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Magnelli, Alberto --- Collage --- Collage (Art) --- Magnelli, Alberto, --- Catalogs --- Catalogs.

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While the emergence of collage is frequently placed in the twentieth century when it was a favored medium of modern artists, its earliest beginnings are tied to the invention of paper in China around 200 BCE. Subsequent forms occurred in twelfth-century Japan with illuminated manuscripts that combined calligraphic poetry with torn colored papers. In early modern Europe, collage was used to document and organize herbaria, plant specimens, and other systems of knowledge. In the eighteenth and nineteenth centuries, collage became firmly associated with the expression of intimate relations and familial affections. Fragmentary Forms offers a new, global perspective on one of the world’s oldest and most enduring means of cultural expression, tracing the rich history of collage from its ancient origins to its uses today as a powerful tool for storytelling and explorations of identity. Presenting an expansive approach to collage and the history of art, Freya Gowrley explores what happens when overlapping fragmentary forms are in conversation with one another. She looks at everything from volumes of pilgrims’ religious relics and Victorian seaweed albums to modernist papiers collés by Pablo Picasso and Georges Braque and quilts by Faith Ringgold exploring African-American identity. Gowrley examines the work of anonymous and unknown artists whose names have been lost to history, either by accident or through exclusion Featuring hundreds of beautiful images, Fragmentary Forms demonstrates how the use of found objects is an important characteristic of this unique art form and shows how collage is an inclusive medium that has given voice to marginalized communities and artists across centuries and cultures

Pictures --- Collage --- Montage --- Arts --- Visual communication in art. --- Trimming, mounting, etc. --- Themes, motives. --- Art --- collages [visual works] --- art history --- collage [technique] --- collagists

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In 2011, the Swiss artist Thomas Hirschhorn (born 1957) was awarded the Kurt Schwitters Prize, given annually to an artist whose work references that of Schwitters. The award enabled Hirschhorn to make two new installations in homage to Schwitters, the notes, plans and sketches for which are documented here.

Hirschhorn, Thomas --- Schwitters, Kurt --- Installation-art --- Installations (Art) --- Collage, Swiss --- Collage, Swiss. --- Installations (Art). --- Hirschhorn, Thomas. --- 2000-2099. --- Germany --- Hirschhorn, Thomas, --- Installations (Art) - Germany - Hannover - Exhibitions --- Collage, Swiss - 21st century - Exhibitions --- Hirschhorn, Thomas, - 1957- - Exhibitions --- Hirschhorn, Thomas, - 1957 --- -Collage, Swiss --- -Installation-art --- Hirschhorn, Thomas, - 1957-

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Collage is one of the most popular and pervasive of all art-forms, yet this is the first historical survey book ever published on the subject. Featuring over 200 works, ranging from the 1500s to the present day, it offers an entirely new approach. Hitherto, collage has been presented as a twentieth-century phenomenon, linked in particular to Pablo Picasso and Cubism in the years just before the First World War. In Cut and Paste: 400 Years of Collage, we trace its origins back to books and prints of the 1500s, through to the boom in popularity of scrapbooks and do-it-yourself collage during the Victorian period, and then through Cubism, Futurism, Dada and Surrealism. Collage became the technique of choice in the 1960s and 1970s for anti-establishment protest, and in the present day is used by millions of us through digital devices. The definition of collage employed here is a broad one, encompassing cut-and-pasted paper, photography, patchwork, film and digital technology and ranging from work by professionals to unknown makers, amateurs and children. Published to accompany an exhibition at the National Gallery of Scotland, June-October 2019.

Art --- History --- scrapbooks --- collages [visual works] --- paperwork [visual works] --- montage [image-making technique] --- patchwork --- pictures [object genre] --- scrapbooking --- Collage --- 7.02 --- Beeldende kunst ; technieken ; collage ; decoupage --- Collages ; geschiedenis --- Fotocollages --- Collages --- Found objects (Art) --- Handicraft --- Montage --- Kunst ; technieken --- Exhibitions --- 705.9 --- collages --- fotocollages --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- collage --- collage. --- Kunst

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Hausmann, Raoul --- art [fine art] --- Art --- anno 1900-1999 --- France --- Germany --- Dadaism --- Collage, German --- Photography, Artistic --- Dadaïsme --- Collage (Art) allemand --- Photographie artistique --- Exhibitions. --- Exhibitions --- Expositions --- Hausmann, Raoul, --- Dadaïsme --- art [discipline]