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Bellmer, Hans --- Gender identity in art. --- National socialism and art.
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National Socialism --- Salzburg Museum --- anno 1900-1999 --- Salzburg
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Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule
Arts and society --- Arts, German --- National socialism and art --- History --- Political systems --- History of civilization --- National Socialism --- anno 1930-1939 --- anno 1940-1949 --- Germany --- cultuurgeschiedenis --- kunst en politiek
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The roll-call of wars down the centuries is paralleled by an equally extensive narrative of the theft, destruction, plundering, displacement and concealing of some of the greatest works of art during those conflicts - a story that is expertly told in this original publication. From the many wars of Classical Antiquity, through the military turning points and detours of the Fourth Crusade, the Thirty Years' War, Revolutionary and Napoleonic France, the First and Second World Wars, and then onwards to the ongoing contemporary conflicts in Afghanistan and Iraq, the history of art crime in times of war contains myriad fascinating and often little-known stories of the fate of humankind's greatest works of art. Plundering Beauty: A History of Art Crime during War charts the crucial milestones of art crimes spanning two thousand years. The works of art involved have fascinating stories to tell, as civilisation moves from a simple and brutal 'winner takes it all' attitude to the spoils of war, to contemporary understanding, and commitment to, the idea that our artistic heritage truly belongs to all humankind.
Criminology. Victimology --- Polemology --- Art --- theft [social issue] --- wars --- National Socialism --- kunstroof
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Art --- National Socialism --- art market --- kunstroof --- provenance research --- Entartete Kunst --- anno 1900-1999 --- Germany --- Europe
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Criminology. Victimology --- Art --- National Socialism --- kunstroof --- Gurlitt, Hildebrand --- Hitler, Adolf --- Europe --- looted art
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Art --- National Socialism --- Entartete Kunst --- Stiftung Museum Kunstpalast [Düsseldorf] --- anno 1930-1939 --- Dusseldorf
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Politics --- Criminology. Victimology --- Art --- National Socialism --- politics --- legislation [declaration of laws] --- world wars --- kunstroof --- restitution --- Germany
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Art --- National Socialism --- Judaism --- art collections --- provenance research --- restitution --- Budge, Emma --- Hamburg
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Criminology. Victimology --- Polemology --- Art --- National Socialism --- world wars --- museums [institutions] --- kunstroof --- anno 1940-1949 --- Wrocław
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