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Science --- Philosophy --- Descartes, René --- anno 1600-1699 --- Europe --- Philosophers --- Philosophy, Modern --- Descartes, René, --- Modern philosophy --- Descartes, René, --- Descartes, Renatus --- Cartesius, Renatus --- Intellectual life --- Philosophers - France - Biography --- Descartes, René, - 1596-1650
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D'où vient que, jusqu'à très tard dans le XXe siècle, la peinture ait été jugée communément supérieure à la sculpture ? De la Renaissance italienne, qui posa la supériorité de la vue sur le toucher, du travail du peintre, imitant la superficie par les lignes et les couleurs, sur celui du sculpteur, qui ne rend l'épaisseur que par des masses et des volumes ? Non pas, démontre Jacqueline Lichtenstein. Suite aux bouleversements de la physique nouvelle, une autre hiérarchie des arts se met en place dans la France des XVIIe et XXVIIIe siècles. Préoccupée désormais par les effets sur le spectateur, l'esthétique nouvelle, sous l'impulsion de De Piles, oppose en une polarité inédite la sculpture, le toucher, le dessin et les Anciens d'une part, la peinture, la vue, le coloris et les Modernes de l'autre. Cette véritable topique structurera durablement le discours critique, de Diderot à Zola, de Baudelaire et Huysmans à nombre de contemporains. Aujourd'hui, le rapport entre la sculpture et la peinture s'est émancipé de toute hiérarchie. Pour mesurer ce bouleversement, il faut revenir à la généalogie et à l'histoire critique d'une vision des arts étonnamment durable. (extrait du dos de la couverture)
Sculpture --- Painting --- Philosophy --- Theory --- Théorie --- kunsttheorie --- beeldhouwkunst --- schilderkunst --- Sculpture, Modern --- Painting, Modern --- Esthétique --- Rapport peinture-sculpture --- Philosophy. --- Théorie --- Painting - Sculpture - Aesthetics - 17th-18th centuries - France. --- Theory. --- CDL --- 7.01 --- Modern painting --- Paintings, Modern --- Modern sculpture --- Aesthetics --- 17th-18th centuries --- France --- Sculpture, Modern - Philosophy. --- Painting, Modern - Philosophy. --- kunsttheorie. --- sculptuur. --- schilderkunst. --- Art --- Esthétique de la réception. --- Esthétique moderne. --- Peinture moderne --- Sculpture moderne --- Relations entre les arts. --- Philosophie. --- Appréciation --- sculptuur
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What is the body? How was it constructed, conceived, and cultivated before and after the advent of Cartesian rationalism and modern science? This interdisciplinary study elaborates a cultural genealogy of the body and its legacies to modernity by tracing its crucial redefinition from a lived experiential entity in the early modern period to its anatomical abstraction and disembodiment through mechanical and virtual philosophical models in the modern period. Emergent analogies of the body to a machine sundered the body from its subjective and worldly existence, reducing it to the abject condition of a thing. This progressive virtualization of the body implies the loss of the experiential lived body and recasts the question of sexuality within the purview of the organism-machine, consequently destroying its meaning as embodied expression. Rather than treating sexual difference as a given, as an anatomical or philosophical destiny, 'The culture of the body' challenges essentialist accounts of sexuality by demonstrating that human embodiment entails diverse processes of cultural and social materialization. It shows how these multiple genealogies of the body inflect both its inherited meanings and its legacy to modernity resulting in alternative ways for conceiving and representing the body today.
History of civilization --- Philosophy and psychology of culture --- 130.14 --- lichaam --- Wijsgerige antropologie: lichaam --- corps --- French literature --- Human body (Philosophy) --- Human body in literature. --- Philosophy, Modern. --- History and criticism. --- History. --- 130.14 Wijsgerige antropologie: lichaam --- Human body in literature --- Philosophy, Modern --- Body, Human (Philosophy) --- Philosophy --- Body, Human, in literature --- Human figure in literature --- Modern philosophy --- History and criticism --- History
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Vision. --- Philosophy, Modern. --- Vision --- Philosophie moderne --- Europe --- Civilization. --- Civilisation --- Philosophy, Modern --- 930.85.44 --- 930.85.44 Cultuurgeschiedenis: Renaissance --- Cultuurgeschiedenis: Renaissance --- Eyesight --- Seeing --- Sight --- Senses and sensation --- Blindfolds --- Eye --- Physiological optics --- Modern philosophy --- History of civilization --- History of Europe --- Affective and dynamic functions --- anno 1500-1799 --- Perception (philosophie) --- Philosophie --- 1500-1800 --- 16e siècle --- 17e siècle --- 16e siècle --- 17e siècle
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Art --- philosophy of art --- philosophy --- art criticism --- Philosophy and psychology of culture --- filosofie --- kunstbeschouwing --- kunstfilosofie --- Philosophy --- #A0310A --- 062 Cultuurfilosofie --- 620 Kunst --- 7.01 --- Adorno Theodor W. --- Bataille Georges --- Benjamin Walter --- Blanchot Maurice --- Derrida Jacques --- Frank Vande Veire --- Freud Sigmund --- Hegel Georg Wilhelm Friedrich --- Heidegger Martin --- Hölderlin Friedrich --- Kant Immanuel --- Lacan Jacques --- Nietzsche Friedrich --- Schelling Friedrich --- Schiller Friedrich --- esthetica --- kunst --- kunsttheorie --- 700.6 --- Adorno, Theodor W. --- Bataille, Georges --- Benjamin, Walter --- Blanchot, Maurice --- Derrida, Jacques --- Freud, Sigmund --- Hegel --- Heidegger, Martin --- Hölderlin --- Kant, Immanuel --- Lacan, Jacques --- Nietzsche --- Schelling --- Schiller --- wijsbegeerte --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Art and Philosophy --- Philosophy, Modern. --- Hulpwetenschappen --- History. --- filosofie. --- Philosophy, Modern --- Adorno, Theodor W --- Adorno Theodor W --- Modern philosophy --- Philosophy and art --- History --- Hegel, Georg Wilhelm Friedrich --- Hölderlin, Friedrich --- Nietzsche, Friedrich --- Schelling, Friedrich --- Schiller, Friedrich --- filosofie (wijsbegeerte)
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