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Although everybody is familiar with the dodo bird, very few people know its history. Yet this history is compelling when read as a fable of the negative impact of humans on Earth's ecosystems. The author describes the complexity of the factors involved in animal extinction. Although we think of ourselves as more ecologically aware than our ancestors, we are propelling extinction to alarming rates.
Dodo. --- Dodo --- Science (General). --- Social sciences. --- Zoology. --- Zoology --- Health & Biological Sciences --- Vertebrates --- Birds. --- Science. --- Popular works. --- Science, general. --- Popular Science, general. --- Social Sciences, general. --- Science, Humanities and Social Sciences, multidisciplinary. --- Biology --- Natural history --- Animals --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization --- Extinct birds. --- Didus ineptus --- Raphus cucullatus --- Raphus --- Birds, Extinct --- Birds --- Extinct vertebrates --- Extinction
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Dædalus was founded in 1955 as the Journal of the American Academy of Arts and Sciences and established as a quarterly in 1958. It continues the volume and numbering system of the Academy's Proceedings, which ceased publication under that title with Volume 85. Dædalus draws on the enormous intellectual capacity of the American Academy, whose Fellows are among the nation's most prominent thinkers in the arts, sciences, and the humanities, as well as the full range of professions and public life. Each issue addresses a theme with original authoritative essays.
Art --- Science --- Humanities --- Social sciences --- Sciences humaines --- Sciences --- Sciences sociales --- Periodicals --- Périodiques --- Humanities. --- Science. --- Social sciences. --- ARTS. --- CULTURE. --- SCIENCE. --- UNITED STATES. --- Conferences - Meetings --- Arts and Humanities --- General and Others --- Philosophy --- Society and Culture --- Kansas City --- USA --- arts --- current periodical --- human sciences --- institutes --- libraries --- quarterly --- Arts and Humanities. --- Society and Culture. --- Périodiques --- EJECONO EJHISTO EJLANGU EJPOLIT EJSCIEN EJSOCIA EPUB-ALPHA-D EPUB-PER-FT JSTOR-E --- Natural science --- Science of science --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Learning and scholarship --- Classical education --- Civilization --- Natural sciences --- Science - Periodicals. --- Social sciences - Periodicals. --- Humanities - Periodicals.
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Dorothea Olkowski's exploration of the philosophy of Gilles Deleuze clarifies the gifted French thinker's writings for specialists and nonspecialists alike. Deleuze, she says, accomplished the "ruin of representation," the complete overthrow of hierarchic, organic thought in philosophy, politics, aesthetics, and ethics, as well as in society at large. In Deleuze's philosophy of difference, she discovers the source of a new ontology of change, which in turn opens up the creation of new modes of life and thought, not only in philosophy and feminism but wherever creation is at stake.The work of contemporary artist Mary Kelly has been central to Olkowski's thinking. In Kelly she finds an artist at work whose creative acts are in themselves the ruin of representation as a whole, and the text is illustrated with Kelly's art. This original and provocative account of Deleuze contributes significantly to a critical feminist politics and philosophy, as well as to an understanding of feminist art.
Deleuze, Gilles --- Kelly, Mary --- Psychoanalysis and art. --- Feminism and art --- Psychoanalysis and art --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Art and psychoanalysis --- Art and feminism --- Art --- Deleuze, Gilles, --- Kelly, Mary, --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- دولوز، جيل --- Criticism and interpretation. --- Feminism and art. --- Delezi, Jier, --- art. --- artist. --- artistic. --- change. --- creation. --- creative. --- feminism. --- feminist art. --- feminist politics. --- feminist studies. --- feminist. --- french philosopher. --- french thinker. --- government. --- great thinkers. --- hierarchic. --- hierarchy. --- illustrated. --- law and order. --- philosopher. --- philosophy of difference. --- philosophy. --- political. --- politics. --- representation. --- social change. --- social history. --- social studies. --- KELLY (MARY), 1941 --- -FEMINISME ET ART --- PSYCHANALYSE ET ART --- DELEUZE (GILLES), PHILOSOPHE FRANCAIS, 1925 --- -CONTRIBUTION A LA LOGIQUE
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Presenting analysis of how space is socially constructed, unmade and reconstructed, Thrift provides the reader with a direct understanding of how social theory can be used to make sense of spatial forms and practices, and how spatial relations are made durable over space and time.
#SBIB:316.334.5U13 --- Sociologie van stad en platteland: sociale aspecten van de ruimte, sociale ecologie --- Human geography. --- Social interaction. --- Social sciences --- Spatial behavior. --- Geografie --- Philosophy. --- Sociale en economische geografie --- Algemeen. --- Human geography --- Social interaction --- Spatial behavior --- #SBIB:AANKOOP --- Behavior, Spatial --- Proxemic behavior --- Space behavior --- Spatially-oriented behavior --- Psychology --- Space and time --- Social philosophy --- Social theory --- Human interaction --- Interaction, Social --- Symbolic interaction --- Exchange theory (Sociology) --- Social psychology --- Anthropo-geography --- Anthropogeography --- Geographical distribution of humans --- Social geography --- Anthropology --- Geography --- Human ecology --- Philosophy --- Sociological theories --- Sociology & Social History --- Social Sciences --- Social Change --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization
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Most artists earn very little. Nevertheless, there is no shortage of aspiring young artists. Do they give to the arts willingly or unknowingly? Governments and other institutions also give to the arts, to raise the low incomes. But their support is ineffective: subsidies only increase the artists' poverty.The economy of the arts is exceptional. Although the arts operate successfully in the marketplace, their natural affinity is with gift-giving, rather than with commercial exchange. People believe that artists are selflessly dedicated to art, that price does not reflect quality, and that the arts are free. But is it true?This unconventional multidisciplinary analysis explains the exceptional economy of the arts. Insightful illustrations from the practice of a visual artist support the analysis.
kunst --- twintigste eeuw --- economie --- kunst en economie --- kunsttheorie --- esthetica --- cultuurfilosofie --- kunstenaarsstatuut --- kunstmarkt --- subsidies --- mecenaat --- politiek --- kunst en politiek --- 7.01 --- kunstenaarschap --- -#SBIB:316.7C333 --- 621 Kunstbeleid --- 623 Kunstenaars --- artists --- Socioeconomic status --- 7 --- Art --- -Artists --- #SBIB:316.7C310 --- #SBIB:35H436 --- #A0212A --- 7 Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Economic aspects --- Economic conditions --- Kunstenaars --- Cultuurbeleid: algemeen --- Beleidssectoren: welzijn, volksgezondheid en cultuur --- Theses --- Artists --- #SBIB:316.7C333 --- art criticism --- cultuursociologie --- kunstbeschouwing --- Business policy --- Service industry --- Economic aspects. --- Economic conditions. --- Artistes --- Social conditions --- Aspect économique --- Conditions sociales --- arts --- economics --- Economic theory --- Arts --- Social sciences --- History. --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization --- Political economy --- Economic man --- culture and instituten --- kunst en kunstgeschiedenis --- culture and institutions --- historical treatment of fine and decorative arts
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