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Painting --- Graphic arts --- etchings [prints] --- calligraphy [process] --- easel paintings [paintings by form] --- Marin, John
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Writing --- Art --- calligraphy [process] --- street art --- graffiti art --- Arabian [culture] --- Arab states
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Art --- North Korea --- South Korea --- Ink painting, Korean --- Calligraphy, Korean --- Painting --- Calligraphy --- History --- Private collections --- Yi, U-hwan, --- Art collections --- Ink painting, Korean - Choson dynasty, 1392-1910 - Exhibitions --- Calligraphy, Korean - History - Choson dynasty, 1392-1910 - Exhibitions --- Painting - Private collections - Korea - Exhibitions --- Calligraphy - Private collections - Korea - Exhibitions --- Yi, U-hwan, - 1936- - Art collections - Exhibitions --- Yi, U-hwan, - 1936 --- -Art --- -Ink painting, Korean --- Yi, U-hwan, - 1936-
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Writing --- Book history --- Graphic arts --- calligraphy [process] --- printing [process] --- printing techniques --- xylography --- boekdrukkunst --- book history --- handmade paper --- China
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Writing --- Book history --- Art --- calligraphy [process] --- decorative arts [discipline] --- fine arts [discipline] --- rare books --- National Palace Museum [Taipei] --- China
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Writing --- Sculpture --- Applied arts. Arts and crafts --- paintings [visual works] --- sculpture [visual works] --- calligraphy [process] --- decorative arts [discipline] --- museumcollectie --- Chinese [culture or style] --- Shanghai Museum [Shanghai] --- China
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Book history --- Painting --- Manuscripts. Epigraphy. Paleography --- calligraphy [process] --- Nature --- Rudolf II of Habsburg [Holy Roman Emperor] --- Hoefnagel, Joris --- Bocskay, Georg --- J
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kunst --- eenentwintigste eeuw --- De Cordier Thierry --- woord en beeld --- kunst en religie --- schriftuur --- 7.071 DE CORDIER --- België --- Exhibitions --- Cordier, de, Thierry --- Calligraphy --- Cordier, Thierry de, --- De Cordier, Thierry
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The history of drawing, in common with the history of much else, is the history of what has survived.' In the sixteenth century, drawings came to be valued as works of art in their own right. In recognition of this, collectors through time have ensured the preservation of countless drawings. This book takes us through the process of drawing as a functional art of lines. Through the journey from figure to landscape, sketch to meticulously detailed piece and from the artist's studio to the collector's vast portfolio, the exhibition examines what has survived and raises questions about the value of what has been lost. Examining the value of a drawing, the book charters the growth in appreciation of this undefined form and offers insight into the vision of both the artist and the collector. This 184 page catalogue features all the prints on display in the 2013 Ashmolean Master Drawings exhibition.
Drawing --- Ashmolean Museum [Oxford] --- Art --- calligraphy [process] --- Nature --- landscapes [representations] --- Xu Bing --- China --- drawing [image-making] --- tekenkunst --- drawings [visual works] --- pen and wash drawings --- tekeningen --- the Ashmolean Museum (Oxford) --- tekeningen. --- the Ashmolean Museum (Oxford).
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Art --- armor [protective wear] --- prints [visual works] --- wood engravings [prints] --- calligraphy [process] --- fine arts [discipline] --- textile art [visual works] --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- Japan
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