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Computer architecture. Operating systems --- Art --- hedendaagse kunst --- digitalisering --- internet --- nieuwe media --- kunstopvoeding

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Vilém Flusser Herausgegeben von Stefan Bollmann --- communicatietheorie --- nieuwe media --- 791.5 --- Mass communications --- Vilém Flusser ; Herausgegeben von Stefan Bollmann --- twintigste eeuw --- cultuurfilosofie --- communicatie --- 130.2 --- 77.01

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"In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database."--Book cover.

Mass media --- Cinéma --- Innovation technologique --- Nouveau média --- Vidéo --- Technological innovations --- 316.772.44 --- -#SBIB:309H022 --- #SBIB:309H1000 --- #SBIB:023.AANKOOP --- Mass communication --- Media, Mass --- Media, The --- 316.772.44 Massacommunicatie--(communicatiesociologie) --- Massacommunicatie--(communicatiesociologie) --- Massacommunicatie --- Media: algemene en theoretische werken --- Technological innovations. --- Communication --- beeldtaal --- film [performing arts] --- massacommunicatie --- nieuwe media --- databanken --- film --- Mass communications --- #SBIB:309H022 --- Médias --- Innovations --- 791.5 --- computer --- databases --- filmtheorie --- interface --- kunst --- Lev Manovich --- mediatheorie --- montage --- twintigste eeuw --- video --- 098 --- Nieuwe media --- interfaces --- postmodernisme --- photoshop --- telecommunicatie --- computergraphics --- digitale media --- massamedia - publiciteitswezen - audiovisuele media; algemeen, audiovisuele media, algemeen --- CDL --- Mass media - Technological innovations --- film [discipline] --- mass media --- new media [genre]

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Building on the arguments of her previous books, Body Criticism (1991) and Artful Science (1994), Good Looking challenges the reflexive identification of images with vice. Today rampant criticism, both inside and outside the academy, condemns the immoralities of aesthetic illusion, museum display, cable television, and hypermedia. Believing with the American pragmatists that it is harder to do than to denounce, Barbara Stafford urges imagists to abandon Foucault's bankrupt paradigm of verbal combat. Instead of more "improving" theoretical discourse, she calls for developing a positive visual praxis on the interpretive ruins of linguistic postmodernism. Not deconstructive autopsy, but demonstrating the historical virtues of visualization for the emergent era of computerism is the task at hand. These twelve essays meditate on the stunning implications of a global shift toward vision and visionary modalities. Apparatus changes, but the basic questions endure. Machine dreams flowing from laser disks, video tapes, CD-ROMs, and magnetic disks are transforming educational, medical, and legal institutions as well as on-line society at large. Organized around three major themes - the explosion of optical information, the urgency of inventing an imaging interdiscipline, and the ethical dilemmas of technological transparency - these pieces connect a disappearing lens culture to the digital diaphanousness of the twenty-first century. Art historian Barbara Maria Stafford is William B. Odgen Distinguished Service Professor at the University of Chicago and current president of the American Society for Eighteenth-Century Studies. -- from back cover.

Postmodernism. --- Visual communication. --- Barbara Maria Stafford --- kunsttheorie --- esthetica --- kunstfilosofie --- cultuurfilosofie --- beeldcultuur --- nieuwe media --- communicatie --- cultuurgeschiedenis --- kunst en technologie --- computers --- woord en beeld --- waarneming --- internet --- achttiende eeuw --- voorstelling --- optica --- Humbert de Superville David Pierre --- geneeskunde --- lichamelijkheid --- anatomie --- hersenen --- brein --- biologie --- 7.01 --- 130.2 --- 791.5 --- Postmodernism --- Visual communication --- Graphic communication --- Imaginal communication --- Pictorial communication --- Post-modernism --- Postmodernism (Philosophy) --- Communication --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism

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Dreams and Conflicts - The Dictatorship of the Viewer is the exhibition catalogue of the 50th Venice Biennale. 250 artists, 63 foreign countries, Iran makes its debut, China comes, Mexico returns, technology takes a back seat, the great artists return, everything starts again from 1964. Dreams and Conflicts will not show political art, but rather a reflection on the politics of art. The viewer's experience before the exceptional nature of the artist's vision. Two contemporary subjects divided simply by a different look. The book is divided into the following sections: Z.O.U. Zone of Urgency: Zones where artistic creation has accelerated powerfully in the last ten years: China, Korea, Vietnam, Brazil, India; Individual Systems by Igor Zabel: Artists who use their own creative language to create a world of independent images as defence against the ideological aggression of society, particularly in East Europe. The Structure of Survival by Carlos Basualdo: The ways in which artists and architects have reacted against the effects of the financial recessions and politics of structural adaptation in developing countries. Utopia Station by Molly Nesbit, Hans Ulrich Obrist and Rirkrit Tiravanija: Contemporary art as workshop and historic non-space; Conflit by Catherine David: The work of artists in areas of conflict, such as the Middle East and Central Asia, who must constantly redefine the limits and freedom of their creative work; The Everyday Altered by Gabriel Orozco: The new generation of artists working in Mexico and Cuba. Clandestines by Francesco Bonami: A selection by 30 young artists; Fault Lines by Gilane Tawardos: In association with the Forum Africa Contemporary Art; Delays and Revolutions by Francesco Bonami and Daniel Birnbaum: contemporary art as constant conflict between the avant-garde and tradition, experiment and ideal form. The Zone constructed by A12, by Massimiliano Gioni: A temporary building to house the work of young Italian artists.

Modern [styles and periods] --- Biënnale van Venetië --- Art --- anno 1900-1999 --- anno 2000-2099 --- 700.4 --- biënnale Venetië --- conceptuele kunst --- kunst --- beeldende kunst, musea - tentoonstellingen --- Biënnale van Venetië (50ste ; 2003) --- Kunsttentoonstellingen ; internationale --- 7.039 --- (069) --- Kunstgeschiedenis ; 2000 - 2050 --- (Musea. Collecties) --- Italië --- Biennale di Venezia --- twintigste eeuw --- schilderkunst --- beeldhouwkunst --- installaties --- video --- videokunst --- fotografie --- gruppo A12 --- Abergel Etty --- Ackermann Franz --- Althamer Pawel --- Ariatti Alessandra --- Assaël Micol --- Azizov Zeigam --- Barney Matthew --- Bayrle Thomas --- Bonk Ecke --- Brown Glenn --- Buzari Pash --- Cabrita Reis Pedro --- Cheang Shu Lea --- Cirugeda Santiago --- Cliostraat --- Dean Tacita --- Donnelly Trisha --- Durham Jimmie --- Eliasson Olafur --- Elmgreen & Dragset --- Dragset Ingar --- Elmgreen Michael --- Fischli Peter --- Weiss David --- Fischli & Weiss --- Framis Alicia --- Friedman Yona --- Genzken Isa --- Gillick Liam --- Golub Leon --- Graham Dan --- Hall Stuart --- Hirst Damien --- Höller Carsten --- Holmqvist Karl --- Hugonnier Marine --- Isozaki Arata --- Kabakov Ilya --- Kabakov Emilia --- Kippenberger Martin --- Koller Julius --- Kuri Gabriel --- Lertchaiprasert Kamin --- Linke Armin --- de Manincor Anna --- ZimmerFrei --- Murakami Takashi --- Pousttchi Bettina --- Rauschenberg Robert --- Rehberger Tobias --- Rosler Martha --- Ruscha Edward --- Sala Anri --- Smith Patti --- kunst en politiek --- migratie --- vluchtelingen --- Sone Yutaka --- Spero Nancy --- Starling Simon --- Tiravanija Rirkrit --- Tuttofuoco Patrick --- Uglycute --- U-theque --- van Hausswolff Carl Michael --- Vitamin Creative Space --- Yanhjiang Group --- Warhol Andy --- Weiner Lawrence --- Wyn Evans Cerith --- Fudong Yang --- utopia --- utopie --- globalisering --- andersglobalisme --- computerkunst --- nieuwe media --- 7.038 --- Exhibitions --- Modern [style or period] --- hedendaagse kunst --- Contemporary [style of art] --- Kunst --- modern [stijlen en perioden] --- Biennale de Venise --- Art et politique --- Art contemporain --- Manifestation artistique --- Venise --- Architecture