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History --- Art --- Art patronage --- Mécénat --- Economic aspects --- Aspect économique --- Mécénat --- Aspect économique
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Art --- Economic relations. Trade --- anno 1700-1799 --- Rome --- Collectors and collecting --- History --- Economic aspects --- Marketing --- Catalogs. --- Collectionneurs et collections --- Histoire --- Aspect économique --- Commercialisation --- Catalogues --- Aspect économique
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Marketing --- Economic relations. Trade --- Art --- anno 1700-1799 --- anno 1800-1999 --- Great Britain --- Economic aspects --- History. --- History --- Aspect économique --- Commercialisation --- Histoire --- Aspect économique
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"It's no secret that art and business mix. But have things gotten out of hand? Museum, Inc. describes from the inside the new art conglomerates, whose roots are deeply imbedded in corporate culture. A critical analysis based on the author's nine years at the Guggenheim Museum, this pamphlet shows that the "Global Museum" is not the radical break with the past it claims to be but a logical outcome in the evolution of cultural institutions rooted in the eighteenth-century Enlightenment, the colonial expansion of the liberal nation-state, and the rhetoric of freedom and democracy."--BOOK JACKET.
museology --- globalization --- Museology --- art museums [buildings] --- Art museums --- Corporations --- Art --- Entreprises --- Economic aspects --- Social aspects --- Musées --- Aspect économique --- Aspect social --- Musées --- Aspect économique
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This book gives a comprehensive account of the history and underlying economics of the modern art market in eighteenth-and nineteenth-century Britain. Bayer and Page argue that economics shaped and developed visual culture to the extent that we should no longer restrict market issues to narrative discussions of dealers' involvements in the careers of specific artists. Economic, econometric and statistical analyses of two specifically created, and particularly rich, data sets that record over 42,000 auction and dealer-based sales of paintings in London between 1720 and 1910 reveal hitherto unknown transaction patterns and trade modus operandi that offer unprecedented insight into the operations of the art market.
History of the United Kingdom and Ireland --- Art --- anno 1700-1799 --- anno 1800-1899 --- Art dealers --- Marchands d'oeuvres d'art --- Economic aspects --- History --- Marketing --- Aspect économique --- Histoire --- Commercialisation --- Art -- Exhibitions. --- Art -- Marketing. --- Art publishing. --- Kunstmarkt. --- Art dealers. --- Economic aspects. --- Geschichte 1730-1900. --- 1700-1899. --- England. --- Great Britain. --- Aspect économique
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Le patrimoine culturel est l'objet d'un engouement collectif dont témoigne le succès des Journées européennes du patrimoine. Son champ ne cesse de s'étendre, et il revêt une dimension immatérielle et symbolique qui en fonde la valeur. L'analyse économique du patrimoine permet d'explorer les déterminants de la demande, de prendre la mesure des coûts de la conservation et de la mise à disposition des publics, d'évaluer la pertinence des aides en direction des propriétaires privés de monuments protégés. Elle montre que les modes de financement ne sont jamais indifférents aux stratégies des établissements culturels. Ce livre met en évidence et discute l'importance des retombées économiques du patrimoine. II décrit et analyse les politiques patrimoniales jusque dans leur dimension internationale. Entre objet de culte et objet menacé (usure du temps, négligence et violence), le patrimoine doit une part de l'attention qui lui est accordée à sa dimension économique.
Architecture --- Economics --- Cultural property --- Historic buildings --- Biens culturels --- Monuments historiques --- Economic aspects. --- Protection --- Conservation and restoration --- Management --- Aspect économique --- Conservation et restauration --- Gestion --- Aspect économique --- Cultural property - Protection - France. --- Historic buildings - Conservation and restoration - France. --- Activité culturelle et artistique --- Etablissement culturel --- Monument historique
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Art --- Economics --- anno 1500-1799 --- anno 1400-1499 --- anno 1800-1999 --- anno 2000-2099 --- Artists --- Arts and society. --- Artistes --- Arts et société --- History. --- Social conditions. --- Economic aspects --- Histoire --- Conditions sociales --- Aspect économique --- Arts et société --- Aspect économique --- Art and society
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Art --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- Netherlands --- Art, Netherlandish --- Sculpture, Netherlandish --- Altarpieces, Gothic --- Art patronage --- Art néerlandais --- Sculpture néerlandaise --- Retables gothiques --- Mécénat --- Economic aspects --- History --- Aspect économique --- Histoire --- 16e siècle --- Art néerlandais --- Sculpture néerlandaise --- Mécénat --- Aspect économique --- 16e siècle --- History. --- Sculpture, Netherlandish.
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Painting --- Caravaggio, da, Michelangelo M. --- anno 1600-1699 --- Rome --- Painters --- Painting, Italian --- Art --- Peintres --- Peinture italienne --- Biography. --- Collectors and collecting --- History --- Economic aspects --- Biographies --- Collectionneurs et collections --- Histoire --- Aspect économique --- Caravaggio, Michelangelo Merisi da, --- Criticism and interpretation. --- Influence. --- Caravaggio --- Aspect économique
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History --- Painting --- art schools [institutions] --- schildersambacht --- art market --- anno 1600-1699 --- France --- Painting, French --- Painters --- Economic History --- Peinture française --- Peintres --- Histoire économique --- Economic aspects. --- Economic conditions --- 17th century --- Aspect économique --- Conditions économiques --- Economic aspects --- Peinture française --- Histoire économique --- Aspect économique --- Conditions économiques --- social status --- Social conditions --- Painting [French ] --- Painting, French - 17th century - Economic aspects --- Painters - France - Economic conditions - 17th century --- Franse school
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