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Art --- art [discipline] --- censorship --- kunst en politiek
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Politics --- Art --- kunst en politiek --- Courbet, Gustave --- France
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Painting --- art history --- easel paintings [paintings by form] --- Bruegel, Pieter [Elder] --- kunsthistorisch onderzoek --- kunst en politiek
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L'œuvre de l'intellectuel et homme d'État sénégalais Léopold Sédar Senghor (1909-2001) a été largement discuté et commenté par les générations nées au lendemain des indépendances, entre rejets et relectures successives. Aujourd'hui, Senghor est une figure sollicitée par de nombreux intellectuels africains à travers le monde. L'exposition « Senghor et les arts. Réinventer l'universel » se détourne d'un parti-pris hagiographique pour relire les questionnements qui ont habité Senghor il y a plus d'un demi-siècle. Il a affirmé le rôle de l'Afrique dans l'écriture de son histoire, passée comme présente, et a défendu l'idée d'un « rendez-vous du donner et du recevoir », engageant un dialogue avec le reste du monde pour aboutir à une civilisation de l'universel. Ce catalogue a pour ambition de présenter et d'interroger la politique culturelle de Léopold Sédar Senghor mais aussi de construire une sorte de « manuel de la pensée senghorienne » constitué d'essais, de textes d'archives, d'interviews, de photographies inédites et de reproductions d'œuvres d'art qui ont accompagné la vie et l'œuvre de Senghor.
Senghor, Léopold Sédar --- Politics --- Art --- influence --- kunst en politiek --- Senghor, Léopold Sédar --- Senegal
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From conception onwards, Stuart offspring were presented to their subjects through texts, images and public celebrations. Audiences were exhorted to share in their development, establishing affective bonds with the royal family and its latest additions. Yet inviting the public into Stuart domestic affairs exposed them to intense scrutiny and private interactions were endowed with public dimensions. Images of royal children had the potential both to support and to undermine dynastic messages. In Imaging Stuart Family Politics, Catriona Murray explores the promotion of Stuart familial propaganda through the figure of the royal child. Bringing together royal ritual, court portraiture and popular prints, she offers a distinctive perspective on this crucial dimension of seventeenth-century political culture, exploring the fashioning and dismantling of reproductive imagery, as well as the vital role of visual display within these dialogues. This wide-ranging study will appeal to scholars of Stuart cultural, political and social history.
Art --- dynasties --- kunst en politiek --- imago --- Stuart [Dynasty] --- anno 1600-1699 --- England
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Politics --- Art --- propaganda --- kunst en politiek --- anno 1960-1969 --- anno 1970-1979 --- France
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Art --- propaganda --- patronage --- kunst en politiek --- portraits --- anno 1500-1799 --- anno 1400-1499 --- Spain
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Politics --- Art --- Sculpture --- sculpture [visual works] --- kunst en politiek --- Rol-Tanguy, Henri --- Giacometti, Alberto --- France
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Museology --- Politics --- Art --- museology --- art museums [institutions] --- kunst en politiek --- anno 1900-1909 --- Germany --- France
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Politics --- Art --- museums [institutions] --- kunst en politiek --- Staatliche Museen zu Berlin --- anno 1900-1999
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