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Albrecht Dürer's peasant engravings: a different Laocoön, or the Birth of aesthetic subversion in the spirit of the Reformation
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Year: 2011

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Piet Mondrian : Protestantismus und Modernität
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ISBN: 3496011254 Year: 1995 Publisher: Berlin Dietrich Reimer

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What is Protestant art?
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ISBN: 9789004371170 9789004375390 9004375392 9004371176 Year: 2018 Publisher: Leiden, The Netherlands

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What is Protestant Art?' presents an introduction to Protestant visual culture from the Reformation to the present. Examining historical images as evidence of changing practices and attitudes, Andrew T. Coates explores three major themes in the history of Protestant visual culture: 1) the religious work of images, 2) the relationship between word and image, 3) the power of the Bible and its visual representation. The book analyses images such as prints, paintings, maps of the 'Holy Land,' and Bible illustrations to demonstrate the broad range of images that could be classified as Protestant 'art.' This work argues that the variety of images and visual practices throughout Protestant history might better be described by the term 'visual culture' than 'art.'


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Never to coincide : the identities of Dutch Protestants and Dutch Catholics in religious emblematics
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Year: 2011

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This essay presents observations on the distinctiveness of Protestant and Catholic literary practices and identities in the seventeenth-century Dutch Republic. Inspired by Catholic emblematists from the Southern Netherlands, Dutch Catholics as well as Protestants employed the religious emblem as a means of bolstering their faith and shaping their identity but never at the same time, and never in the same manner. The religious emblem was at first claimed by Protestants such as Jacob Cats. After 1635, it was appropriated by Catholic authors such as Jan Harmensz. Krul and Everard Meyster. As the genre was reappropriated by Protestants such as Jan Luyken in the 1680s, Dutch Catholics moved away from the emblem to express their identity in new and exclusively Catholic genres such as soberly illustrated prayer books. Production of Dutch emblem books occurred in the same social and cultural isolation as clandestine Catholic church art, indicating that no sharing of visual practices and media took place among denominations in the Republic.


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Werk, bid & bewonder : Een nieuwe kijk op kunst en calvinisme (tentoonstelling Dordrechts Museum, 11.11.2018-26.05.2019)
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ISBN: 9789462493438 Year: 2018 Publisher: Dordrecht Zutphen Dordrechts Museum Walburg Pers

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The reformation of the image.
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ISBN: 9780226448374 0226448371 1861891725 Year: 2004 Publisher: London : Reaktion books,


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Sichtbares Wort : die Kunst als Medium der Konfessionalisierung ud [sic] Intensivierung des Glaubens in der Frühen Neuzeit
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ISBN: 9783795432317 Year: 2017 Publisher: Regensburg Schnell & Steiner

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Art and religious reform in early modern Europe
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ISBN: 9781119422471 1119422477 Year: 2017 Publisher: Hoboken, NJ John Wiley & Sons

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"The religious turmoil of the sixteenth century constituted a turning point in the history of Western Christian art. The essays presented in this volume investigate the ways in which both Protestant and Catholic reform stimulated the production of religious images, drawing on examples from across Europe and beyond"--

Painting religion in public : John Singer Sargent's Triumph of religion at the Boston Public Library
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ISBN: 0691015651 Year: 1999 Publisher: Princeton, N.J. : Princeton University Press,

Commerce and print in the early Reformation
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ISBN: 9789004156623 9004156623 9786611921088 1281921084 9047419731 9789047419730 9781281921086 6611921087 Year: 2007 Volume: 28 Publisher: Leiden ; Boston : Brill,

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Communications and the spread of nonconformist views were key to the spiritual upheaval that gripped many parts of northern Europe in the 1520's. Emphasizing economic and cultural hegemony, this book explores the transmission of innovation through networks of trade. Interrelated themes include commercial typography, legal and illicit book distribution, espionage, and censorship. These are elaborated through a series of episodes involving printers and patrician oligarchs, spies and fugitives, and pamphleteers and entrepreneurs. The accent on commerce and print broadens the interpretive scope for study of the early Reformation beyond national, political, or exclusively religious contexts. It also leads to a reassessment of some conventional assumptions about merchants as distributors of Scripture texts and reformist propaganda.

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