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"Bij weinigen bekend, maar niet minder invloedrijk: Jo van Gogh-Bonger (1862-1925), de vrouw van Theo en schoonzus van Vincent van Gogh. Toen de broers kort na elkaar overleden, ontfermde zij zich vanaf 1891 over Van Goghs artistieke nalatenschap en wijdde de rest van haar leven aan de verspreiding en bekendmaking ervan. Ze publiceerde zijn brieven, organiseerde tentoonstellingen in binnen- en buitenland en verkocht strategisch aan particulieren en invloedrijke kunsthandelaren. Voor de reputatie van Van Goghs kunst waren haar inspanningen cruciaal. Maar ook in andere opzichten leidde ze een boeiend leven. Niet alleen was ze bevriend met vooraanstaande schrijvers en kunstenaars, ze was ook actief binnen de Sociaal-Democratische Arbeiderspartij en nauw betrokken bij de ontluikende vrouwenbeweging. Ze had één zoon, die vernoemd was naar zijn oom: hij was de tweede belangrijke Vincent in haar leven. Op basis van rijk bronnenmateriaal, waaronder niet eerder gepubliceerde dagboeken, documenten en brieven, schetst Hans Luijten het veelzijdige leven van deze geëngageerde vrouw die zich in de decennia rond 1900 daadkrachtig manifesteerde in een door mannen gedomineerde wereld. 'Alles voor Vincent' is een liefdevol geschreven biografie, die ook nieuw licht werpt op de waarderingsgeschiedenis van Van Gogh".

biographies [documents] --- patrons [philanthropists] --- Gogh, van, Vincent --- Bonger, Jo --- Women art patrons --- Art patrons --- Women art patrons. --- Art patrons. --- Gogh-Bonger, Johanna van, --- Gogh, Vincent van, --- Netherlands. --- biographies [literary works]

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History --- women [female humans] --- collecting --- patronage --- connoisseurship --- Art --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Sociology of the family. Sociology of sexuality --- anno 1200-1499 --- Europe --- Women art patrons --- Biography --- History and criticism --- Women art collectors --- Women art patrons - Europe - Biography - History and criticism. --- Women art collectors - Europe - Biography - History and criticism.

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This book examines the sociocultural networks between the courts of early modern Italy and Europe, focusing on the Florentine Medici court, and the cultural patronage and international gendered networks developed by the Grand Duchess of Tuscany, Vittoria della Rovere.Adelina Modesti uses Grand Duchess Vittoria as an exemplar of pan-European 'matronage' and proposes a new matrilineal model of patronage in the early modern period, one in which women become not only the mediators but also the architects of public taste and the transmitters of cultural capital. The book will be the first comprehensive monographic study of this important cultural figure.This study will be of interest to scholars working in art history, gender studies, Renaissance studies and seventeenth-century Italy.

Medici, House of --- Art patronage. --- E-books --- Art --- patronage --- philanthropy --- women [female humans] --- Rovere, della, Vittoria [Grand duchess of Tuscany] --- Medici, de [Family] --- anno 1600-1699 --- Europe --- Sociology of the family. Sociology of sexuality --- Women art patrons --- Women and the arts --- Social networks --- History --- Vittoria, --- Art patronage --- Women art patrons - Social networks - Europe - History - 17th century --- Women and the arts - Europe - History - 17th century --- Medici, House of - Art patronage --- Vittoria, - Grand Duchess, consort of Ferdinando II, Grand-Duke of Tuscany, - 1622-1694 - Art patronage --- Vittoria, - Grand Duchess, consort of Ferdinando II, Grand-Duke of Tuscany, - 1622-1694 --- kunst en politiek

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D'origine lyonnaise, Juliette Récamier (1777-1849) reçut dans son salon toutes les personnalités importantes de son temps, la première moitié du XIXe siècle. L'exposition propose d'explorer ce personnage à travers son rapport aux arts. Juliette Récamier fut en effet tour à tour : modèle , commanditaire , collectionneuse et initiatrice d'un nouveau goût. Les différentes sections de l'exposition permettront de : - rassembler une importante sélection de ses portraits tout au long de sa vie ; - découvrir les cercles artistiques et littéraires gravitant autour de Juliette Récamier ; - Confronter les œuvres et objets provenant de ses collections ; - Comprendre son usage des arts pour servir son image ; - Poser la question de l'influence de Juliette Récamier sur les arts de son temps et de sa postérité auprès des artistes. http://www.mba-lyon.fr/mba/sections/fr/expositions-musee/mba/sections/fr/expositions-musee/juliette-recamier-m/juliette-recamier-et/ (11/06/2010)

Récamier, Julie --- Art patrons --- Mécènes --- History --- Exhibitions --- Histoire --- Expositions --- Récamier, Jeanne Françoise Julie Adélaïde Bernard, --- Exhibitions. --- France --- Civilization --- Civilisation --- Collection --- Histoire de l'art --- Histoire des arts décoratifs --- Histoire du costume --- Histoire du mobilier --- Mécénat --- Portrait --- Sociologie --- Women art patrons --- Biography --- Récamier, Jeanne Françoise Julie Adélaïde Bernard, --- Art collections --- 19e siècle --- Mécènes --- Women art patrons - France - Biography - Exhibitions --- Récamier, Jeanne Françoise Julie Adélaïde Bernard, - 1777-1849 - Exhibitions --- Récamier, Jeanne Françoise Julie Adélaïde Bernard, - 1777-1849 - Portraits - Exhibitions --- Récamier, Jeanne Françoise Julie Adélaïde Bernard, - 1777-1849 - Art collections - Exhibitions --- France - Civilization - 1789-1830 - Exhibitions --- mode. --- salon. --- mecenaat. --- geschiedenis. --- Récamier, Juliette. --- Magritte, René. --- 18de eeuw. --- 19de eeuw. --- Parijs. --- Lyon. --- Récamier, Jeanne Françoise Julie Adélaïde Bernard, - 1777-1849

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"This book examines the place of women in art and literature from the 19th century to the present day, whether as artists, critics or collectors. It centers on the concept of the network, as a possible point of entry for women into cultural circles long seen as male territories. Within the framework of feminist history and gender studies, the book looks at the careers of salonnières, gallery owners, editors and all types of artists, in Europe and in the USA. They may be famous (Carolee Schneemann) or less so (Yvonne Serruys), they may or may not have been openly feminist, but they have all used networking as a strategy to defend their artistic choices or their vision of the world, as well as to help and support one another"--Back cover.

Sociologie van de cultuur --- kunst --- sociologie --- kunstpatronaat --- kunsthandelaren --- vrouwen --- Kunst: personen --- anno 1800-1999 --- anno 2000-2099 --- Women and the arts. --- Women artists --- Women art critics --- Women art patrons --- Women art dealers --- Social networks. --- Women and the arts --- Women and literature --- Literature --- Arts and women --- Arts --- History --- Sociology of culture --- art [fine art] --- sociology --- patronage --- art dealers --- women [female humans] --- Art: persons --- art [discipline] --- vrouwelijke kunstenaar