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Book
Beyond aesthetics: investigations into the nature of visual art
Authors: ---
ISBN: 0500011478 Year: 1976 Publisher: London Thames and Hudson

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The American art museum: elitism and democracy
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ISBN: 0718500423 Year: 1997 Volume: *4 Publisher: London Leicester University Press

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Book
The social production of art
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ISBN: 0333597060 0333597052 Year: 1993 Publisher: Houndmills Macmillan

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Book
Die "Goldenen" Zwanziger Jahre: Kunst und kultur der Weimarer Republik
Authors: ---
ISBN: 3361000386 9783361000384 Year: 1987 Publisher: Leipzig Edition Leipzig

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Book
Striking images, iconoclasms past and present
Authors: --- ---
ISBN: 9781472413673 1472413679 Year: 2013 Publisher: Farnham Ashgate

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Book
Courbet, L'Enterrement à Ornans: un tombeau pour la République
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ISBN: 2910828166 9782910828165 Year: 1999 Publisher: Paris Boutique de l'Histoire

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Book
Peinture et société dans les Pays-Bas du 17ème siècle: essai sur le discours de l'histoire de l'art
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ISBN: 2747510085 9782747510080 Year: 2001 Publisher: Paris Harmattan

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Book
Kunst und Gesellschaft
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ISBN: 3406049001 9783406049002 Year: 1988 Volume: 100 Publisher: München Deutscher Taschenbuch Verlag

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Book
The rise and fall of American art, 1940s-1980s : a geopolitics of Western art worlds
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ISBN: 9781472411716 1138295574 9781138295575 Year: 2015 Publisher: Farnham Ashgate

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Book
The sublime in the visual culture of the seventeenth-century Dutch Republic
Authors: ---
ISBN: 9781032375878 9781032375885 9781003340942 Year: 2024 Publisher: New York, NY Routledge, Taylor & Francis Group

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"Contrary to what Kant believed about the Dutch (and their visual culture) as "being of an orderly and diligent position" and thus having no feeling for the sublime, this book argues that the sublime played an important role in seventeenth-century Dutch visual culture. By looking at different visualizations of exceptional heights, divine presence, political grandeur, extreme violence, and extraordinary artifacts, the authors demonstrate how viewers were confronted with the sublime, which evoked in them a combination of contrasting feelings of awe and fear, attraction and repulsion. In studying seventeenth-century Dutch visual culture through the lens of notions of the sublime, we can move beyond the traditional and still widespread views on Dutch art as the ultimate representation of everyday life and the expression of a prosperous society in terms of calmness, neatness, and order. The book will be of interest to scholars working in art history, visual culture, architectural history, and cultural history"--

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