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Art --- Aesthetics --- Art and society. --- Visual perception. --- Psychology.
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Art and society --- Art museums --- Art patronage --- United States
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Sociology of culture --- Art --- Arts and society. --- Communication in art.
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Arts, German --- Arts and society --- History --- Germany --- Intellectual life
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Art --- Iconoclasm. --- Art and society. --- Iconoclasme --- Art et société --- Mutilation, defacement, etc. --- Mutilation --- Art and society --- Mutilation, defacement, etc --- Art et société --- Art - Mutilation, defacement, etc
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Courbet, Gustave --- Ornans (France) --- Art and society --- Biography --- Portraits --- History --- Ornans (France) - Biography - Portraits --- Art and society - France - History - 19th century
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Art --- anno 1600-1699 --- Netherlands --- Belgium --- Painting, Dutch --- Art and society --- History --- Painting, Dutch - 17th century. --- Art and society - Netherlands - History - 17th century. --- Peinture flamande --- 17e siecle
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Sociology of literature --- Art --- Sociology of culture --- Arts and society --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Social aspects --- Arts and society.
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Politics --- Art --- art market --- anno 1900-1999 --- New York City --- Art and society --- Art and society. --- History --- Political aspects --- Political aspects. --- 1900-1999. --- New York City [New York]
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"Contrary to what Kant believed about the Dutch (and their visual culture) as "being of an orderly and diligent position" and thus having no feeling for the sublime, this book argues that the sublime played an important role in seventeenth-century Dutch visual culture. By looking at different visualizations of exceptional heights, divine presence, political grandeur, extreme violence, and extraordinary artifacts, the authors demonstrate how viewers were confronted with the sublime, which evoked in them a combination of contrasting feelings of awe and fear, attraction and repulsion. In studying seventeenth-century Dutch visual culture through the lens of notions of the sublime, we can move beyond the traditional and still widespread views on Dutch art as the ultimate representation of everyday life and the expression of a prosperous society in terms of calmness, neatness, and order. The book will be of interest to scholars working in art history, visual culture, architectural history, and cultural history"--
Architecture and society --- Art and society --- Sublime, The, in art. --- History --- Aesthetics --- Art --- Netherlandish --- Amsterdam, Stadhuis --- anno 1600-1699 --- History of civilization --- Sublime, the --- visual culture --- Netherlands
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