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Architecture --- Eisenman, Peter --- anno 1970-1979 --- -Semiotics --- Peter Eisenman --- woningen --- architecten --- 72.071 --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Philosophy --- buitenlandse architecten --- Design and construction --- Semiotics. --- Philosophy. --- Eisenman, Peter, --- Semiotics --- Eisenman, Peter D., --- Aizenman, Pītā,

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Architecture --- architectural theory --- Mies van der Rohe, Ludwig --- Kahn, Louis I. --- Corbusier, Le --- Libeskind, Daniel --- Stirling, James --- Koolhaas, Rem --- Rossi, Aldo --- Gehry, Frank --- Moretti, Luigi --- Venturi, Robert --- architectuur --- architectural criticism --- architecture [discipline] --- architectuurkritiek --- anno 1900-1999 --- Architecture, Modern --- Composition, proportion, etc. --- Philosophy. --- Composition, proportion, etc --- Philosophie --- Eisenman, Peter --- 72.036 --- 72.07 --- 72.01 --- Architectuur ; analyse van 10 gebouwen --- Architectuur; methodologie --- Eisenman, Peter °1932 (°Newark, New Jersey, Verenigde Staten) --- Architectuur ; 20ste eeuw 1950-2000 --- Proportion (Architecture) --- Architectural design --- Composition (Art) --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Architecten. Stedenbouwkundigen A - Z --- Architectuur ; theorie, filosofie, esthetica --- History --- Proportion --- Philosophy

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Comment les différents récits de quatre historiens du modernisme architectural - Emil Kaufmann, Colin Rowe, Reyner Banham et Manfredo Tafuri - présentent leurs versions spécifiques du modernisme.

Modern movement (Architecture) --- Architecture --- Architectural criticism --- Mouvement moderne (Architecture) --- Critique d'architecture --- Historiography. --- History --- Historiographie --- Histoire --- Histoire de l'architecture --- 20e siècle --- Mouvement moderne --- Critique architecturale --- Europe --- Historiography --- -72.01 --- 72.01 --- 72.03 --- 72.036 --- Architectuurtheorie ; over de Moderne Beweging --- Modernisme --- 72.039 --- Criticism --- Historical criticism --- Authorship --- -Architectuur (kritiek) --- Architectuurkritiek --- Architectuur (theorie) --- Architectuurtheorie --- Architectuurgeschiedenis --- Architectuur (geschiedenis) --- Modernisme (architectuur) --- Modernistische architectuur --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Architectuur ; theorie, filosofie, esthetica --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Moderne bouwkunst. Architectuur van de 20e eeuw --- Hedendaagse architectuur. Bouwkunst sinds 1960 --- 72.039 Hedendaagse architectuur. Bouwkunst sinds 1960 --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Modern movement (Architecture). --- Modernism (Architecture) --- Modernist architecture --- Architecture, Modern --- International style (Architecture) --- Architectuur (kritiek) --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect

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"Peter Eisenman s architecture carries many layers and meanings; one question leads to the next and one conversation provokes another. Vladimir Belogolovsky s new book highlights three separate conversations he had with the architect at his New York City studio in October 2003, June 2009, and February2016. These conversations are part of the author s ongoing interview project he initiated in 2002, discussing architecture with over 100 leading international architects."

Architecture, Modern --- Architecture, Modern. --- Eisenman, Peter, --- Eisenman, Peter --- Eisenman, Peter D.

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A provocative case for historical ambiguity in architecture by one of the field's leading theorists Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or spirit of the age, an attitude toward architectural form that is embedded in a belief in progressive time. Lateness explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be of the times -lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs: Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven's final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment. Bringing together architecture, music, and philosophy, and drawing on illuminating examples from the Renaissance and Baroque periods, Lateness demonstrates how today's architecture can use the concept of lateness to break free of stylistic limitations, expand architecture's critical capacity, and provide a new mode of analysis.

72.01 --- Architectuur (kritiek) --- Architectuurkritiek --- Architecture, Modern --- Architecture --- Space and time --- Espace (Philosophie) --- Philosophy --- Philosophie --- Loos, Adolf, --- Rossi, Aldo, --- Hejduk, John,