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Vasari, Giorgio --- Architects --- -Art historians --- -Art, Italian --- Art, Renaissance --- -Painters --- -929 VASARI, GIORGIO --- Artists --- Renaissance art --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Historians --- Professional employees --- Biography --- -Relations with Medici family --- Art historians --- Art, Italian. --- Painters --- Vasari, Giorgio, --- Medici, House of. --- Art, Italian --- 929 VASARI, GIORGIO --- Vazari, Dzhordzho, --- Vasari, Georges, --- Вазари, Джорджо, --- ヴァザリ, ジョルジョ --- 960 --- Italie Renaissance --- levensbeschrijvingen --- biographies et mémoires

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Riche d’un ensemble remarquable des tableaux de Mantegna, de loin le plus important hors d’Italie, que viendront compléter des prêts exceptionnels, le musée du Louvre consacre, pour la première fois en France, une rétrospective majeure à cette figure éminente de la Renaissance en Italie du Nord. Formé dans le milieu humaniste de Padoue et de Ferrare, Mantegna va se distinguer par son goût « antiquaire », obsédé par la restitution imaginaire et documentée à la fois d’une Antiquité rêvée et par son talent d’invention allégorique et savante. A la cour de Mantoue, auprès d’Isabelle d’Este et de son mari le duc de Gonzague, il va développer, par la fresque, les peintures sur bois mais aussi par la gravure, une œuvre qui influencera au-delà des artistes de la péninsule jusqu’à Dürer. L’exposition et son catalogue s’attacheront à montrer, à travers des œuvres de techniques très diverses, les étapes majeures de la carrière de cet artiste, menée entre Padoue, Vérone et Mantoue durant la seconde moitié du XVe siècle, son influence sur ses contemporains et la diffusion précoce de son art dans toute l’Europe.

Mantegna, Andrea --- Art --- Bellini, Giovanni --- 15de eeuw --- Padua --- Italië --- Mantegna, Andrea, --- Exhibitions --- Art, Italian --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Painting, Renaissance --- Drawing, Renaissance --- Painting, Italian --- Drawing, Italian --- Exhibitions. --- Mantegna, Andrea, - 1431-1506 --- Mantegna, Andrea, - 1431-1506 - Exhibitions --- Mantegna, Andrea. --- Bellini, Giovanni. --- 15de eeuw. --- Padua. --- Italië.

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Art --- Primaticcio, Francesco --- Exhibitions --- Influence --- Château de Fontainebleau (France) --- Art [Italian ] --- France --- 16th century --- Fontainebleauschool of art --- Kunst --- Fontainebleau school of art --- Art, Italian --- CDL --- 75.071 PRIMATICCIO --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Ecole de Fontainebleau --- School of Fontainebleau --- Art, French --- Primaticcio, Francesco, --- Primatice, --- Le Primatice, --- Château de Fontainebleau (Fontainebleau, France) --- Fontainebleau Palace (Fontainebleau, France) --- Palais de Fontainebleau (Fontainebleau, France) --- Drawing --- Engraving --- Painting

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These ground-breaking essays, all based on original archival research, consider the evolving interest in Bolognese art in seventeenth-century Italy, particularly focusing on the period after the death of Guido Reni in 1642. Edited by Bolognese specialists Raffaella Morselli and Babette Bohn, the studies collected here focus on the taste for Bolognese art within Bologna itself and in other parts of the Italian peninsula, including Mantua, Ferrara, Rome, and Florence. Essays examine the roles of gender, class, and the social status of the artist in early modern Bologna; approaches to exhibiting artworks in noble Bolognese collections; the reputations of local women artists; the popularity of Bolognese quadratura painting; and the relative success of both contemporary and earlier Bolognese artists with Italian collectors.

Art, Italian --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Albicini. --- Bologna. --- Gonzaga. --- Medici. --- Seventeenth-century art. --- Sirani. --- Art --- art collections --- anno 1600-1699 --- Italy --- collecting, Italy --- receptiegeschiedenis --- vrouwelijke kunstenaar --- Bologna, school van

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Perino del Vaga --- Art, Italian --- Italian art --- Perino, --- Bonaccorsi, Perino, --- Bonacorsi, Perino, --- Buonaccorsi, Pietro, --- Buonacorsi, Perino, --- Perin, --- Perino del Vaga, --- Pierin, --- Pierino, --- Vaga, Perino del, --- Exhibitions --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- CDL --- 75.071 DEL VAGA