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Blues (Music) --- -African Americans in literature --- American literature --- -Blues (Music) in literature --- Music and literature --- Literature and music --- Literature --- English literature --- Agrarians (Group of writers) --- Afro-Americans in literature --- Negroes in literature --- History and criticism --- African American authors --- -Bibliography --- -Catalogs --- African Americans in literature. --- African Americans --- Blues (Music) in literature. --- Music and literature. --- Intellectual life. --- History and criticism. --- African Americans in literature --- Blues (Music) in literature --- African American intellectuals --- Intellectual life --- African American authors&delete&

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820 <73> --- African Americans --- -African Americans in literature --- American literature --- -English literature --- Agrarians (Group of writers) --- Afro-Americans in literature --- Negroes in literature --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Amerikaanse literatuur --- Historiography --- African American authors --- -Bibliography --- -Catalogs --- -Amerikaanse literatuur --- 820 <73> Amerikaanse literatuur --- -Afro-Americans in literature --- English literature --- African Americans in literature --- African American intellectuals --- Intellectual life --- African American authors&delete& --- History and criticism --- 829.9 --- AFRO-AMERICANS --- AMERICAN LITERATURE --- HISTORIOGRAPHY --- AFRO-AMERICAN AUTHORS --- HISTORY AND CRITICISM

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I Don't Hate The South takes its title from the famous declaration by Faulkner's character Quentin Compson in the novel Absalom, Absalom!. The book traces Baker's own ambivalent relationship to the South and its various protocols of family and black expressive cultural independence through a memoiristic recounting of the author's various academic posts, family dramas, travels, and engagements with that most famous of southern authors, William Faulkner as well as the black expressive "experimentalists" Percival Everett and Ralph Ellison. I Don't Hate The South's central claim is that the South is a laboratory, metaphor, and proving ground for American polity as a whole. W. E. B. Du Bois noted: "As the South goes, so goes the nation!" Houston Baker sets out to show the present-day wisdom of Du Bois's observation in a post-Hurricane Katrina moment of national family crisis. With incisive wit, scrupulous literary and cultural analysis, and vivid portraits of members of his own family, the author provides captivating reading and an object lesson on the United States' regional and national interdependence.

African American College teachers --- African American college teachers --- African American families --- American literature --- Racism --- African American authors --- History and criticism. --- Faulkner, William, --- Baker, Houston A. --- Criticism and interpretation. --- Southern States --- In literature. --- Race relations. --- History and criticism --- English literature --- Agrarians (Group of writers) --- Afro-American families --- Families, African American --- Negro families --- Families --- Afro-American college teachers --- College teachers, African American --- Negro college teachers --- College teachers --- Bias, Racial --- Race bias --- Race prejudice --- Racial bias --- Prejudices --- Anti-racism --- Race relations --- African American authors&delete& --- Falkner, William, --- Fōkunā, Wiriamu, --- Folkner, Uilʹi︠a︡m, --- Fo-kʻo-na, --- Phōkner, Ouilliam, --- Fo-kʻo-na, Wei-lien, --- Fu-kʻo-na, --- Fu-kʻo-na, Wei-lien, --- Falkner, William Cuthbert, --- Pʻookʻŭnŏ, William, --- Foḳner, Ṿilyam, --- Pʻolkneri, Uiliam, --- K̲apākn̲ar, Villiyam, --- Fāknir, Vīlīyām, --- פוקנר --- פוקנר, וויליאם --- פוקנר, ויליאם, --- פוקנר, ןיליאם --- 福克纳威廉, --- Trueblood, Ernest V., --- Фолкнер, Уильям, --- Critical race theory

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American literature --- Littérature américaine --- African American authors --- History and criticism --- Auteurs noirs américains --- Histoire et critique --- AMERICAN LITERATURE --- AFRO-AMERICAN AUTHORS --- HISTORY AND CRITICISM

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