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The feminine ideal
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ISBN: 1861890044 9781861890047 Year: 1997 Publisher: London Reaktion Books

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"In this book Marianne Thesander examines the significance of the female body, beauty and culture. She shows how the female body is constantly being changed, and by various, sometimes punishing, effects made to fit current feminine physical ideals."--Jacket.


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Exploring the Black Venus figure in aesthetic practices
Authors: --- ---
ISBN: 9789004395206 9789004407916 900440791X 9004395202 Year: 2019 Publisher: Leiden ; Boston : Brill Rodopi,

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'Exploring the Black Venus Figure in Aesthetic Practices' critically examines a longstanding colonial fascination with the black female body as an object of sexual desire, envy, and anxiety. Since the 2002 repatriation of the remains of Sara Baartman to post-apartheid South Africa, the interest in the figure of Black Venus has skyrocketed, making her a key symbol for the restoration of the racialized female body in feminist, anti-racist and postcolonial terms. Edited by Jorunn Gjerden, Kari Jegerstedt, and Zeljka Svrljuga, this volume considers Black Venus as a product of art established and potentially refigured through aesthetic practices, following her travels through different periods, geographies and art forms from Baudelaire to Kara Walker, and from the Caribbean to Scandinavia.

Monster/beauty : building the body of love
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ISBN: 9780520221147 Year: 2001 Publisher: Berkeley : University of California Press,

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"This book challenges both conventional and feminist ideas about beauty by asking us to take pleasure in beauty without shame, and to see and feel the erotic in everyday life. Bringing together her varied experiences as a poet, art historian, bodybuilder, and noted performance artist, Joanna Frueh shows us how to move beyond society's equation of youth with beauty toward an aesthetic for the fully erotic human being." "A combination of autobiography, theory, photography, and poetry, this book continues to develop the ideas about the erotic, beauty, older women, sex, and pleasure that Frueh first addressed in Erotic Faculties." "Monster/Beauty examines these issues using a provocative, often explicit, set of examples. Frueh admiringly looks at the bodies and mindsets of midlife female bodybuilders, rethinks the vampire, and revises our ideas about traditional models of beauty, such as Aphrodite. Above all, she brings her personal experience into the text, weaving her reflections on female sensuality with contemporary theory." "These linked essays are as much a performance as they are a discussion, breaking down the barriers between the personal and the academic, and the erotic and the intellectual. Frueh writes passionately and beautifully, and the result is a much-needed exploration of beauty myths and taboos."--Jacket.

Painting women : cosmetics, canvases, and early modern culture.
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ISBN: 0801882257 9780801882258 Year: 2006 Publisher: Baltimore Johns Hopkins university press

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This original analysis of the representation and self-representation of women in literature and visual arts revolves around multiple early modern senses of "painting": the creation of visual art in the form of paint on canvas and the use of cosmetics to paint women's bodies. Situating her study in sixteenth- and seventeenth-century Italy, France, and England, Patricia Phillippy brings together three distinct actors: women who paint themselves with cosmetics, women who paint on canvas, and women and men who paint women - either with pigment or with words. Phillippy asserts that early modern attitudes toward painting, cosmetics, and poetry emerge from and respond to a common cultural history. Materially, she connects those who created images of women with pigment to those who applied cosmetics to their own bodies through similar mediums, tools, techniques, and exposure to toxic materials. Discursively, she illuminates historical and social issues such as gender and morality with the nexus of painting, painted women, and women painters. Teasing out the intricate relationships between these activities as carried out by women and their visual and literary representation by women and by men, Phillippy aims to reveal the delineation and transgression of women's creative roles, both artistic and biological. In "Painting Women", Phillippy provides a cross-disciplinary study of women as objects and agents of painting.

Women in Italian Renaissance art : gender, representation, identity
Author:
ISBN: 0719040531 071904054X Year: 1997 Publisher: Manchester New York Manchester University Press

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