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Iconography --- 7.01 --- Kunsttheorie ; 21ste eeuw --- Stigter, Bianca --- Kunst ; theorie, filosofie, esthetica --- Popular culture --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture
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Mass media and art --- Art and mass media --- Popular culture. --- #SBIB:309H240 --- #SBIB:309H505 --- #SBIB:309H022 --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Art --- Andere media (theater, plastische kunsten, strips, affiches, speelautomaten...) --- Code en boodschap: psychologische, psycho-analytische benadering --- Massacommunicatie --- Popular culture
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Germany of the 1920s offers a stunning moment in modernity, a time when surface values first became determinants of taste, activity, and occupation: modernity was still modern, spectacle was still spectacular. Janet Ward's luminous study revisits Weimar Germany via the lens of metropolitan visual culture, analyzing the power that 1920s Germany holds for today's visual codes of consumerism.
Arts, German --- Modernism (Aesthetics) --- Popular culture --- Germany --- History --- geschiedenis --- modernisme --- 1918 - 1933 --- 20ste eeuw --- Weimar --- Art styles --- Aesthetics of art --- anno 1920-1929 --- History of civilization --- Arts allemands --- Modernisme (Esthétique) --- Culture populaire --- Allemagne --- Histoire --- Aesthetics --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Weimar Republic, Germany, 1918-1933 --- geschiedenis. --- modernisme. --- 1918 - 1933. --- 20ste eeuw. --- Weimar. --- Wiertz Museum (Brussel). --- museumcollecties. --- Wiertz, Antoine-Joseph.
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Illustrated with a range of museums and museum spaces - from MOMA in New York to the reconstruction of Ground Zero, from the National Museum of the American Indian in Washington DC to the Museo Guggenheim Bilbao, this book reveals how the museum evolves as a cross-disciplinary, self-consciously political, and self-reflexive institution.
museology --- Museology --- Sociology of cultural policy --- culture --- 727.7 --- Museumarchitectuur ; 1990-2006 --- 069.1 --- Gebouwen voor opleiding en wetenschap ; kunstmusea, kunstgalerijen --- Museologie ; multidisciplinaire doeleinden --- Museums --- Popular culture. --- Political culture. --- Culture --- Political science --- Public institutions --- Cabinets of curiosities --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Social aspects. --- Political aspects. --- Philosophy. --- Political culture --- Popular culture --- Philosophy --- Political aspects --- Social aspects --- Musées --- Philosophie. --- Aspect politique. --- Aspect social. --- culture [concept]
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Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved--hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a "window" by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.
History of civilization --- Mass communications --- Painting --- Theatrical science --- Sociology of culture --- Panoramas --- Panoramas (Art) --- History --- Social aspects --- Histoire --- Aspect social --- Panoramas. --- Mass media and culture. --- Popular culture. --- Psychological aspects. --- kunst --- architectuur --- kunst en architectuur --- panorama's --- schilderkunst --- voorgeschiedenis film --- negentiende eeuw --- bewegende panorama's --- diorama's --- Smith Albert --- 742 --- Mass media and culture --- Popular culture --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Cosmoramas --- Cycloramas --- Diorama --- Culture and mass media --- Psychological aspects --- Panoramas (art) --- Médias et culture --- Culture populaire --- Cinéma --- Aspect psychologique --- Origines et antécédents --- Médias et culture --- Cinéma --- Origines et antécédents
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Popular culture --- History --- Civilization. --- Intellectual life. --- Politics and government. --- Popular culture. --- Spain --- Spain. --- Civilization --- Intellectual life --- Politics and government --- Barbarism --- Civilisation --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Cultural life --- Espanja --- Spanien --- Hiszpania --- Spanish State --- España --- Estado Español --- Espagne --- Hispania --- Sefarad --- Sepharad --- Shpanye --- Shpanie --- Reino de España --- Kingdom of Spain --- Spanish Studies. --- Reino d'Espanya --- Reinu d'España --- Espainiako Erresuma --- Regne d'Espanya --- Reiaume d'Espanha --- Espanya --- Espanha --- スペイン --- Supein --- イスパニア --- Isupania --- Communication --- Mass society --- Recreation --- Culture --- Auxiliary sciences of history --- Arts and Humanities --- General and Others --- History of civilization
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Art --- anno 1900-1999 --- New York City --- performances --- lichamelijkheid --- sixties --- beat generation --- kunst --- kunst en politiek --- Greenwich Village --- New York --- happenings --- Fluxus --- pop art --- underground --- experimentele film --- theater --- Warhol Andy --- Cage John --- Ono Yoko --- Rainer Yvonne --- Wilson Lanford --- Shepard Sam --- de Palma Brian --- Keitel Harvey --- Millett Kate --- Oldenburg Claes --- contestatie --- 7.038 --- Arts, American --- Popular culture --- Greenwich Village (New York, N.Y.) --- Greenwich Village (New York, N.Y.). --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- American arts --- Greenwich (New York, N.Y.) --- The Village (New York, N.Y.) --- Village (New York, N.Y.) --- Arts [American ] --- New York (State) --- New York (N.Y.) --- Arts [Modern ] --- 20th century --- #SBIB:316.7C211 --- Cultuursociologie: dans --- New York City [New York]
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History of civilization --- Popular culture --- Congresses --- France --- Civilization --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Congresses. --- -Congresses. --- Aging --- Evolution (Biology) --- Physiological aspects. --- Evolution (Biology). --- Pʻŭrangsŭ --- Frankrig --- Francja --- Frant︠s︡ii︠a︡ --- Prantsusmaa --- Francia (Republic) --- Tsarfat --- Tsorfat --- Franḳraykh --- Frankreich --- Fa-kuo --- Faguo --- Франция --- French Republic --- République française --- Peurancih --- Frankryk --- Franse Republiek --- Francland --- Frencisc Cynewīse --- فرنسا --- Faransā --- Franza --- Republica Franzesa --- Gallia (Republic) --- Hyãsia --- Phransiya --- Fransa --- Fransa Respublikası --- Franse --- Францыя --- Frantsyi︠a︡ --- Французская Рэспубліка --- Frantsuzskai︠a︡ Rėspublika --- Parancis --- Pransya --- Franis --- Francuska --- Republika Francuska --- Bro-C'hall --- Френска република --- Frenska republika --- França --- República Francesa --- Pransiya --- Republikang Pranses --- Γαλλία --- Gallia --- Γαλλική Δημοκρατία --- Gallikē Dēmokratia --- فرانسه --- Farānsah --- צרפת --- רפובליקה הצרפתית --- Republiḳah ha-Tsarfatit --- פראנקרייך --- 法国 --- 法蘭西共和國 --- Falanxi Gongheguo --- フランス --- Furansu --- フランス共和国 --- Furansu Kyōwakoku --- Francija --- Ranska --- Frankrike --- Culture --- France (Provisional government, 1944-1946) --- Fa-lan-hsi --- Falanxi --- Frankrijk --- Frant︠s︡ --- Frant︠s︡ Uls --- Франц --- Франц Улс --- 法蘭西 --- 프랑스 --- Histoire sociale --- Popular culture - France - Congresses --- France - Civilization - 1945- - Congresses --- Sociologie historique --- Vie intellectuelle
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politics --- politiek --- history [discipline] --- History of Belgium and Luxembourg --- geschiedenis --- anno 1930-1939 --- Belgique --- België --- Catalogues d'expositions --- Geschiedenis van de nieuwste tijden --- Histoire contemporaine --- Tentoonstellingscatalogi --- Aesthetics --- Arts, Modern --- Popular culture --- Political aspects. --- Belgium --- Politics and government --- jaren 1930 --- sociale geschiedenis --- 1930 - 1940 --- 20ste eeuw --- architectuur --- #BUAR:bibl.de Bock --- 949.3 --- design --- 949.3.035 --- 949.3.09 --- beeldvorming --- #gsdb8 --- #SBIB:949.3H0 --- gelegenheidspublicatie --- maatschappijbeeld --- economische crisis --- massacultuur --- iconografisch materiaal --- KADOC (x) --- economische geschiedenis (x) --- interbellum (x) --- #A9405A --- twintigste eeuw --- maatschappij --- cultuur --- kunst --- onderwijs --- stedenbouw --- 7.037 --- maatschappelijk leven --- jaren 30 --- 935 --- 906 --- Belgie --- Belgische geschiedenis --- binnenlandse politiek --- economische geschiedenis --- arbeidsverhoudingen, collectieve --- -Arts, Modern --- -Popular culture --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Modern arts --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- geschiedenis van België - België, geschiedenis van --- Geschiedenis van België: interbellum (1919-1939) --- Geschiedenis van de Vlaamse beweging --- Geschiedenis van België: algemeen --- geschiedenis België - 20e eeuw --- huiselijk en maatschappelijk leven --- 20e eeuw --- 94 --- 008 --- 323 --- 308 --- 33 --- 331.15 --- 493 --- Political aspects --- Psychology --- Exhibitions --- Historische en vergelijkende pedagogiek --- 949.3.09 Geschiedenis van de Vlaamse beweging --- 949.3.035 Geschiedenis van België: interbellum (1919-1939) --- Historische en vergelijkende pedagogiek. --- Culture --- 935.2 Geschiedenis van België ; 20e eeuw - 21e eeuw ; c. 1918 - c. 1940 --- cultuurgeschiedenis --- interbellum --- industrie --- consumptie --- arbeid --- opvoeding --- stedebouw --- sierkunsten --- productdesign --- Radio broadcasting Aesthetics --- sociale geschiedenis. --- 1930 - 1940. --- 20ste eeuw. --- België. --- jaren 1930. --- Europese geschiedenis --- anno 1920-1929
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Sociology of culture --- Lacan, Jacques --- Psychoanalysis and motion pictures --- Psychanalyse et cinéma --- Hitchcock, Alfred, --- Psychoanalysis and motion pictures. --- Motion Pictures as Topic. --- Motion pictures and psychoanalysis --- Films as Topic --- Movies as Topic --- Motion Pictures --- Cinemas --- Films as Topics --- Motion Picture --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Psychanalyse et cinéma --- Popular culture --- Popular literature --- Psychoanalysis and culture --- Psychoanalysis and literature --- Culture populaire --- Littérature populaire --- Psychanalyse et culture --- Psychanalyse et littérature --- Psychological aspects. --- Psychological aspects --- Aspect psychologique --- Lacan, Jacques, --- Culture in motion pictures --- Culture --- Literature --- Motion Pictures as Topic --- Psychoanalysis --- 316.77 --- Motion pictures --- Literature and psychoanalysis --- Psychoanalytic literary criticism --- Culture and psychoanalysis --- 316.77 Communicatiesociologie --- Communicatiesociologie --- Literature, Popular --- Books and reading --- Cinema --- Films --- Movies --- Photography --- Literatures --- Beliefs --- Cultural Background --- Customs --- Background, Cultural --- Backgrounds, Cultural --- Belief --- Cultural Backgrounds --- Cultures --- Custom --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Psychodynamic Analysis --- Analyses, Psychodynamic --- Analysis, Psychodynamic --- Psychodynamic Analyses --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- Chitskok, Alphrent, --- היצ'קוק, אלפרד, --- Hīchakāk, Al-Frad , --- هيچکاک، الفرد، --- Culture. --- Motion Pictures. --- Psychoanalysis and culture. --- Psychoanalysis and literature. --- Culture in motion pictures. --- Psychoanalyse --- psychoanalytische theorie. --- Cultural Relativism --- Cultural Relativisms --- Relativism, Cultural --- Relativisms, Cultural --- film --- filmtheorie --- filmanalyse --- psychoanalyse --- psychologie --- cultuurtheorie --- 159.9 --- 791.41 --- 82:159.9 --- 82:159.9 Literatuur en psychologie. Literatuur en psychoanalyse --- Literatuur en psychologie. Literatuur en psychoanalyse --- Film --- Movie --- Hitchcock, Alfred --- Hitchcok, Alfred --- Popular culture - Psychological aspects. --- Popular literature - Psychological aspects. --- Lacan, Jacques, - 1901-1981
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