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Tattoo, torture, mutilation, and adornment : the denaturalization of the body in culture and text
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ISBN: 0585056870 9780585056876 079141065X 0791410668 1438412177 Year: 1992 Publisher: State University of New York Press

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Analyzes the power of culture to encode its messages on the human form.

Metal and flesh : the evolution of man: technology takes over
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ISBN: 0262042002 Year: 2001 Publisher: Cambridge (Mass.) : MIT press,

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The culture of the body : genealogies of modernity
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ISBN: 0472067427 0472097423 Year: 2001 Publisher: Ann Arbor (Mich.) : University of Michigan press,

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What is the body? How was it constructed, conceived, and cultivated before and after the advent of Cartesian rationalism and modern science? This interdisciplinary study elaborates a cultural genealogy of the body and its legacies to modernity by tracing its crucial redefinition from a lived experiential entity in the early modern period to its anatomical abstraction and disembodiment through mechanical and virtual philosophical models in the modern period. Emergent analogies of the body to a machine sundered the body from its subjective and worldly existence, reducing it to the abject condition of a thing. This progressive virtualization of the body implies the loss of the experiential lived body and recasts the question of sexuality within the purview of the organism-machine, consequently destroying its meaning as embodied expression. Rather than treating sexual difference as a given, as an anatomical or philosophical destiny, 'The culture of the body' challenges essentialist accounts of sexuality by demonstrating that human embodiment entails diverse processes of cultural and social materialization. It shows how these multiple genealogies of the body inflect both its inherited meanings and its legacy to modernity resulting in alternative ways for conceiving and representing the body today.

Obscure objects of desire : surrealism, fetishism, and politics
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ISBN: 0199253420 019169813X Year: 2004 Publisher: Oxford : Oxford university press,

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Disembodied heads in medieval and early modern culture
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ISSN: 15681181 ISBN: 9004253556 9789004253551 1299808220 9781299808225 9004253548 9789004253544 9789004253544 Year: 2013 Volume: 28 Publisher: Boston : Brill,

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Do heads excite a desire to chop them off; a desire to decapitate and take a human life, as anthropologists have suggested? The contributors to this book are fascinated by ‘disembodied heads’, which are pursued in their many medieval and early modern disguises and representations, including the metaphorical. They challenge the question why in medieval and early modern cultures the head was usually considered the most important part of the body, a primacy only contested by the heart for religious reasons. Carefully mapping beliefs, mythologies and traditions concerning the head, the result is an attempt to establish a ‘cultural anatomy’ of the head, which is relevant for cultural historians, art historians and students of the philosophy, art and sciences of the premodern period. Contributors include Barbara Baert, Esther Cohen, Mateusz Kapustka, Arjan R. de Koomen, Robert Mills, Marina Montesano, Scott B. Montgomery, Catrien Santing, Jetze Touber, and Bert Watteeuw.

The shape of fear: horror and the Fin de Siècle culture of decadence
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ISBN: 0813120136 9780813120133 Year: 1998 Publisher: Lexington University Press of Kentucky

The absent body
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ISBN: 0226470008 0226469999 9780226470009 9780226469997 Year: 1990 Publisher: Chicago: University of Chicago press,

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The body plays a central role in shaping our experience of the world. Why, then, are we so frequently oblivious to our own bodies? We gaze at the world, but rarely see our own eyes. We may be unable to explain how we perform the simplest of acts. We are even less aware of our internal organs and the physiological processes that keep us alive. In this fascinating work, Drew Leder examines all the ways in which the body is absent—forgotten, alien, uncontrollable, obscured. In part 1, Leder explores a wide range of bodily functions with an eye to structures of concealment and alienation. He discusses not only perception and movement, skills and tools, but a variety of "bodies" that philosophers tend to overlook: the inner body with its anonymous rhythms; the sleeping body into which we nightly lapse; the prenatal body from which we first came to be. Leder thereby seeks to challenge "primacy of perception." In part 2, Leder shows how this phenomenology allows us to rethink traditional concepts of mind and body. Leder argues that Cartesian dualism exhibits an abiding power because it draws upon life-world experiences. Descartes' corpus is filled with disruptive bodies which can only be subdued by exercising "disembodied" reason. Leder explores the origins of this notion of reason as disembodied, focusing upon the hidden corporeality of language and thought. In a final chapter, Leder then proposes a new ethic of embodiment to carry us beyond Cartesianism. This original, important, and accessible work uses examples from the author's medical training throughout. It will interest all those concerned with phenomenology, the philosophy of mind, or the Cartesian tradition; those working in the health care professions; and all those fascinated by the human body.

Senses of Touch: Human Dignity and Deformity from Michelangelo to Calvin
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ISSN: 05856914 ISBN: 9004111751 9004477489 9789004111752 9789004477483 Year: 1998 Volume: 71 Publisher: Leiden;Boston BRILL

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Senses of Touch anatomizes the uniquely human hand as a rhetorical figure for dignity and deformity in early modern culture. It concerns a valuational shift from the contemplative ideal, as signified by the sense of touch. From posture to piety, from manicure to magic, the book discovers touch in a critical period of its historical development, in anatomy and society. It features new interpretations of two landmarks of western civilization: Michelangelo's fresco of the Creation of Adam and Calvin's doctrine of election. It also accords special attention to the typing of women as sensual creatures by using their hands as a heuristic. Its alternative interpretations explore in theory and in practice the sensuality, the creativity, and the plain utility of hands, thus integrating biology and culture.

Volatile bodies : toward a corporeal feminism
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ISBN: 9780253208620 0253208629 9780253326867 0253326869 Year: 1994 Publisher: Bloomington: Indiana university press,

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"The location of the author's investigations, the body itself rather than the sphere of subjective representations of self and of function in cultures, is wholly new.... I believe this work will be a landmark in future feminist thinking." "This is a text of rare erudition and intellectual force. It will not only introduce feminists to an enriching set of theoretical perspectives but sets a high critical standard for feminist dialogues on the status of the body." Volatile Bodies demonstrates that the sexually specific body is socially constructed: biology or nature is not opposed to or in conflict with culture. Human biology is inherently social and has no pure or natural "origin" outside of culture. Being the raw material of social and cultural organization, it is "incomplete" and thus subject to the endless rewriting and social inscription that constitute all sign systems. Examining the theories of Freud, Lacan, Merleau-Ponty, Foucault, Deleuze, Derrida, etc. on the subject of the body, Elizabeth Grosz concludes that the body they theorize is male. These thinkers are not providing an account of "human" corporeality but of male corporeality. Grosz then turns to corporeal experiences unique to women -- menstruation, pregnancy, childbirth, lactation, menopause. Her examination of female experience lays the groundwork for developing theories of sexed corporeality rather than merely rectifying flawed models of male theorists.


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Heidegger among the sculptors : body, space, and the art of dwelling
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ISBN: 0804775761 9780804775762 9780804770224 9780804770231 0804770220 0804770239 Year: 2010 Publisher: Stanford, Calif. : Stanford University Press,

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Heidegger Among the Sculptors is a provocative illustrated examination of Heidegger's sculptural writings that shows how they rethink the relationship between bodies and space and the place of art in our lives.

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