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Hodler, Ferdinand --- Exhibitions --- Patriotism in art --- Hodler, Ferdinand, --- Khodler, Ferdinand, --- Switzerland --- Zvicra --- Confédération suisse --- Eidgenossenschaft (Swiss Confederation) --- Everlasting League --- Four Forest Cantons --- Helvetic Confederation --- Lega elvetica --- Schweiz --- Suisse --- Svizzera --- Helvetia --- Confédération de huit cantons --- Confederatio Helvetica --- Zwitserland --- Shveytsʻaria --- Suiza --- Vier Waldstätte --- Swiss Confederation --- Schweizerische Eidgenossenschaft --- Shveĭt︠s︡arii︠a︡ --- Sŭwisŭ --- Shṿaits --- Schweizerische Eidtgenossenschaft --- Confederazione svizzera --- Swisserland --- Sviṭzaralaiṇḍa --- Confederaziun svizra --- Svizra --- CH (Switzerland) --- Sveitsi --- スイス --- Suisu --- Helvetic Republic
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Art --- History --- Periodicals. --- Histoire --- Périodiques --- Universität Zürich. --- Periodicals --- Art, Chinese --- Art, Japanese --- Périodiques --- Universität Zürich. --- Japanese art --- Art. --- Art, Chinese. --- Art, Japanese. --- Political aspects --- Political aspects. --- Switzerland. --- Andepandan (Group of artists) --- Kyūshū-ha (Group of artists) --- Ryu (Group of artists) --- Art and politics --- Politics and art --- Chinese art --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Confederatio Helvetica --- Confédération de huit cantons --- Confédération suisse --- Confederazione svizzera --- Eidgenossenschaft --- Everlasting League --- Four Forest Cantons --- Helvetia --- Helvetic Confederation --- Lega elvetica --- Schweiz --- Schweizerische Eidgenossenschaft --- Schweizerische Eidtgenossenschaft --- Shṿaits --- Shveĭt͡sarii͡ --- Shveytsʻaria --- Suisse --- Suiza --- Sŭwis --- Sviṭzaralaiṇḍa --- Svizzera --- Swiss Confederation --- Swisserland --- Vier Waldstätte --- Zvicra --- Zwitserland --- Switzerland --- Art, European --- Art, European. --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- Art, Primitive
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Legs Homès - Van Schoor
History of Latin America --- Peru --- Amerika --- Amérique --- Geschiedenis --- Histoire --- Incas --- Indians of South America --- Indiens d'Amérique --- Art --- Exhibitions --- Antiquities --- Expositions --- Antiquités --- Musées royaux d'art et d'histoire (Belgium) --- Pérou --- Art précolombien --- Exposition --- Exhibitions. --- Precolumbiaanse kunst --- Inca's --- 7.031 --- kunstgeschiedenis - precolumbiaanse, prehistorische en primitieve kunst --- Indiens d'Amérique --- Antiquités --- Musées royaux d'art et d'histoire (Belgium) --- Pérou --- American aborigines --- American Indians --- Indigenous peoples --- Antiquities&delete& --- Ethnology --- República Peruana --- Piru --- República del Perú --- Republic of Peru --- Piruw --- Republiek van Peru --- بيرو --- Bīrū --- جمهورية بيرو --- Jumhūrīyat Bīrū --- Piruw Suyu --- Peru Respublikası --- Peru ka Fasojamana --- Perú Kiōng-hô-kok --- Перу --- Рэспубліка Перу --- Rėspublika Peru --- Republika Peru --- Република Перу --- Peruánská republika --- Republica di u Perù --- Periw --- Gweriniaeth Periw --- Republikken Peru --- Republik Peru --- Peruu --- Peruu Vabariik --- Περού --- Δημοκρατία του Περού --- Dēmokratia tou Perou --- Peruo --- Perua Respubliko --- Peruko Errepublika --- پرو --- Purū --- Jumhūrī-i Purū --- Perun tasavalta --- Lýðveldið Peru --- République du Pérou --- Peiriú --- Pheroo --- Pobblaght ny Peroo --- Pearu --- República do Perú --- ペルー --- Peru-Bolivian Confederation --- Indians of South America - Peru - Antiquities - Exhibitions
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In 1586, Federico Barocci delivered his Visitation of the Virgin and St. Elizabeth to the Chiesa Nuova in Rome. For the next quarter century, Barocci dominated the art scene in Rome; there was no other artist from whom it was harder to get work and no other artist charged such high prices. Having two important altarpieces in the Chiesa Nuova and two additional commissions discussed was an impressive feat for an artist living exclusively in Urbino. Why did the Oratorians monopolize Barocci’s talents in Rome and why does it seem that Barocci was their first choice when considering artists to decorate their church? What was it about Barocci’s art that appealed to Oratorian sensibilities and their vision of the artistic program for decoration of their church?This book examines the relationship between Barocci and the Congregation of the Oratory, arguing for a distinct physiognomy of Oratorian patronage and exposing the function the Oratorians expected of religious imagery in contrast to other groups of their time. While explaining Oratorian patronage, it thus deals with a thorny question in social science: how can a collective body have unified intentions and actions? The result is a contribution both to the history of Italian painting and to art historical methodology.
Christian art and symbolism --- Counter-Reformation in art. --- Barocci, Federigo, --- Criticism and interpretation. --- Oratorians --- Santa Maria in Vallicella (Church : Rome, Italy) --- Art patronage. --- Counter-Reformation --- art [fine art] --- Christianity --- oratories --- Art --- patronage --- Barocci, Frederico --- Barocci, Federico --- 271.784 --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- 271.784 Oratorianen. Pierre de Bérulle. Philippus Neri --- Oratorianen. Pierre de Bérulle. Philippus Neri --- Barozzi, Federico, --- Fiori, Federico, --- Barocci, Federico, --- Baroccio, Federigo, --- S. Maria in Vallicella (Church : Rome, Italy) --- Chiesa Nuova (Santa Maria in Vallicella, Rome, Italy) --- Maria a Vallicella (Church : Rome, Italy) --- Madna della Valicella (Church : Rome, Italy) --- Congregação do Oratório --- Oratorianos --- Padres Oratorianos --- Pères de l'Oratoire --- Congregazione dell'Oratorio --- Filippini --- Oratoriani --- Congregación del Oratorio --- Religious art --- Symbolism in art --- Counter-Reformation in art --- Christian art and symbolism - Italy - Rome - Modern period, 1500 --- -Counter-Reformation in art. --- Barocci, Federigo, - 1528-1612 - Criticism and interpretation. --- Oratory of Saint Philip Neri --- Confederation of the Oratory of St. Philip Neri --- Congregation of the Oratory of St. Philip Neri --- Institutum Oratorii Sancti Philippi Neri --- Confoederatio Oratorii Sancti Philippi Nerii --- C. Or. --- CO --- C.O. --- art [discipline] --- Barocci, Federigo, - 1528-1612 --- Istituto dell'Oratorio di San Filippo Neri --- Oratorians. --- Santa Maria in Vallicella --- Italy
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"Peter Paul Rubens and the Crisis of the Beati Moderni takes up the question of the issues involved in the formation of recent saints - or Beati moderni (modern Blesseds) as they were called - by the Jesuits and Oratorians in the new environment of increased strictures and censorship that developed after the Council of Trent with respect to legal canonization procedures and cultic devotion to the saints. Ruth Noyes focuses particularly on how the new regulations pertained to the creation of emerging cults of those not yet canonized, the so-called Beati moderni, such as Jesuit founders Francis Xavier and Ignatius Loyola, and Filippo Neri, founder of the Oratorians. Centrally involved in the book is the question of the fate and meaning of the two altarpiece paintings commissioned by the Oratorians from Peter Paul Rubens. The Congregation rejected his first altarpiece because it too specifically identified Filippo Neri as a cult figure to be venerated (before his actual canonization) and thus was caught up in the politics of cult formation and the papacy's desire to control such pre-canonization cults. The book demonstrates that Rubens' second altarpiece, although less overtly depicting Neri as a saint, was if anything more radical in the claims it made for him. Peter Paul Rubens and the Crisis of the Beati Moderni offers the first comparative study of Jesuit and Oratorian images of their respective would-be saints, and the controversy they ignited across Church hierarchies. It is also the first work to examine provocative Philippine imagery and demonstrate how its bold promotion specifically triggered the first wave of curial censure in 1602."--Provided by publisher.
beati [people] --- Counter-Reformation and art --- Oratorians --- Santa Maria in Vallicella (Church : Rome, Italy) --- Christian church history --- Christian special devotions --- Rubens, Peter Paul --- Christian art and symbolism --- Altarpieces --- Counter-Reformation --- Neri, Filippo, --- Cult --- Counter-Reformation in art. --- Beatification --- Saints in art --- Rubens, Peter Paul, --- Jesuits --- Altarpieces - Italy - Rome --- Philippus Nerius --- Franciscus Xaverius --- Ignatius de Loyola --- Rubens --- Bienheureux (Congrégation des) --- Neri, Filippo, - Saint, - 1515-1595 - Cult --- Neri, Filippo, - Saint, - 1515-1595 --- Catholic Church. --- History --- History. --- Compagnie de Jésus --- Compañia de Jesus --- Gesellschaft Jesu --- Jesuitas --- Jesuiten --- Jesuiti --- Jezuïten --- Jésuites --- Paters Jezuïten --- Societeit van Jezus --- Society of Jesus --- イエズス会 --- カトリック イエズス会 --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Oratory of Saint Philip Neri --- Congregação do Oratório --- Oratorianos --- Padres Oratorianos --- Pères de l'Oratoire --- Congregazione dell'Oratorio --- Filippini --- Oratoriani --- Congregación del Oratorio --- Confederation of the Oratory of St. Philip Neri --- Congregation of the Oratory of St. Philip Neri --- Institutum Oratorii Sancti Philippi Neri --- Confoederatio Oratorii Sancti Philippi Nerii --- C. Or. --- CO --- C.O. --- kunst en godsdienst
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