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Art styles --- Literature --- anno 1900-1999 --- Arts, Modern --- -Arts, Modern --- -Modernism (Art) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Modern arts --- Modernism (Art) --- Modernism (Art).
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Iconography --- anno 1800-1999 --- Thema's in de (figuratieve) kunst ; 20ste eeuw ; moderne leven --- Tentoonstellingscatalogi ; Londen ; Whitechapel Gallery --- 7.041 --- (069) --- Iconografie ; de mens, portretten --- (Musea. Collecties) --- Modernism (Art) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Catalogs
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Art styles --- anno 1900-1999 --- 7.01 --- Kunsttheorie ; 20ste eeuw ; over Modernisme --- Kunst ; theorie, filosofie, esthetica --- Art and society --- Art, Modern --- Modernism (Art) --- History --- Modernism (Art). --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Peinture --- Modernisme
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Aesthetics of art --- Fried, Michael --- Greenberg, Clement --- Clark, Timothy James --- anno 1900-1999 --- Art criticism --- Art, Abstract. --- Modernism (Art) --- History --- Clark, T. J. --- Fried, Michael. --- Greenberg, Clement, --- Modernism (Art). --- Art, Abstract --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Abstract art --- Art, Non-objective --- Non-objective art --- Clark, Timothy J. --- Hardesh, K. --- Clark, T.J.
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Art styles --- anno 1900-1909 --- Berlin --- Modernism (Art) --- -Politics and culture --- -Politics in art --- Culture --- Culture and politics --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Political aspects --- Berliner Secession (Association) --- Berlin Secession (Association) --- Berliner Sezession (Association) --- Neue Secession (Association) --- Germany --- History --- -Modernism (Art) --- Politics in art. --- Politics and culture --- Berliner Secession (Association). --- Politics in art
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Modernism (Art) --- 75.07 --- Hodler, Ferdinand 1853-1918 (°Bern, Zwitserland) --- Modernisme --- Beeldende kunst ; Berlijn ; Modernisme --- Berlin Secession --- Schilderkunst ; schilders A-Z --- Hodler, Ferdinand, --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Khodler, Ferdinand, --- Art styles --- Painting --- art market --- avant-garde --- Secession Movement --- easel paintings [paintings by form] --- Modern [style or period] --- Hodler, Ferdinand --- Berlin
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Der vorliegende Band ist in Zusammenarbeit mit dem Deutschen Forum fürKunstgeschichte entstanden. Darüber hinaus konnten für einzelne Beiträge auswärtige Autorinnen und Autoren gewonnen werden, für deren Interesse an diesem wichtigen Thema der deutsch-französischen Kulturvermittlung wir ihnen sehr verbunden sind. Das Thema dieses Buches, das deutsche Privatsammlungen französischer Kunst der Moderne in den Mittelpunkt stellt, erschließt ein weiteres Kapitel der deutsch-französischen Kunstbeziehungen, deren Erforschung eine der Aufgaben ist, denen sich diese junge kunsthistorische Einrichtung in Paris widmet.
Art, French --- Modernism (Art) --- Art --- Art français --- Modernisme (Art) --- Catalogs. --- Catalogs --- Private collections --- Catalogues --- Collections privées --- verzamelaars --- privécollecties --- moderne kunst --- 19de eeuw --- 20ste eeuw --- Duitsland --- Frankrijk --- Art français --- Collections privées --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Art, Primitive --- privécollecties. --- 19de eeuw. --- 20ste eeuw. --- Duitsland. --- Frankrijk.
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How do you rationally connect the diverse literature, music, and painting of an age? Throughout the modernist era-which began roughly in 1872 with the Franco-Prussian War, climaxed with the Great War, and ended with a third catastrophe, the Great Depression-there was a special belligerence to this question. It was a cultural period that envisioned many different models of itself: to the Cubists, it looked like a vast jigsaw puzzle; to the Expressionists, it resembled a convulsive body; to the Dadaists, it brought to mind a heap of junk following an explosion. In Putting Modernism Together, Daniel Albright searches for the center of the modernist movement by assessing these various artistic models, exploring how they generated a stunning range of creative work that was nonetheless wound together aesthetically, and sorting out the cultural assumptions that made each philosophical system attractive. Emerging from Albright's lectures for a popular Harvard University course of the same name, the book investigates different methodologies for comparing the evolution and congruence of artistic movements by studying simultaneous developments that occurred during particularly key modernist years. What does it mean, Albright asks, that Joseph Conrad's Heart of Darkness, published in 1899, appeared at the same time as Claude Debussy's Nocturnes-beyond the fact that the word "Impressionist" has been used to describe each work? Why, in 1912, did the composer Arnold Schoenberg and the painter Vassily Kandinsky feel such striking artistic kinship? And how can we make sense of a movement, fragmented by isms, that looked for value in all sorts of under- or ill-valued places, including evil (Baudelaire), dung heaps (Chekhov), noise (Russolo), obscenity (Lawrence), and triviality (Satie)?Throughout Putting Modernism Together, Albright argues that human culture can best be understood as a growth-pattern or ramifying of artistic, intellectual, and political action. Going beyond merely explaining how the artists in these genres achieved their peculiar effects, he presents challenging new analyses of telling craft details which help students and scholars come to know more fully this bold age of aesthetic extremism.
Modernism (Literature) --- Modernism (Music) --- Modernism (Art) --- Music and literature --- Art and music --- Music and art --- Music --- Literature and music --- Literature --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Modernism in music --- Modernist music --- Musical modernism --- Style, Musical --- Crepuscolarismo --- Literary movements --- Music and literature. --- Art and music. --- Art styles --- Painting --- music [performing arts genre] --- painting [image-making] --- literary studies --- Modernist --- anno 1800-1999
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Dieser Band präsentiert zwischen 1860 und 1960 entstandene Meisterwerke der belgischen Moderne, die größtenteils aus dem Königlichen Museum für Schöne Künste Antwerpen stammen. In der Kunst dieser Zeit wurden die Grenzen von Fantasie und Realität stets aufs Neue ausgelotet. Dabei rückten die schlichte Alltagswirklichkeit ebenso in den Fokus wie die Geheimnisse und Rätsel jenseits des Sichtbaren. Der Weg der belgischen Kunst führte von realistischen Szenen aus dem Leben des einfachen Volkes und atmosphärischen Landschaften über die fantastischen Maskeraden James Ensors bis zu den surrealen Welten von Paul Delvaux und René Magritte. Neben solch großen Namen sind unter den rund 40 versammelten Künstlern zahlreiche in Deutschland kaum bekannte Maler wie Eugène Laermans, Constant Permeke oder Rik Wouters zu entdecken. Exhibition: Kunsthalle der Hypo-Kulturstiftung, München, Germany (16.10.2021 - 06.03.2022).
Art styles --- Painting --- fantastic art --- Belgium --- Peinture --- Musée royal des beaux-arts (Anvers, Belgique). --- moderne kunst --- geschiedenis --- Salons --- impressionisme --- symbolisme --- realisme --- abstracte kunst --- Vlaams expressionisme --- avant-garde --- Ensor, James --- Meunier, Constantin --- Wouters, Rik --- 19de eeuw --- 20ste eeuw --- België --- Painting, Belgian --- Modernism (Art) --- Art, Belgian --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- moderne kunst. --- geschiedenis. --- Salons. --- impressionisme. --- symbolisme. --- realisme. --- abstracte kunst. --- Vlaams expressionisme. --- avant-garde. --- Ensor, James. --- Meunier, Constantin. --- Wouters, Rik. --- 19de eeuw. --- 20ste eeuw. --- België.
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Art --- Modernism (Art) --- Art, Modern --- Modernisme (Art) --- #GGSB: Esthetica --- #GGSB: Filosofie (20e eeuw) --- 840 --- -Art, Modern --- -#KVHA:Modernisme --- Modern art --- Art, Modernist --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Franse literatuur --- 840 Franse literatuur --- Modernism (Art). --- #KVHA:Modernisme --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- 840 French literature. Literature in French --- French literature. Literature in French --- CDL --- 7.01 --- Esthetica --- Filosofie (20e eeuw) --- Art, Modern - 19th century --- Art, Modern - 20th century --- Fin-de-siècle --- Littérature
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