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Sculpture --- Religious architecture --- Laon --- Sculpture, Medieval --- Architecture, Gothic --- Sculpture médiévale --- Architecture gothique --- Cathédrale de Laon. --- Laon (France) --- Buildings, structures, etc. --- Constructions. --- Sculpture médiévale --- Cathédrale de Laon.

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Notke, Bernt --- Altarpieces, German --- Sculpture, Medieval --- Artists' studios --- Retables allemands --- Sculpture médiévale --- Ateliers d'artiste --- History --- Histoire --- Notke, Bernt, --- middeleeuwen --- Sculpture médiévale --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak). --- Notke, Bernt.

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Explores the common elements of Romanesque sculpture from the perspective of gaining a better understanding the culture of the eleventh and twelfth centuries--a time when society was marked by violence and feudal divisions. Rather than emphasizing regional diversity in Romanesque art, this book focuses on the common sources of inspiration that resulted in parallel solutions developed to address similar circumstances. Despite the crises of the time a sense of coherence emerges based on economic renewal and the omnipresence of the Church through the development of the parish network, the monastic orders and the dynamics of pilgrimages.

Sculpture --- anno 800-1199 --- Sculpture, Romanesque. --- Sculpture, Medieval --- Sculpture romane --- Sculpture médiévale --- Themes, motives. --- Thèmes, motifs --- Sculpture, Romanesque --- Church decoration and ornament --- 73 <4> --- Beeldhouwkunst. Sculptuur--Europa --- 73 <4> Beeldhouwkunst. Sculptuur--Europa --- Sculpture médiévale --- Thèmes, motifs --- Romanesque sculpture --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- Church decoration and ornament - Europe

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These collected essays on medieval painting and polychrome sculpture draw on a spectrum of vantage points and methodologies for studying the phenomena of painting over c.450 years. The papers are based on discussions held in Oslo in 2010 on topics related to medieval objects in Scandinavian collections. The aim of these discussions was to generate a multifaceted overview of current scholarship devoted to medieval paint and painting, and its changing faces and meanings. The sum of the individual contributions is a panorama of the sort that has come to characterise the interactions and rich discourse between conservators, conservation scientists and historians. The resulting knowledge base has become a theoretical and practical underpinning for a project known as 'After the Black Death: Painting and Polychrome Sculpture in Norway, 1350-1550' , which is based in Conservation Studies at the University of Oslo.

Sculpture --- Painting --- Medieval [European] --- polychrome --- painting [image-making] --- anno 500-1499 --- Europe --- Peinture médiévale --- Sculpture polychrome --- Histoire --- Art, Medieval --- Sculpture, Medieval --- Painting, Medieval --- Art médiéval --- Sculpture médiévale --- Congresses. --- Congrès --- Art médiéval --- Sculpture médiévale --- Peinture médiévale --- Congrès

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Sepulchral monuments, Medieval. --- Memorials. --- Sculpture, Medieval. --- Art, Medieval. --- Monuments funéraires médiévaux --- Monuments commemoratifs --- Sculpture médiévale --- Art médiéval --- Art, Medieval --- Memorials --- Sculpture, Medieval --- Sepulchral monuments, Medieval --- Medieval sepulchral monuments --- Commemorations --- Historic sites --- Memorialization --- Monuments --- Medieval art --- Theses --- Monuments funéraires médiévaux --- Sculpture médiévale --- Art médiéval