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"All museum activities converge in the public forum of the exhibition - regardless of whether the exhibit is held in the physical museum or is on the Web. Since the first edition of this book in 2002, there has been a world-wide explosion of new galleries and exhibition halls, and new ideas about how exhibitions should look and communicate. The definition of what an exhibition is has changed as exhibitions can now be virtual; non-traditional migratory and pop-up spaces play host to temporary displays; social media has created amazing opportunities for participatory engagement and shifted authority away from experts to the public; and as time-constrained audiences demand more dynamic, interactive, and mobile applications, museum leadership, managers, staff, and designers are rising to these challenges in innovative ways."--Back cover.

installations [exhibitions] --- Museology --- exhibiting --- Museum exhibits --- Display techniques --- Displays, Museum --- Museum displays --- Museums --- Exhibitions --- Museum techniques --- Planning --- Museum exhibits. --- Planning. --- Ausstellung. --- Museumsorganisation. --- Heimatmuseum der Gemeinde Gründau. --- tentoonstellingsbouw

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Museology --- Museum exhibits --- Museums --- Education --- Display techniques --- Displays, Museum --- Museum displays --- Exhibitions --- Museum techniques --- Educational aspects

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museology --- Museology --- Sociology of culture --- Museums --- Great Britain --- Philosophy --- Popular culture --- Museum exhibits --- Museum techniques --- Museums - Great Britain - Philosophy. --- Popular culture - Museums - Great Britain. --- Museum exhibits - Great Britain. --- Museum techniques - Great Britain.

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installations [exhibitions] --- Museology --- Museum buildings --- Museum exhibits --- Buildings --- Display techniques --- Displays, Museum --- Museum displays --- Museums --- Exhibitions --- Museum techniques --- Designs and plans --- Planning --- tentoonstellingsbouw

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Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon.The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it

Museology --- Colonisation. Decolonisation --- Art --- art [fine art] --- museology --- history [discipline] --- colonization --- art criticism --- Art museums --- Imperialism in art. --- Art, Colonial. --- Museum techniques --- Museum exhibits. --- Cultural property --- Human remains (Archaeology) --- Social aspects. --- Exhibition techniques --- Repatriation. --- Great Britain --- Colonies. --- Cultural policy. --- kunst --- kunstgeschiedenis --- postkolonialisme --- dekolonisering --- monumenten --- musea --- museologie --- kunst en activisme --- 7.03 --- Museum exhibits --- Art, Colonial --- art [discipline]