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Sculpture --- Religious architecture --- Schoonhoven --- Screens (Church decoration) --- Sculpture, Renaissance --- Jubés --- Sculpture de la Renaissance --- Jubés
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Religious architecture --- Christian religion --- Art --- Iconostases --- Screens (Church decoration) --- Jubés --- Congresses. --- Congrès --- -Screens (Church decoration) --- -264-031 --- Altar screens --- Choir-screens --- Jubes --- Rood-lofts --- Church decoration and ornament --- Church furniture --- Heilige plaatsen: kerken; tempels; bidplaatsen --- 264-031 Heilige plaatsen: kerken; tempels; bidplaatsen --- Jubés --- Congrès --- 264-031 --- Iconostases - Congresses --- Screens (Church decoration) - Congresses --- Cancel --- Choeur
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"Au début des années 1540, les arts en France connaissent un bouleversement qui marque le début d'une nouvelle période, parfois qualifiée de "Renaissance classique". A côté de la commande royale, la grande sculpture religieuse a joué un rôle majeur dans cette évolution. A Chartres, un artiste aujourd'hui méconnu, François Marchand, a mis en scène de manière virtuose et passionnée les grands épisodes de la vie de la Vierge, mais aussi de saint Pierre et saint Paul. En partant de l'exemple de Raphaël, il a inventé un nouveaut type de bas-relief qui cherche à rivaliser avec l'Antique. A Paris, Jean Goujon a créé l'une des oeuvres les plus emblématiques de la Renaissance française, où triomphe un sens presque graphique des lignes. Ces sculptures exceptionnelles s'éclairent à la lumière d'un contexte artistique particulièrement fertile en créations. Magnifiées par des restaurations récentes, elles s'offrent à nouveau à la contemplation et à l'émerveillement."
Sculpture --- Jubés. --- Screens (Church decoration) --- Goujon, Jean --- religious art --- French Renaissance-Baroque styles --- anno 1500-1599 --- France --- Marchand, François --- beeldhouwkunst --- religieuze kunst --- Lescot, Pierre --- 1540 - 1550 --- 16de eeuw --- Frankrijk --- sculptuur. --- religieuze kunst. --- Marchand, François. --- Goujon, Jean. --- Lescot, Pierre. --- 1540 - 1550. --- 16de eeuw. --- Frankrijk. --- Christelijke kunst --- sculptuur --- Jubés. --- modernisme. --- Servranckx, Victor. --- 20ste eeuw. --- België.
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At the heart of Gothic cathedrals, the threshold between nave and sanctuary was marked by the choir screen, a partitioning structure of special complexity, grandeur and beauty. At once a canopy for altars, a stage for performance, a pedestal for crucifixes and reliquaries and a ground for spectacular arrays of narrative and iconic sculptures, the choir screen profoundly shaped the spaces of liturgy and social interaction for the diverse communities, both clerical and lay, who shared the church interior. For the first time, this book draws together the most important examples - some fully extant, others known through fragments and graphic sources - from thirteenth- and fourteenth-century France and Germany. Through analyses of both their architectural and sculptural components, Jacqueline E. Jung reveals how these furnishings, far from being barricades or hindrances, were vital vehicles of communication and shapers of a community centred on Christian rituals and stories.
Screens (Church decoration) --- Space (Architecture) --- Sculpture, Gothic --- Christian art and symbolism --- Jubés --- Espace (Architecture) --- Sculpture gothique --- Art et symbolisme chrétiens --- Social aspects --- History --- Themes, motives. --- Themes, motives --- Aspect social --- Histoire --- Thèmes, motifs --- Jubés --- Art et symbolisme chrétiens --- Thèmes, motifs --- Religious architecture --- anno 1300-1399 --- anno 1200-1299 --- France --- Germany --- Gothic sculpture --- Sculpture, Medieval --- Architecture and space --- Negative space (Architecture) --- Space and architectural mass --- Space in architecture --- Architecture --- City planning --- Altar screens --- Choir-screens --- Jubes --- Rood-lofts --- Church decoration and ornament --- Church furniture --- Composition, proportion, etc. --- Arts and Humanities
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