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Civilization, Western --- Arts, Modern --- Civilization, Classical, in literature --- Classical literature --- Literature, Modern --- Classicism --- Civilisation occidentale --- Arts modernes --- Civilisation ancienne dans la littérature --- Littérature ancienne --- Littérature moderne --- Classicisme --- Classical influences --- Congresses --- Appreciation --- Congresses. --- Influence ancienne --- Congrès --- Appréciation --- Europe --- Civilization --- Civilisation --- -Civilization, Classical, in literature --- -Classical literature --- -Classicism --- -Modern literature --- Pseudo-classicism --- Aesthetics --- Literature --- Civilization, Classical --- Civilization, Occidental --- Occidental civilization --- Western civilization --- Modern arts --- Literature, Classical --- Literature, Ancient --- Greek literature --- Latin literature --- -Classical influences --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- -Classical influences. --- -Pseudo-classicism --- Modern literature --- Civilisation ancienne dans la littérature --- Littérature ancienne --- Littérature moderne --- Congrès --- Appréciation --- History --- Civilization [Classical ] --- Influence --- Civilization, Western - Classical influences - Congresses. --- Arts, Modern - Classical influences - Congresses. --- Civilization, Classical, in literature - Congresses. --- Classical literature - Appreciation - Europe - Congresses. --- Literature, Modern - Classical influences - Congresses. --- Classicism - Congresses.

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Cento-texts represent an extreme case of intertextuality. In gathering material from different sources and weaving it together they form a patchwork, which is in constant dialogue with the literary tradition. The different components can take on new meanings and, at the same time, refer back to their original contexts. This interdisciplinary volume explores different cento-techniques from Antiquity to the present day. It focusses upon poetological reflections, which are often linked with or even inscribed in the usage of cento-techniques, and it takes into account varied understandings of cento-writings in the history of reception. The contributions compare different cultural traditions and approach cento-techniques from an aesthetical point of view. They examine questions of authorship, authorization and fragmentarization. They ask which metaphors or concepts are used to describe cento-techniques (e.g. bees, weaving, hooking, bricolage), and they discuss the poiesis of cento-texts in the Aristotelian sense of ?being made?. 0The arrangement of the contributions in this volume is centonic insofar they are neither ordered chronologically nor according to specific topics. Rather, they form a patchwork, which invites the reader to compare different methodological approaches of dealing with cento-texts from Homer to Zong!0.

Centos --- Literature --- Poetics --- History and criticism --- Aesthetics

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Classical papyri --- Grieks (Taal) --- Griekse en Latijnse papyri --- Handschriften [Klassieke ] (Papyrus] --- Klassieke papyri --- Latijn (Taal) --- Littérature classique --- Manuscripts [Classical] (Papyri) --- Manuscrits classiques (Papyrus) --- Papyri [Classical ] --- Papyri [Griekse en Latijnse ] --- Papyri [Klassieke] --- Papyrus classiques --- Papyrus grecs et latins --- Mélanges (Recueils) --- Fathers of the church. --- Mélanges (Recueils) --- Classical philology --- Fathers of the church --- Linguistics --- Philosophy, Ancient --- Ancient philosophy --- Greek philosophy --- Philosophy, Greek --- Philosophy, Roman --- Roman philosophy --- Church fathers --- Patristics --- Philosophy, Patristic --- Christians --- Philology, Classical --- Classical antiquities --- Greek language --- Greek literature --- Greek philology --- Humanism --- Latin language --- Latin literature --- Latin philology --- Linguistic science --- Science of language --- Language and languages --- Classical philology. --- Linguistics. --- Philosophy, Ancient. --- Festschriften --- Littérature grecque --- Littérature latine --- Criticism, Textual --- Critique textuelle --- Görgemanns, Herwig --- Classical literature --- Philosophy [Ancient ] --- Influence

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This book offers a discriminating overview of Lucian's work, explains his place in the literature and culture of the Roman Empire, takes a look behind the authorial masks, analyzes the poiesis of his most important literary inventions—the comic dialogues—and discusses questions of the staging, publication, and translation of his works.

Authors, Greek --- Authors, Greek. --- Philosophy in literature. --- Rhetoric, Ancient. --- Rhetoricians --- Rhetoricians. --- Satirists --- Satirists. --- Second Sophistic movement. --- Technique. --- Themes, motives. --- Lucian,