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wars --- Sociology of culture --- herdenkingsplaten --- cultureel erfgoed --- cultural heritage --- oorlogen --- Sociology of minorities --- Cultural pluralism. --- Multiculturalism. --- Diversité culturelle --- Multiculturalisme --- Environmental planning --- Cultural pluralism --- Multiculturalism --- Social Change --- Sociology & Social History --- Social Sciences --- Diversité culturelle --- Cultural diversity policy --- Cultural pluralism policy --- Ethnic diversity policy --- Cultural diversity --- Diversity, Cultural --- Diversity, Religious --- Ethnic diversity --- Pluralism (Social sciences) --- Pluralism, Cultural --- Religious diversity --- Government policy --- Social policy --- Anti-racism --- Ethnicity --- Cultural fusion --- Culture

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The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the "October" model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing.The most international book on contemporary art history, drawing on research in 76 countriesThe most comprehensive review of recent theories of world art, including decolonial theory, post-national, theories of the local, provincial, and regional.

Art --- art history --- writing [processes] --- art theory --- narratives [document genres] --- cultural pluralism --- Eurocentrism. --- Historiography. --- E-books --- kunst --- kunstkritiek --- kunstgeschiedenis --- kunstonderwijs --- kunst en politiek --- globalisering --- 7.01 --- kunsttheorie --- Aesthetics of art --- art criticism --- globalism --- anno 1800-1999 --- anno 2000-2099

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"How can art libraries be generative resources and sites of action for all who identify as queer, as women, as Black, as Indigenous, as people of colour? What does it mean to consider the art library as a collective practice that spans multiple scales? In shelf documents artists, writers, curators, teachers, and librarians reflect on their engagements with books, libraries and art-library-as-practice."--Page 4 of cover.

kunst --- 7.039 --- homoseksualiteit --- feminisme --- 02 --- eenentwintigste eeuw --- BIPOC --- postkolonialisme --- gender studies --- bibliotheekwetenschap --- kunstbibliotheken --- bibliotheken --- tekenkunst --- kunsttheorie --- 741.039 --- 7.071 HINRICHS --- 741.071 HINRICHS --- Art --- onderzoek in de kunsten --- bibliotheekwezen --- diversiteit --- multiculturalism --- art libraries [institutions] --- 7.049 --- 7.01 --- 741.07 --- 025.2 --- Hinrichs, Heide °1976 (°Oldenburg, Duitsland) --- Bibliotheken ; kunstbibliotheken --- Feminisme --- Queer people --- Postkolonialisme --- Iconografie ; verschillende onderwerpen --- Kunst ; theorie, filosofie, esthetica --- Tekenkunst ; tekenkunstenaars A - Z --- Bibliotheekwezen ; collectievorming --- Library research --- Diversité culturelle --- Documentation de bibliothèque --- Bibliothèques d'art --- Gestion des collections --- Bibliothèque --- Art libraries --- Library materials. --- Cultural pluralism. --- Collection development. --- Cultural Diversity. --- Diversité culturelle. --- Documents de bibliothèque. --- Library Materials. --- Bibliothèques --- Développement des collections.