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Aesthetics --- History --- -Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- -History --- -Radio broadcasting Aesthetics --- Aesthetics - History
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Cette histoire des idées, des techniques et des milieux artistiques situe les avant-gardes dans leur contexte culturel, social et artistique. L'auteure présente les goûts, les normes et les idées communes de l'époque afin de mettre en avant le côté novateur et le génie de ces artistes en rupture. ©Electre 2016
Avant-garde (Aesthetics) --- Avant-garde (Esthétique) --- History and criticism --- Histoire et critique --- art criticism --- avant-garde --- Aesthetics of art --- Sociology of culture --- sociology --- Art styles --- anno 1800-1999 --- Avant-garde --- Art and society --- History --- Avant-garde (Aesthetics) - History - 19th century --- Avant-garde (Aesthetics) - History - 20th century --- Art and society - History - 19th century --- Art and society - History - 20th century
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Comment la main donne-t-elle forme à la matière dans la pratique artistique ? Comment concevoir leur rapport dans la genèse d'une œuvre d'art ? Le présent ouvrage propose une relecture de la pensée esthétique à partir de questions durablement escamotées par ses historiens. Au revers de l'oculocentrisme dominant s'est développée en effet, dès la naissance de l'esthétique au XVIIIe siècle, comme la face occulte d'un Janus, une haptologie de l'œuvre d'art qui détermine l'expérience esthétique comme essentiellement sensorielle et corporelle, et la pratique artistique comme le cheminement de la main trouvant son chemin au cœur de la matière.Herman Parret retrace l'histoire de cette esthétique haptologique et en analyse les concepts-clés à travers une relecture des textes fondamentaux, de Baumgarten à Lyotard, en passant par Lessing, Diderot, Kant, Herder, Nietzsche, Riegl, Husserl, Merleau-Ponty, Jean d'Udine, Henri Focillon et Gilles Deleuze. Il montre comment l'hypothèse haptologique s'immisce dans le cadre général de réflexion de ces penseurs et finit toujours par s'y justifier, dégageant une continuité méconnue sur plus de deux siècles d'esthétique philosophique.
Aesthetics --- philosophy of art --- History --- Gesture in art --- Touch --- Creation (Literary, artistic, etc.) --- Painting --- Philosophy --- Aesthetics. --- Art criticism --- Creation (Literary, artistic, etc.). --- Gesture in art. --- Phenomenology. --- Touch. --- History. --- Philosophy. --- Aesthetics - History --- Painting - Philosophy
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art [fine art] --- avant-garde --- Art styles --- Sociology of the family. Sociology of sexuality --- anno 1910-1919 --- anno 1930-1939 --- anno 1940-1949 --- anno 1920-1929 --- Women artists --- Avant-garde (Aesthetics) --- Exhibitions --- History --- Biography --- Women artists - Exhibitions --- Avant-garde (Aesthetics) - History - 20th century - Exhibitions --- Women artists - Biography --- art [discipline] --- vrouwelijke kunstenaar --- Women painters --- Women sculptors --- Painting, Modern --- Sculpture, Modern --- 1900-1999
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Art --- anno 1900-1999 --- Avant-garde (Aesthetics) --- Art, Modern --- History --- 7.01 --- 7.036 --- 7.036 Moderne kunststijlen --- Moderne kunststijlen --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Avant-garde (Aesthetics) - History - 20th century --- Art, Modern - 20th century
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Mimesis is one of the oldest, most fundamental concepts in Western aesthetics. This book offers a new, searching treatment of its long history at the center of theories of representational art: above all, in the highly influential writings of Plato and Aristotle, but also in later Greco-Roman philosophy and criticism, and subsequently in many areas of aesthetic controversy from the Renaissance to the twentieth century. Combining classical scholarship, philosophical analysis, and the history of ideas--and ranging across discussion of poetry, painting, and music--Stephen Halliwell shows with a wealth of detail how mimesis, at all stages of its evolution, has been a more complex, variable concept than its conventional translation of "imitation" can now convey. Far from providing a static model of artistic representation, mimesis has generated many different models of art, encompassing a spectrum of positions from realism to idealism. Under the influence of Platonist and Aristotelian paradigms, mimesis has been a crux of debate between proponents of what Halliwell calls "world-reflecting" and "world-simulating" theories of representation in both the visual and musico-poetic arts. This debate is about not only the fraught relationship between art and reality but also the psychology and ethics of how we experience and are affected by mimetic art. Moving expertly between ancient and modern traditions, Halliwell contends that the history of mimesis hinges on problems that continue to be of urgent concern for contemporary aesthetics.
Classical literature --- Aesthetics --- Mimesis in art. --- History. --- 111.85 --- 82.01 --- Metafysica: schoonheid; metafysische esthetica --- Esthetica --- 82.01 Esthetica --- 111.85 Metafysica: schoonheid; metafysische esthetica --- Mimesis in art --- Mimesis in de kunst --- Mimésis dans l'art --- Mimesis in literature --- Literature --- Poetics --- Esthétique --- Mimêsis --- Mimésis dans la littérature --- Littérature --- Poétique --- Histoire --- Imitation in art --- History --- Radio broadcasting Aesthetics --- Aesthetics - History.
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"Un ouvrage monumental sur les avant-gardes dans les arts et la littérature." Maurice Nadeau Rejetant la tradition esthétique et exaltant le monde moderne, les avant-gardes du XXe siècle ont regroupé tous les courants fondateurs de l'histoire de l'art contemporain et certains de ses plus grands artistes: l'expressionnisme, le cubisme, le futurisme, l'imaginisme russe.... Mêlant les genres: littérature, musique et arts plastiques, Serge Fauchereau étudie les influences et les affinités qui alimentent les différents courants, et revient sur des mouvements rarement abordés en histoire de l'art tels que le Vorticisme, l'Imagisme anglo-américain, le Brésil afro-indien, l'Ultraïsme... Avec un regard personnel, et en s'appuyant sur plus de 350 images en couleurs, il développe une critique érudite des avant-gardes du XXe siècle.
Art styles --- Literature --- anno 1910-1919 --- anno 1900-1909 --- anno 1930-1939 --- anno 1920-1929 --- avant-garde --- expressionisme --- kubisme --- futurisme --- vorticisme --- dadaïsme --- surrealisme --- ultraïsme --- indigenisme --- suprematisme --- constructivisme --- stridentisme --- akmeïsme --- imagisme --- imaginisme --- anthropophagisme --- muralisme --- 1905 - 1930 --- 20ste eeuw --- Avant-garde (Aesthetics) --- Arts, Modern --- History --- Aesthetics --- Modernism (Art) --- Avant-garde (Aesthetics) - History - 20th century --- Arts, Modern - 20th century --- Avant-garde (esthétique) --- Art --- Littérature --- 1900-1945 --- Histoire et critique --- avant-garde. --- expressionisme. --- kubisme. --- futurisme. --- vorticisme. --- dadaïsme. --- surrealisme. --- ultraïsme. --- indigenisme. --- suprematisme. --- constructivisme. --- stridentisme. --- akmeïsme. --- imagisme. --- imaginisme. --- anthropophagisme. --- muralisme. --- 1905 - 1930. --- 20ste eeuw.
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Painting landscapes was very much a private activity for Peter Paul Rubens. Whilst the majority of his other works were commissioned, the landscapes seem to have been painted for his own pleasure and delight and stayed in the artist’ s possession until his death. Most of them were painted in the last decade of his life; a happy period, in which Rubens retired from public duties and spent most of his free time studying the antique and enjoying sojourns on his country estate, castle Het Steen.0To grasp this profoundly personal character of Rubens’ s landscapes, this book considers the artist’ s highly complex method of pictorial invention to illuminate the perception, implementation, dissemination, and posthumous reception of views on nature and landscape as depicted in Rubens’ s landscape art.
Nature --- landscapes [representations] --- Rubens, Peter Paul --- Painters --- Landscape painting, Flemish --- Landscape prints, Flemish --- Peintres --- Peinture de paysages flamande --- Estampe de paysages flamande --- Attitudes --- Rubens, Peter Paul, --- Painting, Flemish --- Landscape prints, Dutch --- Nature in art. --- Nature (Aesthetics) --- Landscapes in art. --- History --- Criticism and interpretation. --- Themes, motives. --- Nature in art --- Landscapes in art --- Criticism and interpretation --- Themes, motives --- Painting, Flemish - 17th century --- Landscape painting, Flemish - 17th century --- Landscape prints, Dutch - 17th century --- Nature (Aesthetics) - History - 17th century --- Rubens, Peter Paul, - 1577-1640 - Criticism and interpretation --- Rubens, Peter Paul, - 1577-1640 - Themes, motives --- Rubens, Peter Paul, - 1577-1640
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Political philosophy. Social philosophy --- Aesthetics of art --- Communism and art --- -Communist aesthetics --- -Aesthetics, Communist --- Aesthetics, Marxist --- Marxist aesthetics --- Art and communism --- Art --- History --- Marx, Karl. --- Communist aesthetics --- History. --- Marx, Karl --- -History --- Aesthetics, Communist --- Marx, Karl, --- Communism and art - History. --- Communist aesthetics - History. --- Marx, Karl, 1818-1883. --- Makesi, --- Ma-kʻo-ssu, --- 马克思, --- 馬克思, --- Marukusu, --- マルクス, --- Marx, Heinrich Karl, --- Marks, Karl, --- Marx, Carlos, --- Marks, K. --- Marŭkʻŭsŭ, Kʻal, --- 마르크스, 칼, --- Marksŭ, --- 맑스, --- Marks, Karol, --- Mác, Các, --- Marx, Karel, --- Marksas, Karolis, --- Marx, Carlo, --- Mác, C., --- מארכס, --- מארכס, קארל, --- מארכס, קרל, --- מארכס, ק --- מארקס --- מארקס, קארל --- מארקס, קארל, --- מארקס, קרל, --- מארקס, ק. --- מרכס, קרל --- מרכס, קרל, --- ماركس، كارل --- ماركس، كارل، --- Markso, Karlo,
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Arts, Modern --- Aesthetics, Modern --- Avant-garde (Aesthetics) --- History --- 7.01 "19" --- -Avant-garde (Aesthetics) --- -R.J.Sanders --- kunst --- twintigste eeuw --- situationisten --- situationistische Internationale --- avant-garde --- Cobra --- Constant --- New Babylon --- Jorn Asger --- kunsttijdschriften --- Nederland --- mei 68 --- Frankfurter Schule --- Marcuse Herbert --- Baudrillard jean --- Socialisme ou Barbarie --- 7.038 --- Aesthetics --- Modernism (Art) --- Modern arts --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- -Aesthetics, Modern --- -7.01 "19" --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- R.J.Sanders --- Arts, Modern - 20th century. --- Aesthetics, Modern - 20th century. --- Avant-garde (Aesthetics) - History - 20th century.
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