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Art --- Nyst, Jacques L. --- Lennep, Van, Jacques --- Courtois, Jacques --- Lizène, Jacques --- Evrard, Jacques --- anno 1900-1999

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Francis, Filip --- Noskoff, J.A. --- Nannucci, Maurizio --- Villers, Bernard --- Oosterlynck, Baudouin --- Fisher, Joel --- Uematsu, Keiji --- Anseeuw, Alain --- Bigot, Gary --- Boulanger, Michel --- Brochard-Darras --- Coekelberghs, Luc --- Cotani, Paolo --- Deltour, Daniel --- Deluyck, Philippe --- Gnass, Peter --- Klassnik, Robin --- Lawalrée, Dominique --- Ledune, Guy --- Lizène, Jacques --- Mesmaeker, Jacqueline

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Art --- art [discipline] --- art history --- Modern [style or period] --- Contemporary [style of art] --- hedendaagse kunst --- moderne kunst --- Schwind --- Copers, Leo --- Deleu, Luc --- Francis, Filip --- Charlier, Jacques --- Hooghe, D', Alain --- Sack, Dori --- Geys, Jef --- Smet, de, Yves --- Renier, Staf --- Rommens, Rudi --- van Es, Hubert --- Nyst, Jacques L. --- Lennep, Van, Jacques --- Bal, Eduard --- Berghe, van den, Roland --- Vercammen, Wout --- Lizène, Jacques --- Roquet, Maurice --- Heyrman, Hugo --- Duchateau, Hugo --- Belgium

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Conceptual, Surrealist, Pictorial' is the first in-depth study of the use of photography by Belgian artists from the 1960s until the early 1990s. During these three decades, photography generally underwent a major evolution with regard to its status as a gallery-focused fine art practice. Liesbeth Decan explores ten representative case studies, which are contextualized within and compared with contemporary international artistic trends. Successively, the pioneering use of photography within Conceptual art [is addressed] (represented by Marcel Broodthaers, Jacques Charlier, and Jef Geys), the heyday of Photoconceptualism in Belgium (represented by Jacques Lennep, Jacques Lizène, Philippe Van Snick, and Danny Matthys), and the transition from a conceptual use of photography towards a more pictorial, tableau-like approach of the medium (represented by Jan Vercruysse, Ria Pacquée, and Dirk Braeckman). Ultimately, the selected case studies reveal that photo-based art in Belgium appears to be characterized by a unique uniting of elements particularly from Conceptual art, Surrealism, and the pictorial tradition

Photography --- Charlier Jacques --- Lennep Jacques --- Lizène Jacques --- Van Snick Philippe --- Matthys Danny --- Kunstgeschiedenis ; 1950 - 2000 ; België --- Beeldende kunst ; met gebruik van fotografie ; België ; 20ste eeuw --- Fotografie ; als beeldend middel voor de visuele kunsten --- Conceptuele kunst en fotografie --- Surrealisme en fotografie --- Doctoraat in de kunsten ; KULeuven en LUCA Faculteit Kunsten --- 760.4 --- fotoconceptualisme --- fotografie als kunst --- Photography in art --- Photographie dans l'art --- Avant-garde (Esthétique) --- 7.01 --- 77 <493> --- kunst --- fotografie --- België --- twintigste eeuw --- concept art --- conceptuele kunst --- Broodthaers Marcel --- Geys Jef --- Vercruysse Jan --- Pacquée Ria --- Braeckman Dirk --- 7.038 --- 7.038(493) --- surrealisme --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 77 <493> Fotografie--België --- Fotografie--België --- photography [process] --- art [fine art] --- Surrealist --- Conceptual --- Art styles --- anno 1980-1989 --- anno 1960-1969 --- anno 1970-1979 --- anno 1990-1999 --- Belgium --- Conceptual art --- Avant-garde (Aesthetics) --- Art conceptuel --- Avant-garde (Esthétique) --- Avant-garde (Aesthetics). --- Conceptual art. --- Photography, Artistic. --- Photography. --- Belgium. --- Photography - Belgium --- art [discipline]

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Het vlot. Kunst is (niet) eenzaam / The Raft. Art is (not) Lonely' gaat over het vaartuig en de vervoering van kunst. De kunstenaar Jan Fabre werd begin dit jaar gevraagd als curator van deze nieuwe editie, een uitdaging die hij vol enthousiasme aangaat. Joanna De Vos zal het project co-cureren. 'Het vlot' is een tentoonstelling en een gesprek met Oostende, de stad aan zee met een geschiedenis en een parfum. Verspreid over verschillende locaties van de Belgische badstad vertrekt de dramaturgie van de tentoonstelling in Mu.ZEE vanuit het grondig onderzoek naar het 'Vlot van Medusa' (1818) van Théodore Géricault en het utopische vlot van Jan Fabre 'Kunst is (niet) eenzaam' (1986).

kunst --- twintigste eeuw --- eenentwintigste eeuw --- 7.039 --- Zygouri Mary --- Yzermans Chantal --- Wilson Robert --- Wauman Andy --- Van Warmerdam Alex --- Viola Bill --- VestAndPage --- Van Snick Philippe --- Van Akoleyen Stefaan --- Tuymans Luc --- Tsitsopoulos Filippos --- Theys Koen --- Takeya Akemi --- Strik Berend --- Stampone Giuseppe --- Shiota Chiharu --- Schacht Kelly --- Sarmento Julião --- Rottenberg Mika --- Roegiers Antoine --- Ramirez Enrique --- Monty Python --- Poppe Mikes --- Patrakeev Denis --- Parant Jean-Luc --- Pacquée Ria --- Paci Adrian --- Van Overmeir Johanna --- ORLAN --- OHNO COOPERATION --- O'Hagan Katiie --- Muyle Johan --- Mosquito Nástio --- Molenaar Linda --- Mik Aernout --- Mérelle Fabien --- McQueen Steve --- Marty Enrique --- Lizène Jacques --- Liekens Tom --- Landau Sigalit --- Kabakov Emilia --- Kabakov Ilya --- Jaune Oda --- Van Houwelingen Hans --- Graf Florian --- Geenen Pieter --- Garutti Alberto --- Garcia Rodrigo --- Galindo regina José --- Gaisumov Aslan --- Fliri Michael --- Figgis Mike --- Esposito Bruna --- Erjautz Manfred --- Dimchev Ivo --- Devriendt Robert --- Messieurs Delmotte --- De Roover Marijke --- De Bruyckere Berlinde --- Castellucci Romeo --- Valdez Cardoso Pedro --- Buggenhout Peter --- Borremans Michaël --- von Bismarck Julius --- Benaouisse Elisabetta --- Bellinckx Ruben --- Arcade Penny --- Aires Carlos --- Abramovic Marina --- kunst en politiek --- performance --- theater --- film --- Exhibitions --- rafts --- photography [process] --- video art --- sculpture [visual works] --- Art --- performance art --- installations [visual works] --- drawing [image-making] --- painting [image-making] --- McQueen, Steve --- Borremans, Michaël --- Overmeir, van, Johanna --- Benassi, Elisabetta --- Strik, Berend --- Zygouri, Mary --- Muyle, Johan --- Landau, Sigalit --- Viola, Bill --- Geenen, Pieter --- Orlan --- Tuymans, Luc --- Cardoso, Pedro Valdez --- Pacquée, Ria --- Wilson, Robert --- Takeya, Akemi --- Marty, Enrique --- Sarmento, Julião --- Puppi, Daniele --- Jaune, Oda --- Akoleyen, Van, Stefaan --- Gaisumov, Aslan --- Roegiers, Antoine --- Houwelingen, van, Hans --- Shiota, Chiharu --- Liekens, Tom --- Paci, Adrian --- Monsieur Delmotte --- Rottenberg, Mika --- Kabakov, Emilia --- O'Hagan, Katie --- Devriendt, Robert --- Mosquito, Nástio --- Erjautz, Manfred --- Fabre, Jan --- Mérelle, Fabien --- García, Rodrigo --- Galindo, Regina José --- Graf, Florian --- Figgis, Mike --- Roover, De, Marijke --- Bellinkx, Ruben --- Aires, Carlos --- Snick, van, Philippe --- Warmerdam, van, Alex --- Molenaar, Linda --- Castellucci, Romeo --- Wauman, Andy --- Abramovic, Marina --- Molder, Jorge --- Esposito, Bruna --- Parant, Jean-Luc --- Theys, Koen --- Imschoot, Van, Jan --- Arcade, Penny --- Benaouisse, Ben --- Yzermans, Chantal --- Bismarck, von, Julius --- Géricault, Théodore --- Dimchev, Ivo --- Kabakov, Ilija Iosefovich --- Garutti, Alberto --- Buggenhout, Peter --- Lizène, Jacques --- Tsitsopoulos, Filippos --- Fliri, Michael --- Stampone, Giuseppe --- Patrakeev, Denis --- Schacht, Kelly --- Poppe, Mikes --- Mik, Aernout --- Bruyckere, De, Berlinde --- Ohno Coopeation --- Ohno Cooperation --- Overmeir, Van, Johanna --- MAD-faculty 18 --- hedendaagse kunst --- tentoonstellingscatalogus --- Delmotte, Messieurs --- drawings [visual works] --- easel paintings [paintings by form] --- paintings [visual works]