Listing 1 - 5 of 5 |
Sort by
|
Choose an application
"In this book Marianne Thesander examines the significance of the female body, beauty and culture. She shows how the female body is constantly being changed, and by various, sometimes punishing, effects made to fit current feminine physical ideals."--Jacket.
Feminine beauty (Aesthetics). --- Femininity. --- Human body --- Fashion --- Lingerie --- Women --- Social aspects. --- Social conditions. --- CDL --- 391 --- Feminine beauty (Aesthetics) --- Femininity --- Women's underwear --- Ideal beautiful women --- Femininity (Psychology) --- Social aspects --- Social conditions --- Underwear --- Women's clothing --- Aesthetics --- Women in art --- Sex (Psychology) --- Feminism
Choose an application
'Exploring the Black Venus Figure in Aesthetic Practices' critically examines a longstanding colonial fascination with the black female body as an object of sexual desire, envy, and anxiety. Since the 2002 repatriation of the remains of Sara Baartman to post-apartheid South Africa, the interest in the figure of Black Venus has skyrocketed, making her a key symbol for the restoration of the racialized female body in feminist, anti-racist and postcolonial terms. Edited by Jorunn Gjerden, Kari Jegerstedt, and Zeljka Svrljuga, this volume considers Black Venus as a product of art established and potentially refigured through aesthetic practices, following her travels through different periods, geographies and art forms from Baudelaire to Kara Walker, and from the Caribbean to Scandinavia.
Aesthetics --- Ethnology. Cultural anthropology --- essays --- postcolonialism --- Venus [Mythological character] --- Noires --- Beauté féminine (esthétique) --- Dans l'art --- Dans l'art. --- Women, Black, in art. --- Feminine beauty (Aesthetics) --- Ideal beautiful women --- Women in art
Choose an application
"This book challenges both conventional and feminist ideas about beauty by asking us to take pleasure in beauty without shame, and to see and feel the erotic in everyday life. Bringing together her varied experiences as a poet, art historian, bodybuilder, and noted performance artist, Joanna Frueh shows us how to move beyond society's equation of youth with beauty toward an aesthetic for the fully erotic human being." "A combination of autobiography, theory, photography, and poetry, this book continues to develop the ideas about the erotic, beauty, older women, sex, and pleasure that Frueh first addressed in Erotic Faculties." "Monster/Beauty examines these issues using a provocative, often explicit, set of examples. Frueh admiringly looks at the bodies and mindsets of midlife female bodybuilders, rethinks the vampire, and revises our ideas about traditional models of beauty, such as Aphrodite. Above all, she brings her personal experience into the text, weaving her reflections on female sensuality with contemporary theory." "These linked essays are as much a performance as they are a discussion, breaking down the barriers between the personal and the academic, and the erotic and the intellectual. Frueh writes passionately and beautifully, and the result is a much-needed exploration of beauty myths and taboos."--Jacket.
Aesthetics --- erotiek --- feminisme --- poëzie --- schoonheid --- Feminine beauty (Aesthetics). --- Body image. --- SOCIAL SCIENCE --- Beauté féminine (esthétique). --- Beauté corporelle. --- Gender & Ethnic Studies. --- Social Sciences. --- Gender Studies & Sexuality. --- Women's Studies. --- Frueh, Joanna.
Choose an application
This original analysis of the representation and self-representation of women in literature and visual arts revolves around multiple early modern senses of "painting": the creation of visual art in the form of paint on canvas and the use of cosmetics to paint women's bodies. Situating her study in sixteenth- and seventeenth-century Italy, France, and England, Patricia Phillippy brings together three distinct actors: women who paint themselves with cosmetics, women who paint on canvas, and women and men who paint women - either with pigment or with words. Phillippy asserts that early modern attitudes toward painting, cosmetics, and poetry emerge from and respond to a common cultural history. Materially, she connects those who created images of women with pigment to those who applied cosmetics to their own bodies through similar mediums, tools, techniques, and exposure to toxic materials. Discursively, she illuminates historical and social issues such as gender and morality with the nexus of painting, painted women, and women painters. Teasing out the intricate relationships between these activities as carried out by women and their visual and literary representation by women and by men, Phillippy aims to reveal the delineation and transgression of women's creative roles, both artistic and biological. In "Painting Women", Phillippy provides a cross-disciplinary study of women as objects and agents of painting.
Painting --- History of civilization --- Literature --- Sociology of the family. Sociology of sexuality --- anno 1600-1699 --- anno 1500-1599 --- Europe --- 7.071.1-055.2 --- Vrouwelijke kunstenaars --- Arts, European --- Cosmetics --- Feminine beauty (Aesthetics) --- Gender identity in art. --- Women in art. --- Social aspects --- 7.071.1-055.2 Vrouwelijke kunstenaars --- Gender identity in art --- Women in art --- Beauty aids --- Complexion --- Make-up (Cosmetics) --- Makeup (Cosmetics) --- Costume --- Beauty, Personal --- Beauty culture --- Toilet preparations --- European arts --- Ideal beautiful women --- Aesthetics
Choose an application
women [female humans] --- nudes [representations] --- Iconography --- portraits --- saints --- Anguissola, Sofonisba --- Masaccio --- Raphael --- Correggio, Antonio Allegri --- Ghirlandaio, Domenico --- Alberti, Leon Battista --- Botticelli, Sandro --- Romano, Giulio --- Piero della Francesca --- Vasari, Giorgio --- Titian --- Leonardo da Vinci --- vrouwen --- gender --- renaissance --- 16de eeuw --- Italië --- Beauté corporelle féminine --- Beauté féminine (Esthétique) --- Corps féminin (Esthétique) --- Feminine beauty (Aesthetics) --- Femme idéale (Esthétique) --- Femmes -- Beauté corporelle --- Femmes dans l'art --- Gender identity in art --- Geslachtsidentiteit in de kunst --- Ideal beautiful women --- Identité sexuelle dans l'art --- Italiaanse schilderkunst --- Italian painting --- Painting [Italian ] --- Peinture italienne --- Schilderkunst [Italiaanse ] --- Schoonheid [Vrouwelijke ] --- Schoonheid van de vrouw --- Vrouwelijke schoonheid (Esthetica) --- Vrouwen in de kunst --- Vrouwen--Schoonheid --- Women in art --- Éternel féminin (Esthétique) --- Painting [Renaissance ] --- Italy --- Painters --- Psychology --- Gender identity in art. --- Painters - Italy - Psychology. --- vrouw --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- 16de eeuw. --- Italië.
Listing 1 - 5 of 5 |
Sort by
|