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Music and race. --- Music --- Musique et race --- Musique --- History and criticism. --- Histoire et critique --- Music and race --- Race and music --- Race --- History and criticism
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Schoenberg and Redemption presents a new way of understanding Schoenberg's step into atonality in 1908. Reconsidering his threshold and early atonal works, as well as his theoretical writings and a range of previously unexplored archival documents, Julie Brown argues that Schoenberg's revolutionary step was in part a response to Wagner's negative charges concerning the Jewish influence on German music. In 1898 and especially 1908 Schoenberg's Jewish identity came into confrontation with his commitment to Wagnerian modernism to provide an impetus to his radical innovations. While acknowledging the broader turn-of-the-century Viennese context, Brown draws special attention to continuities between Schoenberg's work and that of Viennese moral philosopher Otto Weininger, himself an ideological Wagnerian. She also considers the afterlife of the composer's ideological position when, in the late 1920s and early 1930s, the concept of redeeming German culture of its Jewish elements took a very different turn.
Redemption. --- Schoenberg, Arnold, --- Criticism and interpretation. --- Redemption --- Religion --- Shenberg, Arnolʹd, --- Schönberg, Arnold, --- Schenberg, A. --- Shenberg, A. --- שנברג, ארנולד --- Schönberg, Arnold
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This work offers a book-length examination of how international expositions, through their exhibits and infrastructures, sought to demonstrate innovations in applied health and medical practice.
Public health --- Medicine --- Exhibitions --- Santé publique --- Médecine --- Expositions --- History --- Histoire --- MEDICAL --- Public Health --- Exhibits as Topic --- Sanitation --- Communicable Disease Control --- United States --- History, 19th Century --- History, 20th Century --- Military Medicine --- Humanities --- Environment and Public Health --- History, Modern 1601 --- -Medicine --- Audiovisual Aids --- North America --- Public Health Practice --- Health --- Environmental Health --- Americas --- Teaching Materials --- Population Characteristics --- Health Occupations --- Educational Technology --- Health Care --- Disciplines and Occupations --- Technology --- Geographic Locations --- Communications Media --- Information Science --- Technology, Industry, and Agriculture --- Geographicals --- Technology, Industry, Agriculture --- Public Health - General --- Health & Biological Sciences --- Santé publique --- Médecine --- Exhibits --- Expos (Exhibitions) --- Industrial arts --- Industrial exhibitions --- International exhibitions --- World's fairs --- Clinical sciences --- Medical profession --- Community health --- Health services --- Hygiene, Public --- Hygiene, Social --- Public health services --- Public hygiene --- Sanitary affairs --- Social hygiene --- Human services --- Biosecurity --- Health literacy --- Medicine, Preventive --- National health services --- Human biology --- Life sciences --- Medical sciences --- Pathology --- Physicians --- Sales promotion --- Fairs --- Exhibitions&delete& --- History. --- Health Workforce --- SCIENCE, TECHNOLOGY & SOCIETY/History of Science --- BIOMEDICAL SCIENCES/General --- SCIENCE, TECHNOLOGY & SOCIETY/General
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The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartók engaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bartók's concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Bartók developed each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartók was composing.
Grotesque in music. --- Music --- Grotesque dans la musique --- Musique --- History and criticism --- Histoire et critique --- Bartók, Béla, --- Criticism and interpretation. --- Bartokas, B., --- Grotesque in music --- Bartók, Béla
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This title explores the sonic dimension of film exhibition in Britain, from the emergence of cinema through to the introduction of synchronized sound. Edited by Julie Brown and Annette Davison, the volume includes original scholarship from many highly-regarded experts on British silent film from a range of disciplinary backgrounds, such as film history, theatre studies, economic history, and musicology.
Silent film music --- Silent films --- Film muet, Musique de --- Films muets --- History and criticism --- Musical accompaniment --- Histoire et critique --- Accompagnement (Musique) --- Musique de film muet --- History and criticism. --- Musical accompaniment. --- Moving pictures, Silent --- Silent motion pictures --- Motion pictures --- Film music --- Music for silent films --- Motion picture music --- 78.77.9 --- Musique de film muet. --- Histoire et critique.
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Executive ability in children --- Learning disabled children --- Education --- Educational psychology
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Computer-aided engineering. --- MATLAB. --- SPICE (Computer file) --- Engineering --- CAE --- Data processing --- Simulation program with integrated circuit emphasis --- MATLAB (Computer program) --- MATLAB (Computer file) --- Matrix laboratory
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Background: This study focuses on how to perform Quality Control (QC) testing of critical reagents in pharmaceutical industry. They are labeled as ‘critical’ because lot-to-lot variability can occur and may cause an impact on method performance. QC testing requires validated Test Methods (TMs) in which critical reagents can be used. For this reason, critical reagents must be qualified prior to their intended use. Critical reagents used during QC testing encompass two categories (large and small molecules), three types (Internal Controls (ICs), Reference Standards (RSs) and Critical Reagents/Consumables (CR/CCs)) of which qualitative or quantitative large molecule critical reagent subtypes, and major, minor, or authentic small molecule RS subtypes exist. Objectives: This study focuses on how to perform QC testing of critical reagents. The aim is to find out in more detail how to perform case-by-case qualifications and re-evaluations of large molecule critical reagents. In addition, an in-use shelf life is determined for major Multi-use (MU) small molecule RSs. Methods: During QC it is needed to show presence of certain substances in the final drug product. Therefore, qualitative large molecule critical reagents were (re-)qualified to identify excipients and Drug substance (DS) in vaccines. In addition, quantitative large molecule critical reagents were (re-)qualified to semi-quantitatively determine sample purity or quantify substances in Drug Product (DP). Methods used included Slot Blot, Enzyme Linked Immunosorbent Assay (ELISA) double sandwich model, Hydrophobic Interaction Chromatography (HIC), Anion Exchange Chromatography (AEC), and applying Six Sigma. Besides, an in-use shelf life is determined for major MU small molecule RS based on historical data. Results: An antibody was qualified to specifically detect Human Serum Albumin (HSA) in a vaccine, using the optimal working dilution determined as 1/500 (2,00 µg/mL). It was considered equivalent to the previous qualified antibody lot. In addition, the current qualified antibody CR/CC and HSA IC were re-evaluated and approved for their continued use in the Slot Blot based TM. Furthermore, three polyclonal antibodies were successfully re-evaluated to identify the vaccine DS by means of an ELISA double sandwich model. In the case of the anti-inflammatory DP a Root Cause Analysis (RCA) was carried out due to a shift in the historical data. As a result, a new temporary range was qualified for the quantitative large molecule IC etanercept to relatively quantify sample purity by means of HIC. The DP, sialic acid standard and filter were successfully re-evaluated in their unique combination to quantify free saccharides in a vaccine DP. Besides, an in-use shelf life of 134 and 100 days was assigned to the Lidocaine Hydrochloride Monohydrate and Timolol Maleate RSs respectively, in which their in-use stability is guaranteed. Conclusion: The applied methods are considered sufficient for their analytical purpose in industry. In addition, the qualification approach meets the World Health Organizations’ recommendations. There was dealt with RCA and deviations. All QC tests were carried out and critical reagents were (re-)qualified to assure high quality medicinal products will reach the patients.
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