Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- Art, Modern --- Design --- Creation (Literary, artistic, etc.) --- Contemporary art --- Modernism (Art) --- History

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Comment la main donne-t-elle forme à la matière dans la pratique artistique ? Comment concevoir leur rapport dans la genèse d'une œuvre d'art ? Le présent ouvrage propose une relecture de la pensée esthétique à partir de questions durablement escamotées par ses historiens. Au revers de l'oculocentrisme dominant s'est développée en effet, dès la naissance de l'esthétique au XVIIIe siècle, comme la face occulte d'un Janus, une haptologie de l'œuvre d'art qui détermine l'expérience esthétique comme essentiellement sensorielle et corporelle, et la pratique artistique comme le cheminement de la main trouvant son chemin au cœur de la matière.Herman Parret retrace l'histoire de cette esthétique haptologique et en analyse les concepts-clés à travers une relecture des textes fondamentaux, de Baumgarten à Lyotard, en passant par Lessing, Diderot, Kant, Herder, Nietzsche, Riegl, Husserl, Merleau-Ponty, Jean d'Udine, Henri Focillon et Gilles Deleuze. Il montre comment l'hypothèse haptologique s'immisce dans le cadre général de réflexion de ces penseurs et finit toujours par s'y justifier, dégageant une continuité méconnue sur plus de deux siècles d'esthétique philosophique.

Aesthetics --- philosophy of art --- History --- Gesture in art --- Touch --- Creation (Literary, artistic, etc.) --- Painting --- Philosophy --- Aesthetics. --- Art criticism --- Creation (Literary, artistic, etc.). --- Gesture in art. --- Phenomenology. --- Touch. --- History. --- Philosophy. --- Aesthetics - History --- Painting - Philosophy

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Masterpiece, Artistic --- Painting, Dutch --- Dutch painting --- Artistic masterpiece --- Art --- Creation (Literary, artistic, etc.) --- Public opinion --- Painting --- Netherlands

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Schenking Moniek Bucquoye

Eisenloffel, Jan --- Eisenloeffel, Jan --- Kunstnijverheid --- zilver --- edelsmeedkunst --- 1876 - 1957 --- Nederland --- Design --- Creation (Literary, artistic, etc.) --- History&delete& --- Exhibitions --- Eisenloeffel, Jan, --- Eisenloeffel, Johannes Wigbold, --- Exhibitions. --- History

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The art Bruegel produced between 1559 and 1563 presents a rare opportunity to investigate a concentrated period of productivity by one of the world's greatest artists. In this brief period Bruegel produced some of his most original works-the first pictorial collection of contemporary customs in Carnival and Lent, the first painting with children's activities as its subject in Children's Games, the first large-scale painting of a proverb collection, the unique and enigmatic Dulle Griet (Mad Meg), and the extraordinary Triumph of Death, his disturbing vision of men and women fighting off the onslaught of death. In this comprehensive study, Margaret Sullivan accounts for this burst of creativity, its intensity, innovation and brevity, by taking all aspects of the creative process into consideration-from the technical demands of picture-making to the constraints imposed by the dangerous religious and political situation. (erasmusbooks.nl)

Creation (Literary, artistic, etc.) --- Bruegel, Pieter, --- Criticism and interpretation. --- Bruegel, Pieter [Elder] --- Création (Arts) --- Brueghel, Pieter (de Oude) --- Création (Arts) --- Bruegel, Pieter I. --- Bruegel, Pieter I