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Abstract expressionism --- Art, American --- Art --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Philosophy --- Analysis, interpretation, appreciation --- United States --- United States of America
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Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the 'American century'...
Art, American --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- 7.038 --- Beeldende kunst ; Verenigde Staten ; 20ste eeuw --- Kunstgeschiedenis ; 1950 - 2000 --- Art américain --- Art --- anno 1900-1999 --- North America --- Art [American ] --- 20th century
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Art, American
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Pop art
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art education --- kunstonderwijs --- Art --- Higher education --- Black Mountain College [Black Mountain, N.C.] --- United States --- Art, American --- 7.038 --- 373.67 --- Kunstonderwijs ; Asheville ; 1933-1956 ; Black Mountain College --- Black Mountain College ; Asheville, North Carolina --- Onderwijs ; didactiek ; theorieën ; modellen --- Experimenteel kunstonderwijs --- Dewey, John --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Kunstgeschiedenis ; 1950 - 2000 --- Onderwijs ; kunst- architectuuronderwijs --- Exhibitions --- United States of America
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Abstract Expressionism was the dominant movement in experimental American painting from the 1940s through the early 1960s. This book is a collection of articles, reviews, and essays that chronicle the critical history of the movement from its inception to the present. Drawing on a range of sources, including newspapers, magazines, and exhibition catalogues, the original debates about the validity of "action painting" are dramatically illustrated. The articles selected for the volume include classic statements from the most influential and prolific critics, including Clement Greenberg, Harold Rosenberg, and Hilton Kramer. The editors have also included contributions of iconoclasts from the 1950s and 1960s such as Leon Golub and John Canaday to suggest the full range of critical discussion. Six representative artists are the subject of extended sections that include biographical chronologies, reviews, and the artists' own comments: Willem de Kooning, Adolph Gottlieb, Franz Kline, Barnett Newman, Jackson Pollock, and Mark Rothko.
Abstract expressionism --- Art, American --- Expressionnisme abstrait --- abstract expressionisme --- Kooning, Willem de --- Gottlieb, Adolph --- Kline, Franz --- Schilderkunst ; Verenigde Staten ; 20ste eeuw --- Kunsttheorie ; Abstract Expressionisme --- Kunstgeschiedenis ; 1950 - 2000 --- Kunst ; theorie, filosofie, esthetica --- Schilderkunst ; 1950 - 2000 --- 7.038 --- 7.01 --- 75.038 --- Abstract Expressionisme --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Newman, Barnett --- Pollock, Jackson --- Rothko, Mark --- 20ste eeuw --- Verenigde Staten --- Art américain --- abstract expressionisme. --- Kooning, Willem de. --- Gottlieb, Adolph. --- Kline, Franz. --- Newman, Barnett. --- Pollock, Jackson. --- Rothko, Mark. --- 20ste eeuw. --- Verenigde Staten.
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Art, American --- Minimal art --- 7.038 --- kunst 20e eeuw --- minimalisme --- Andre Carl --- beeldhouwkunst --- Heizer Michael --- Judd Donald --- kunst --- land art --- minimal art --- Morris Robert --- schilderkunst --- Serra Richard --- Smithson Robert --- Smith Tony --- Stella Frank --- twintigste eeuw --- 7.036 --- 7.036 Moderne kunststijlen --- Moderne kunststijlen --- Art, Minimal --- Minimalism (Art) --- Minimalist art --- Systematic painting --- Art, Abstract --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- kunstgeschiedenis - kunst na 1945
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"What is abstract art good for? What's the use--for us as individuals, or for any society--of pictures of nothing, of paintings and sculptures or prints or drawings that do not seem to show anything except themselves?" In this invigorating account of abstract art since Jackson Pollock, eminent art historian Kirk Varnedoe, the former chief curator of painting and sculpture at the Museum of Modern Art, asks these and other questions as he frankly confronts the uncertainties we may have about the nonrepresentational art produced in the last five decades. He makes a compelling argument for its history and value, much as E. H. Gombrich tackled representation fifty years ago in Art and Illusion, another landmark A. W. Mellon Lectures volume. Realizing that these lectures might be his final work, Varnedoe conceived of them as a statement of his faith in modern art and the culminating example of his lucidly pragmatic and philosophical approach to art history. He delivered the lectures, edited and reproduced here with their illustrations, to overflowing crowds at the National Gallery of Art in Washington in the spring of 2003, just months before his death. With brilliance, passion, and humor, Varnedoe addresses the skeptical attitudes and misunderstandings that we often bring to our experience of abstract art. Resisting grand generalizations, he makes a deliberate and scholarly case for abstraction--showing us that more than just pure looking is necessary to understand the self-made symbolic language of abstract art. Proceeding decade by decade, he brings alive the history and biography that inform the art while also challenging the received wisdom about distinctions between abstraction and representation, modernism and postmodernism, and minimalism and pop. The result is a fascinating and ultimately moving tour of a half century of abstract art, concluding with an unforgettable description of one of Varnedoe's favorite works." http://www.loc.gov/catdir/enhancements/fy0654/2006006621-d.html.
abstracte kunst --- minimal art --- Abstract [fine arts style] --- Minimal --- Art --- anno 1900-1999 --- North America --- Art, Abstract --- Art, American --- Art abstrait --- Art américain --- 7.038 <73> --- kunst --- kunsttheorie --- schilderkunst --- abstractie --- beeldhouwkunst --- installaties --- twintigste eeuw --- Verenigde Staten --- tekenkunst --- 7.038 --- Abstracte kunst. Non-figuratieve kunst. Concrete kunst--Verenigde Staten van Amerika. VSA. USA --- Art américain --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Art, Abstract. --- Art, American. --- Abstrakte Kunst. --- Abstrakte Malerei. --- Abstracte kunst. --- 1900-1999. --- Geschichte 1950-2000. --- United States. --- USA. --- Art, Abstract - United States. --- Art, American - 20th century. --- Abstract [modern European style]
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This is the final volume in a series of four books about art and its interpretation from the midnineteenth century to the end of the twentieth. The books seek to explain the most important issues confronting any study of modern art, without attempting exhaustive coverage. They present a range of approaches characteristic of current art-historical debates. This fourth volume focuses on art since the 1930s, the main emphasis being on the period since the Second World War.
Modernist --- art theory --- Pop [fine arts styles] --- Minimal --- Abstract Expressionist --- Rosenquist, James --- Caro, Anthony --- Johns, Jasper --- Kosuth, Joseph --- Stella, Frank --- Andre, Carl --- Warhol, Andy --- Noland, Kenneth --- Gorky, Arshile --- Weiner, Lawrence --- Picasso, Pablo --- Olitski, Jules --- Rivera, Diego --- Rauschenberg, Robert --- Burgin, Victor --- Buren, Daniel --- Still, Clyfford --- Long, Richard --- Lichtenstein, Roy --- Smithson, Robert --- Richter, Gerhard --- Rothko, Mark --- Newman, Barnett --- Schnabel, Julian --- Judd, Donald --- Soulages, Pierre --- Kienholz, Edward --- Morris, Robert --- Miró, Joan --- Smith, David --- Léger, Fernand --- Haacke, Hans --- Kiefer, Anselm --- Moore, Henry --- LeWitt, Sol --- Pollock, Jackson --- Kline, Franz --- Guerrilla Girls --- Modernisme (Art) --- Art et société --- Modernisme --- Expressionnisme abstrait --- Paul Wood, Francis Frascina, Jonathan Harris, Charles Harrison --- modernisme --- postmodernisme --- abstract expressionisme --- Land Art --- minimalisme --- Art et société --- Modernism (Art) --- Art and society --- Art, American --- Art --- Art américain --- History --- Political aspects --- Histoire --- Aspect politique --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- 7.01 --- 7.038 --- conceptuele kunst --- cultuur --- ideologie --- kunst --- kunstkritiek --- kunsttheorie --- twintigste eeuw --- Verenigde Staten --- Art styles --- anno 1900-1999 --- Conceptual --- art history --- Salle, David --- Serra, Richard --- Braque, Georges --- Kahlo, Frida --- Koons, Jeff --- Beuys, Joseph --- Sherman, Cindy --- Spero, Nancy --- Rosler, Martha --- Krasner, Lee --- Hesse, Eva --- Art & Language --- anno 1960-1969 --- anno 2000-2099 --- anno 1950-1959 --- anno 1940-1949 --- Histoire de l'art --- 20e siècle --- Panorama mondial --- Guerrilla Girls [New York, N.Y.] --- Mouvement moderne --- Art, Primitive --- Modernism (Art) - United States --- Art, American - 20th century --- Art - Political aspects - United States --- Art and society - United States - History - 20th century --- kunstsociologie
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