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reclame --- affiches --- 1935 - 1955 --- 20ste eeuw --- Duitsland --- publiciteit --- affiche --- 1935 - 1955. --- 20ste eeuw. --- Duitsland.

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kunst --- Aesthetics of art --- esthetica --- #SBIB:309H520 --- #SBIB:309H505 --- Kunst --- Reclame --- Audiovisuele communicatie: algemene werken --- Code en boodschap: psychologische, psycho-analytische benadering --- 7.01 --- Kunstbeschouwing --- Kunst ; theorie, filosofie, esthetica --- kunsttheorie --- woord en beeld --- perceptie --- psychologie --- kunst en psychologie

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Art --- smoking [activity] --- Iconography --- 178.7 --- 633.71 --- Flip Bool, Martijn Helmerhorst, Annemieke Hendriks [et al.] --- schilderkunst --- psychologie --- roken --- iconografie --- iconologie --- tabak --- zeventiende eeuw --- fotografie --- beeldverhaal --- strips --- film --- twintigste eeuw --- muziek --- popmuziek --- reclame --- reclamevormgeving --- 7.041 --- 7.03 --- Tabaksverslaafdheid --- Tobaccos. Nicotiana --- 633.71 Tobaccos. Nicotiana --- 178.7 Tabaksverslaafdheid --- beeldende kunst --- speelfilm --- art [fine art] --- Arts, Modern --- Smoking in art --- art [discipline] --- beeldende kunst. --- fotografie. --- reclame. --- speelfilm. --- tabak.

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In the first study of its kind, Michele H. Bogart explores in unprecedented detail the world of commercial art, its illustrators, publishers, art directors, photographers, and painters. She maps out the border between art and commerce and expands our picture of artistic culture and practice in the twentieth century with unexpected pairings of Norman Rockwell and Andy Warhol, J.C. Leyendecker and Georgia O'Keeffe, the Metropolitan Museum of Art and Pepsi-Cola, the avant garde and the Famous Artists Schools, Inc. From the turn of the century through the 1950s, the explosive growth of popular magazines and the national advertising that supported them offered artists new sources of income and new opportunities for reaching huge audiences. Bogart shows how this change in the marketplace forced a rethinking of the purpose of artistic practice. She examines how Howard Pyle, Charles Dana Gibson, Norman Rockwell, and other illustrators understood their identities. She looks at billboard production; at the growing schism between art posters and billboard advertisements; at the new roles of the art director; at the emergence of photography as the dominant advertising medium; and at the success of painters in producing fine art for advertising during the 1930s and 1940s.

659.1 --- Commercial art --- -#SBIB:309H2821 --- #SBIB:309H241 --- #SBIB:309H505 --- Grafische vormgeving ; theorie ; kunst en reclame --- 766.01 --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art --- Art and industry --- Graphic arts --- Posters --- Visual communication --- Motion picture billboards --- Publicity. Advertising --- Reclameboodschap: functies, genres, taalgebruik historiek --- Andere media: functies, genres, historiek --- Code en boodschap: psychologische, psycho-analytische benadering --- Gebruiksgrafiek ; theorie, filosofie, esthetica --- 659.1 Publicity. Advertising --- #SBIB:309H2821 --- Illustrators --- Advertising photography --- Posters, American --- CDL --- 766.036 --- American posters --- Photography, Advertising --- Commercial photography --- Commercial artists --- art [fine art] --- advertising --- art criticism --- commercials [oral or performed works] --- reclamevormgeving --- kunst --- reclame --- kunstbeschouwing --- Artists --- 766.31.01 --- Grafische industrie en ontwerp ; beeld ; reclame ; theorie, filosofie, esthetica --- art [discipline] --- communication design

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Magritte, René --- Drawing --- Painting --- drawing [image-making] --- photography [process] --- Photography --- painting [image-making] --- Art --- assemblages [sculpture] --- anno 1900-1999 --- Belgium --- Belgian [modern] --- Catalogues d'expositions --- Peinture --- Schilderkunst --- Tentoonstellingscatalogi --- Magritte, René, --- Exhibitions --- Magritte, René 1898-1967 (°Lessines, België) --- Schilderkunst ; Surrealisme ; René Magritte --- Belgische kunstenaars --- 75.07 --- (069) --- 75.037(493) --- onder leiding van Gisèle Ollinger-Zinque en Frederik Leen --- kunst --- twintigste eeuw --- Magritte René --- schilderkunst --- beeldhouwkunst --- surrealisme --- België --- fotografie --- film --- woord en beeld --- tekenkunst --- partituren --- reclame --- kunst en reclame --- 75.071 MAGRITTE --- 7.071 MAGRITTE --- Schilderkunst ; schilders --- (Musea. Collecties) --- Schilderkunst ; 1900 - 1950 ; België --- Exhibitions. --- CDL --- Surrealist --- Magritte, René.