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Drawing --- Sculpture --- Rodin, Auguste --- Sculptors --- Sculpture, Ancient --- Sculpture, Classical --- Sculpteurs --- Sculpture antique --- Exhibitions --- Influence --- Reproduction --- Expositions --- Rodin, Auguste, --- Exhibitions.
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Sculpture --- anno 500-1499 --- Antiquity --- Polychromy --- Sculpture, Ancient --- Sculpture, Medieval --- Congresses --- polychromy --- Polychromy - Congresses --- Sculpture, Ancient - Congresses --- Sculpture, Medieval - Congresses --- Sculpture polychrome --- Sculpture antique. --- Sculpture médiévale.
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Antique, the --- collections [object groupings] --- fine arts --- Art --- Kunsthalle zu Kiel --- Sculpture, Ancient --- Sculpture antique --- Copying --- Collectors and collecting --- Copie --- Collectionneurs et collections --- fine arts [discipline]
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sculpture [visual work] --- Sculpture --- Antique, the --- National Museum of Art, Architecture and Design [Oslo] --- Sculpture, Classical --- Museums --- Art museums --- Sculpture antique --- Musées --- Art --- Catalogs. --- Catalogues --- Nasjonalmuseet for kunst, arkitektur og design (Norway) --- sculpture [visual works] --- Musées
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Sculpture --- sculpture [visual work] --- Magnan, Dominique --- Antiquity --- anno 1600-1699 --- Rome --- Sculpture, Roman. --- Sculpture, Classical. --- Sculpture romaine --- Sculpture antique --- Magnan, Dominique, --- Criticism and interpretation --- Rome (Italy) --- Rome (Italie) --- Antiquities. --- Antiquités --- sculpture [visual works] --- Antiquités --- invloed van antieke kunst
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Cette exposition confronte les représentations de la figure humaine ainsi que celles de la spiritualité à travers les différents arts de l'Antiquité. Les archives de l'égyptologue genevois Edouard Naville sont également mises en lumière.
Archaeological museums and collections --- Art --- Sculpture, Ancient --- Archéologie --- Sculpture antique --- History --- Collectors and collecting --- Musées et collections --- Histoire --- Collectionneurs et collections --- Geneva (Switzerland). --- Archéologie --- Musées et collections --- History. --- Sculpture --- art history --- archaeographies --- Mediterranean countries --- antieke beeldhouwkunst
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Sculpture --- Antique, the --- sculpture [visual works] --- Graphic arts --- Ancient history --- Architecture --- prints [visual works] --- architecture [discipline] --- anno 1500-1799 --- Arts graphiques --- Sculpture antique --- Architecture antique --- Thèmes, motifs --- Catalogues d'exposition. --- Dans l'art --- Art, Ancient --- Prints --- Influence --- Exhibitions.
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Sculpture, Greek --- Sculpture, Ancient --- Sculpture, Roman --- Sculpture grecque --- Sculpture antique --- Sculpture romaine --- Catalogs. --- Catalogues --- Staatliche Museen zu Berlin--Preussischer Kulturbesitz. --- Sculpture --- Antique, the --- Roman sculpture styles --- Greek sculpture styles --- sculpture [visual works] --- Staatliche Museen zu Berlin --- Antiquity --- Griekse beeldhouwkunst --- antieke beeldhouwkunst
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Sculpture --- copying --- sculpture techniques --- Musée du Louvre [Paris] --- Académie de France [Rome] --- anno 1600-1699 --- anno 1800-1999 --- anno 2000-2099 --- Sculpture antique --- Goût (esthétique) --- Plâtres (sculpture) --- Reproduction. --- Académie de France à Rome --- Collections d'art --- Histoire. --- Académie de France à Rome --- Reproduction (art) --- antieke beeldhouwkunst --- Louvre Museum [Paris]
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This volume originates from an international conference (Oxford University, 2007). Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. They are of interest to classical archaeologists, art historians, the history of collecting, curators, conservators, collectors and artists. Articles explore the functions, status and reception of plaster casts in artists' workshops and in private and public collections, as well as hands-on issues, such as the making, trading, display and conservation of plaster casts. Case-studies on artists' use of material and technique include ancient Roman copyists, Renaissance sculptors and painters, Dutch 17th-century workshops, Canova, Boccioni and others. A second theme is the role of plaster casts in the history of collecting from the Renaissance to the present day.Several papers address the dissemination of visual ideas, models and ideals through the medium. Papers on modern and contemporary art illuminate the changing uses and semantic values of plaster casts in this period. Amongst the types of casts discussed are artists' models and final works as well as casts after antiquities, including sculpture, architecture and gems (dactyliothecae). The volume demonstrates the richness of the field, both in terms of the material itself and modern scholarship concerned with it. Conceived as a handbook for students, academics, curators and collectors, the text will form a standard work on the role of plaster casts in the history of Western sculpture.
Antiquities --- Cultural property --- Plaster casts --- Sculpture, Ancient --- Art, Ancient --- Archaeology --- Collection and preservation --- Protection --- Conservation and restoration --- Methodology --- Sculpture --- Antiquités --- Biens culturels --- Plâtres --- Sculpture antique --- Art antique --- Archéologie --- Congresses. --- Congresses --- Collections et conservation --- Congrès --- Conservation et restauration --- Méthodologie --- Ancient sculpture --- Casting --- Casts --- Models (Clay, plaster, etc.) --- Plaster craft --- Beeldhouwkunst --- beeldhouwwerken [beeldmateriaal] --- afgietsels --- restauratie [procédé] --- milieubeheer --- tentoonstellen --- beeldhouwen --- architectural models --- gietbaar pleister --- sculpture [visual works] --- casts [sculpture] --- restoration [process] --- conservation [discipline] --- exhibiting --- sculpting --- casting plaster --- Geschichte --- Moulage. --- Plaster cast. --- Sculpture.
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