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Hodler, Ferdinand --- 75.07 --- Schilderkunst ; Symbolisme --- Schilderkunst ; Expressionisme --- Schilderkunst ; schilders --- Hodler, Ferdinand, --- Khodler, Ferdinand, --- Exhibitions --- Hodler, Ferdinand 1853-1918 (°Bern, Zwitserland) --- Schilderkunst ; 19de - begin 20e eeuw ; F. Hodler --- Tentoonstellingscatalogi ; Den Haag ; Gemeentemuseum --- CDL --- 75.071 HODLER

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Painting --- Renoir, Auguste --- Renoir, Auguste, --- Exhibitions --- Expositions --- Renoir, Pierre-Auguste 1841-1919 (°Limoges, Frankrijk) --- Schilderkunst ; 19de en begin 20ste eeuw ; A. Renoir --- Schilderkunst ; Impressionisme --- Tentoonstellingscatalogi ; Parijs ; Grand Palais --- 75.07 --- (069) --- Schilderkunst ; schilders --- (Musea. Collecties) --- CDL --- 75.071 RENOIR --- Exhibitions. --- Renoir

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Gustave Caillebotte (1848–1894), the son of a wealthy businessman, is perhaps best known as the painter who organized and funded several of the groundbreaking exhibitions of the Impressionist painters, collected their works, and ensured the Impressionists’ presence in the French national museums by bequeathing his own personal collection. Trained at the École des Beaux-Arts and sharing artistic sympathies with his renegade friends, Caillebotte painted a series of extraordinary pictures inspired by the look and feel of modern Paris that also grappled with his own place in the Parisian art scene. Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887 is the first book to study the life and artistic development of this painter in depth and in the context of the urban life and upper-class Paris that shaped the man and his work. Michael Marrinan’s ambitious study draws upon new documents and establishes compelling connections between Caillebotte’s painting and literature, commerce, and technology. It offers new ways of thinking about Paris and its changing development in the nineteenth century, exploring the cultural context of Parisian bachelor life and revealing layers of meaning in upscale privilege ranging from haute cuisine to sport and relaxation. Marrinan has written what is sure to be a central text for the study of nineteenth-century art and culture.

Painters --- Peintres --- Biography. --- Biographies --- Caillebotte, Gustave, --- Paris (France) --- History --- Histoire --- naturalism [artistic form of expression] --- Painting --- schilderkunst --- Art styles --- Caillebotte, Gustave --- Paris --- Kunst en cultuur ; Parijs ; 1850-1950 --- Thema's in de schilderkunst ; stadsgezichten --- Beeldende kunst ; Frankrijk ; 19de eeuw --- Schilderkunst ; Frankrijk ; eind 19de, begin 20ste eeuw --- Schilderkunst ; beeldhouwkunst ; naturalisme ; 1875-1915 --- Schilderkunst ; Impressionisme ; ontstaan --- 75.07 --- Schilderkunst ; schilders A-Z

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Strindberg, August --- Gallen-Kallela, Akseli Valdemar --- Munch, Edvard --- Schjerfbeck, Helena --- Hill, Carl Fredrik --- fotografie --- tekeningen --- schilderkunst --- landschappen --- Gallen-Kallela, Akseli --- Schjerfbeck, Helene --- 19de eeuw --- 20ste eeuw --- Scandinavië --- Exhibitions --- comm. Suzanne Pagé, Jean-Louis Andral, Odile Burluraux --- kunst --- Denemarken --- Zweden --- Noorwegen --- Schilderkunst ; Scandinavië ; eind 19de-begin 20ste eeuw --- beeldhouwkunst --- Expressionisme --- IJsland --- Symbolisme --- Tentoonstellingscatalogi ; Parijs ; Musée d'Art moderne de la Ville de Paris --- Finland --- literatuur --- 75.037 --- (069) --- Gallen-Kallela Akseli --- Schjerfbeck Helene --- Hill Carl Frederik --- strindberg August --- Munch Edvard --- twintigste eeuw --- negentiende eeuw --- 7.035/036 --- 75.035/036 --- Schilderkunst ; 1900 - 1950 --- (Musea. Collecties) --- Art, Scandinavian --- Scandinavian art --- Schilderkunst ; Scandinavië ; eind 19de - begin 20ste eeuw --- CDL --- Gallen-Kallela, Akseli. --- Hill, Carl Fredrik. --- Munch, Edvard. --- Schjerfbeck, Helene. --- Strindberg, August. --- 19de eeuw. --- 20ste eeuw. --- Scandinavië.

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"The Joy of Life investigates the significance of the idyllic in French painting from the early 1890s to World War I, considering a fascinating series of pastoral, mythic, and utopian landscapes. Responding to rapid artistic and social shifts in this period, French artists shaped a dreamlike imagery of mythic community, individual fantasy, and sensual joie de vivre in the midst of mass society. This illustrated study focuses on three exemplary imaginings of idyll: Puvis de Chavannes's decoration for the Paris Hotel de Ville, L'ete, of 1891, Paul Signac's anarchist Au temps d'harmonie of 1895, and Henri Matisse's fauve Bonheur de vivre of 1905-6, each a monumental and ambitious work exhibited publicly in Paris." "Werth weaves together complex analyses of these paintings and others by Manet, Gauguin, Seurat, Cezanne, and less well known artists with a consideration of their critical reception, literary parallels, and the social and cultural milieu. She moves from artistic concerns with tradition and avant-gardism, decoration and social art, composition and figuration to contemporary debates over human origins and social organization."--Jacket.

Matisse, Henri --- Puvis de Chavannes, Pierre --- Signac, Paul --- Utopias in art --- Utopies dans l'art --- Utopieën in de kunst --- Pastoral art --- Painting, French --- Utopias in art. --- 75.037 --- Schilderkunst ; Frankrijk ; eind 19de, begin 20ste eeuw --- Thema's in de schilderkunst ; het idyllische ; het pastorale ; het utopische --- French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- Arcadian art --- Art, Pastoral --- Bucolic art --- Art --- Themes, motives. --- Schilderkunst ; 1900 - 1950 --- France --- Painting [French ] --- 19th century --- Themes, motives --- 20th century