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Le français innovant
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ISSN: 09336079 ISBN: 9783034337847 9783034340021 9783034341431 9783034341448 3034337841 Year: 2020 Volume: 130 Publisher: Bern: Peter Lang,

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Abstract

Ce volume réunit des travaux axés prioritairement sur le français innovant sous toutes ses formes, dans tous les styles communicatifs et dans toutes ses variétés diatopiques. La thématique de la variation et du changement en langue est appréhendée à travers des approches théoriques dans l'interface sémantique - lexique - syntaxe. Ces dernières sont mises à profit pour aider à éclairer, sous un angle parfois inédit, divers aspects du diasystème français.

L'inventaire lexicologique du parler de Nendaz (Valais).. 3, L'âme et l'intellect
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ISBN: 3772020534 9783772020537 3772080952 9783772080951 Year: 2006 Volume: 117, 124 Publisher: Basel: Francke,


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Visualizing Digital Discourse

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The first dedicated volume of its kind, Visualizing Digital Discourse brings together sociolinguists and discourse analysts examining the role of visual communication in digital media. The volume showcases work from leading, established and emerging scholars from across Europe, covering a diverse range of digital media platforms such as messaging, video-chat, gaming and wikis; visual modalities such as emojis, video and layout; methodologies like discourse analysis, ethnography and conversation analysis; as well as data from different languages. With an opening chapter by Rodney Jones, the volume is organized into three parts: Besides Words and Writing, The Social Life of Images, and Designing Multimodal Texts. From the perspective of these broad domains, chapters tackle some of the major ideological, interactional and institutional implications of visuality for digital discourse studies. The first part, beginning with a co-authored chapter by Crispin Thurlow, focuses on micro-level visual practices and their macro-level framing - all with particular regard for emojis. The second part, beginning with a chapter from Sirpa Leppänen, examines the ways visual resources are used for managing personal relations, and the wider cultural politics of visual representation in these practices. The third part, beginning with a chapter by Hartmut Stöckl, considers organizational contexts where users deploy visual resources for more transactional, often commercial ends.

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