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Magnelli, Alberto --- Collage --- Collage (Art) --- Magnelli, Alberto, --- Catalogs --- Catalogs.
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Schwitters, Kurt --- Dadaism --- Collage (Art), German --- Dadaïsme --- Collage (Art) allemand --- Exhibitions --- Expositions --- Schwitters, Kurt, --- Exhibitions. --- Art --- Dadaïsme
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En 1961, le musée d’Art moderne de New York présentait une exposition intitulée « The Art of Assemblage ». Avons-nous aujourd’hui le même regard sur ces assemblages ? À travers les 15 études réunies dans cet ouvrage, qui couvrent essentiellement les années 1960 à nos jours, en France et aux États-Unis, de nombreux types d’assemblage sont explorés, incluant des situations qu’on n’aurait pas imaginées sous cet angle, comme la cuisine de Daniel Spoerri ou le happening de Carolee Schneemann, les dispositifs de Bruno Peinado ou les installations éphémères de Gabriel Orozco. Un texte inédit en français de Thomas Hirschhorn clôt cet ensemble, préfacé par la spécialiste française de Rodin, Antoinette Le Normand-Romain.
Art --- anno 1900-1999 --- Assemblage (Art) --- Art, Modern --- Collage (Art) --- History
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In 2011, the Swiss artist Thomas Hirschhorn (born 1957) was awarded the Kurt Schwitters Prize, given annually to an artist whose work references that of Schwitters. The award enabled Hirschhorn to make two new installations in homage to Schwitters, the notes, plans and sketches for which are documented here.
Hirschhorn, Thomas --- Schwitters, Kurt --- Installation-art --- Installations (Art) --- Collage, Swiss --- Collage, Swiss. --- Installations (Art). --- Hirschhorn, Thomas. --- 2000-2099. --- Germany --- Hirschhorn, Thomas, --- Installations (Art) - Germany - Hannover - Exhibitions --- Collage, Swiss - 21st century - Exhibitions --- Hirschhorn, Thomas, - 1957- - Exhibitions --- Hirschhorn, Thomas, - 1957 --- -Collage, Swiss --- -Installation-art --- Hirschhorn, Thomas, - 1957-
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Alechinsky, Pierre --- Alechinsky, Pierre, --- Criticism and interpretation. --- Alechinsky --- Alechinsky, Pierre. --- frottage. --- collage. --- tekeningen. --- illustratie. --- Ernst, Max.
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Collage is one of the most popular and pervasive of all art-forms, yet this is the first historical survey book ever published on the subject. Featuring over 200 works, ranging from the 1500s to the present day, it offers an entirely new approach. Hitherto, collage has been presented as a twentieth-century phenomenon, linked in particular to Pablo Picasso and Cubism in the years just before the First World War. In Cut and Paste: 400 Years of Collage, we trace its origins back to books and prints of the 1500s, through to the boom in popularity of scrapbooks and do-it-yourself collage during the Victorian period, and then through Cubism, Futurism, Dada and Surrealism. Collage became the technique of choice in the 1960s and 1970s for anti-establishment protest, and in the present day is used by millions of us through digital devices. The definition of collage employed here is a broad one, encompassing cut-and-pasted paper, photography, patchwork, film and digital technology and ranging from work by professionals to unknown makers, amateurs and children. Published to accompany an exhibition at the National Gallery of Scotland, June-October 2019.
Art --- History --- scrapbooks --- collages [visual works] --- paperwork [visual works] --- montage [image-making technique] --- patchwork --- pictures [object genre] --- scrapbooking --- Collage --- 7.02 --- Beeldende kunst ; technieken ; collage ; decoupage --- Collages ; geschiedenis --- Fotocollages --- Collages --- Found objects (Art) --- Handicraft --- Montage --- Kunst ; technieken --- Exhibitions --- 705.9 --- collages --- fotocollages --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- collage --- collage. --- Kunst
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Painting --- Abstract [modern European style] --- collage [technique] --- easel paintings [paintings by form] --- Cornelis, Beniti
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Hausmann, Raoul --- art [fine art] --- Art --- anno 1900-1999 --- France --- Germany --- Dadaism --- Collage, German --- Photography, Artistic --- Dadaïsme --- Collage (Art) allemand --- Photographie artistique --- Exhibitions. --- Exhibitions --- Expositions --- Hausmann, Raoul, --- Dadaïsme --- art [discipline]
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Cet ouvrage reprend l'inventaire des oeuvres de Max Ernst (1891-1976) concernant sa période des collages et romans-collages (1917-1940).Ces oeuvres sont réalisées à partir d'illustrations,gravures,vieux catalogues,fragments d'images banales et descriptives juxtaposées irrationnellement. Cette période correspond à l'activité dadïste à Cologne et surréaliste à Paris.
collages [visual works] --- Surrealist --- Art styles --- Art --- Ernst, Max --- anno 1900-1999 --- collages --- Collage, German --- Collage (Art) allemand --- Ernst, Max, --- Exhibitions. --- Peintre --- Gravure --- 20e siècle --- Exhibitions --- Ernst, Max, 1891-1976
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Sculpture --- Painting --- sculpture [visual works] --- assemblages [sculpture] --- collage [technique] --- easel paintings [paintings by form] --- Thiébaut, Marie-Pierre
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