims to explicitly address and thematize what may be called a “critical philosophy in the condition of modernism”. Its most important and original contribution to both disciplines is a self-conscious reflection on possible modes of writing philosophy today, and a systematic comparison with what happened in literary modernism at the beginning of the twentieth-century. The volume is divided into six sections, where internationally renowned scholars discuss such pressing topics as the role of an unreliable narrator in a major philosophical treatise, the different mediums of art-production and how these impact on our perception of the Work itself, the role of narrative in animal ethics and the filmic adaption of a Modernist classic. .

Philosophy. --- Literature, Modern --- Aesthetics. --- Contemporary Literature. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Mental philosophy --- Humanities --- 20th century. --- 21st century. --- Psychology --- Philosophy, Modern. --- Modernism (Literature) --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- Modern philosophy --- Literature, Modern-20th century. --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Radio broadcasting Aesthetics --- Aesthetics

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Emotivism. --- Emotive theory of ethics --- Ethics, Emotive theory of --- Ethics