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Goncourt, de, Jules --- Goncourt, de, Edmond --- Goncourt, Edmond Huot de --- Correspondence --- Goncourt, Jules Huot de --- Novelists [French ] --- 19th century
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Met het hoofd in Frankrijk, met het hart in Nederland, met de pen in een spagaat. Huysmans wordt door velen tot de fine fleur van de Franse letteren gerekend. Zelf omschreef hij zich graag als een 'Parijse Hollander'. Hij was een sleutelfiguur uit het fin-de-siècle.
Huysmans, Joris-Karl --- Netherlands --- Novelists, French --- Huysmans, J.-K. --- Huysmans, Joris Karl, --- Huysmans, Charles-Marie-Georges, --- Huysmans, Jorris-Karl, --- Huysmans, Jaris-Karl, --- 840 "18" HUYSMANS, JORIS-KARL --- 840 "18" HUYSMANS, JORIS-KARL Franse literatuur--19e eeuw. Periode 1800-1899--HUYSMANS, JORIS-KARL --- Franse literatuur--19e eeuw. Periode 1800-1899--HUYSMANS, JORIS-KARL
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Biographies --- Levensbeschrijvingen --- Mortelmans, F. --- Peinture --- Schilderkunst --- Conscience, Hendrik --- Drawing --- Sculpture --- Jespers, Oscar --- #GGSB: Geschiedenis (Biografieen) --- #GGSB: Poezie --- C3 --- poëzie --- Kunst en cultuur --- Wilderode, Anton van --- -Criticism and interpretation --- 73 JESPERS, OSCAR --- Novelists, Flemish --- -Artists --- -Artists' preparatory studies --- -Oscar Jespers 1887-1970 (° Borgerhout, Antwerpen) --- Beeldhouwkunst ; België ; 20ste eeuw ; O. Jespers --- Belgische kunstenaars --- Kubisme --- Expressionisme --- 73.07 --- 741.07 --- 73(493) --- Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Flemish novelists --- Beeldhouwkunst. Sculptuur--JESPERS, OSCAR --- Biography --- Beeldhouwkunst ; beeldhouwers A - Z --- Tekenkunst ; tekenkunstenaars A - Z --- Beeldhouwkunst ; België --- Mortelmans, Franck --- -Jespers, Oscar --- Catalogues raisonnes. --- Art --- Persons --- painters [artists] --- Antwerpen, Koninklijke Academie voor Schone Kunsten --- schilderkunst --- -Flemish novelists --- -Conscience, Hendrik --- -Exhibitions --- Chronology --- sculpting --- Cubist --- drawing [image-making] --- Art styles --- terracotta [clay material] --- relief [sculpture techniques] --- Expressionist [style] --- anno 1900-1909 --- anno 1900-1999 --- anno 1910-1919 --- Belgium --- 090909.jpg --- Wilderode, Anton van, --- Criticism and interpretation. --- beeldhouwwerken --- tekeningen --- Artists --- Artists' preparatory studies --- Biography. --- Jespers, Oscar, --- Catalogues raisonnés. --- Sculpture, Belgian --- Sculpture belge --- Conscience, Hendrik, --- Exhibitions. --- Chronology. --- Conscience, Heinrich --- Conscience, Henri --- Exhibitions --- Mortelmans, Franck, --- -C3 --- Conscience, Hendrik (3 december 1812- 10 september 1883) --- tentoonstellingen --- Jespers, Oskar --- Criticism and interpretation --- sculpturen --- Geschiedenis (Biografieen) --- Poezie --- Conscience, Henri, --- Conscience, Henryk, --- Conscience, Jindřich, --- Conscience, Henryk --- Conscience, Jindřich --- sculpturen. --- tekeningen. --- Jespers, Oscar. --- -Biography --- Van wilderode (cyriel-paul coupe, dit anton), 1918-1998 --- Poesie flamande --- Biographie --- 20e siecle
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One fall evening in 1880, Russian painter Ilya Repin welcomed an unexpected visitor to his home: Lev Tolstoy. The renowned realists talked for hours, and Tolstoy turned his critical eye to the sketches in Repin's studio. Tolstoy's criticisms would later prompt Repin to reflect on the question of creative expression and conclude that the path to artistic truth is relative, dependent on the mode and medium of representation. In this original study, Molly Brunson traces many such paths that converged to form the tradition of nineteenth-century Russian realism, a tradition that spanned almost half a century—from the youthful projects of the Natural School and the critical realism of the age of reform to the mature masterpieces of Tolstoy, Fyodor Dostoevsky, and the paintings of the Wanderers, Repin chief among them. By examining the classics of the tradition, Brunson explores the emergence of multiple realisms from the gaps, disruptions, and doubts that accompany the self-conscious project of representing reality. These manifestations of realism are united not by how they look or what they describe, but by their shared awareness of the fraught yet critical task of representation. By tracing the engagement of literature and painting with aesthetic debates on the sister arts, Brunson argues for a conceptualization of realism that transcends artistic media. Russian Realisms integrates the lesser-known tradition of Russian painting with the familiar masterpieces of Russia's great novelists, highlighting both the common ground in their struggles for artistic realism and their cultural autonomy and legitimacy. This erudite study will appeal to scholars interested in Russian literature and art, comparative literature, art history, and nineteenth-century realist movements.
Drawing --- Painting --- Russian literature --- Realist [modern European fine arts styles] --- drawings [visual works] --- Russian [culture or style] --- easel paintings [paintings by form] --- anno 1800-1899 --- Russian Federation --- Russia --- literatuur --- realisme --- Dostojewski, Fjodor --- Repin, Ilja --- Tolstoy, Lev --- 1840 - 1890 --- 19de eeuw --- Rusland --- literatuur. --- realisme. --- Tolstoy, Lev. --- Repin, Ilja. --- Dostojewski, Fjodor. --- 1840 - 1890. --- 19de eeuw. --- Rusland. --- Aesthetics, Russian --- Realism in art --- Realism in literature. --- Painting, Russian --- Themes, motives. --- History and criticism. --- Lev Tolstoy, Ilya Repin, Fyofor Dostoevsky, paintings of the Wanderers, the Natural School, Russia's great novelists.
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Hogarth, William --- Aesthetics, British --- -Art and literature --- -English fiction --- -Fiction --- -Literature and society --- -Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- English literature --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Aesthetics, English --- British aesthetics --- English aesthetics --- History --- -History and criticism --- Technique --- Social aspects --- Philosophy --- -History --- Art and literature --- English fiction --- Literature and society --- Fiction writing --- Writing, Fiction --- Authorship --- History and criticism --- 18th century --- Great Britain --- Aesthetics [British ]
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