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The Palazzo Grimani in Venice is a 16th-century palace in the Mannerist style. The former residence of the patrician Grimani family, the building also housed the Grimanis' vast collection of Greek and Roman antiquities until 1596, when the collection - comprising sculptures, vases, marbles and bronzes - was transferred to the Biblioteca Marciana in Venice. In 2019, the Biblioteca is undergoing major ceiling repairs, so the Grimani collection has been temporarily relocated to its original home. 'Domus Grimani' offers an extensive and detailed photographic tour of the building and its original collection, displaying and explicating not only their selection of Greco-Roman art, but also the residence of a 16th-century noble family; for the exhibition, objects and furnishings belonging to the Grimanis have also been retrieved from public and private collections in order to recreate their home as faithfully as possible. Exhibition: Palazzo Grimani, Venice, Italy (07.05.2019-02.05.2021).
Sculpture, Roman --- Relief (Sculpture), Roman --- Portrait sculpture, Roman --- Exhibitions. --- Museo di Palazzo Grimani --- Sculpture --- sculpture [visual works] --- private collections --- Palazzo Grimani [Venezia] --- anno 1500-1799 --- anno 1800-1999 --- anno 2000-2099 --- Museo di Palazzo Grimani [Venice] --- private collections [object groupings]
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Sculpture --- Iconography --- Agrippina [Minor] --- Portrait sculpture, Roman. --- Portrait sculpture, Roman --- Sculpture de portraits romaine --- Conservation and restoration --- Conservation et restauration --- Agrippina,
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Thematology --- Sculpture --- Iconography --- Antiquity --- Rome --- Church decoration and ornament --- Lie detectors and detection. --- Marble sculpture, Roman --- Relief (Sculpture), Roman. --- Truthfulness and falsehood. --- Basilica di S. Maria in Cosmedin (Rome, Italy). --- Rome (Italy) --- Antiquities.
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Sculpture, Roman --- Sculpture --- Sculpture romaine --- Catalogs. --- Catalogues --- Staatliche Kunstsammlungen Dresden. --- Sculpture, Greek --- Sculpture grecque --- Catalogs --- Dresden State Art Collections
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Sculpture --- sculpture [visual work] --- Magnan, Dominique --- Antiquity --- anno 1600-1699 --- Rome --- Sculpture, Roman. --- Sculpture, Classical. --- Sculpture romaine --- Sculpture antique --- Magnan, Dominique, --- Criticism and interpretation --- Rome (Italy) --- Rome (Italie) --- Antiquities. --- Antiquités --- sculpture [visual works] --- Antiquités --- invloed van antieke kunst
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Sculpture, Greek --- Sculpture, Ancient --- Sculpture, Roman --- Sculpture grecque --- Sculpture antique --- Sculpture romaine --- Catalogs. --- Catalogues --- Staatliche Museen zu Berlin--Preussischer Kulturbesitz. --- Sculpture --- Antique, the --- Roman sculpture styles --- Greek sculpture styles --- sculpture [visual works] --- Staatliche Museen zu Berlin --- Antiquity --- Griekse beeldhouwkunst --- antieke beeldhouwkunst
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Romeinse keizer --- Roman sculpture styles --- Hadrian [Roman emperor] --- Hadrian, --- Hadrien, --- --Sculpture romaine --- --IIe s. --- 730.041.5 HADRIEN --- Sculpture --- Roman history --- Iconography --- portraits --- Antiquity --- Iconographie --- 464 --- Portrait sculpture, Roman --- Sculpture de portraits romaine --- Art --- Catalogs. --- --IIe s., --- Sculpture romaine --- IIe s., 101-200 --- Hadrien, 76-138 --- Mémoires d'Hadrien --- Hadrien --- Yourcenar, Marguerite
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"Comment comprendre la multiplication des images sur les chapiteaux des églises romanes ? Quelles relations ces images entretiennent-elles avec l'espace rituel ? Les nombreuses formes animales et végétales ne seraient-elles que pur décor ? Cet ouvrage prend en compte l'intégralité des chapiteaux de quatre églises d'Auvergne : non seulement ceux qui représentent l'Apocalypse ou la vie du Christ et des saints locaux, mais aussi l'envahissante ornementation végétale, les figures animales et les étranges hybrides, dont la présence n'avait jusqu'ici pas été prise au sérieux. Grâce à une cartographie originale des relations entre les chapiteaux, c'est une analyse iconographique profondément renouvelée qui est proposée ici au lecteur. Ainsi, en rendant au monde roman l'extraordinaire complexité qui le travaille au-delà du Bien et du Mal, on restitue au lieu sacré toute sa force et son efficacité."--P. [4] of cover.
Religious architecture --- Iconography --- anno 1100-1199 --- anno 1000-1099 --- Auvergne --- Relief (Sculpture), Romanesque --- Capitals (Architecture), Romanesque --- Symbolism in architecture --- Christian art and symbolism --- Church decoration and ornament --- Relief (Sculpture) roman --- Chapiteaux romans --- Symbolisme en architecture --- Art et symbolisme chrétiens --- Eglises --- Themes, motives --- Thèmes, motifs --- Décoration et ornement --- Art et symbolisme chrétiens --- Thèmes, motifs --- Décoration et ornement --- Themes, motives. --- Relief (Sculpture), Romanesque - France - Auvergne --- Capitals (Architecture), Romanesque - France - Auvergne - Themes, motives --- Symbolism in architecture - France - Auvergne --- Christian art and symbolism - Medieval, 500-1500 --- Church decoration and ornament - France - Auvergne
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