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Corinth, Lovis --- academisme --- avant-garde --- Kiefer, Anselm --- Heisig, Bernhard --- academisme. --- avant-garde. --- Corinth, Lovis. --- Kiefer, Anselm. --- Heisig, Bernhard.
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Art --- anno 1700-1799 --- France --- Rome --- italianisanten --- kunsteducatie --- oudheid --- academisme --- 18de eeuw --- Frankrijk --- italianisanten. --- kunsteducatie. --- oudheid. --- academisme. --- 18de eeuw. --- Frankrijk. --- Rome. --- Duchamp, Marcel.
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The Paris Salons of the mid-nineteenth century are famous today above all for the paintings that were rejected more than for those that were actually shown. The rejected works form today's canon of art history and are regarded as heralds of a modern age. This book looks to reassess the other side of the art history of the nineteenth century. Salon Painting has often been dismissed as overly academic or staid. Now art historian Norbert Wolf turns back the pages of history as he reintroduces readers to the artistry and excellence of the Salon Painting in Europe, Britain, Russia and the US. In an opulent new book, illustrated throughout with gorgeous reproductions, Wolf looks at Salon painting from a variety of perspectives, such as the rise of the bourgeoisie and Paris's position as Europe's cultural capitol. Wolf examines masterpieces by Cabanel, Manet, Bierstadt, The Pre-Raphaelites, and Sargent, demonstrating how classical subjects gave way to modern concerns.
Salons --- academisme --- Wereldtentoonstellingen --- 19de eeuw --- Målarkonst --- Painting, Modern --- Painting, Modern. --- Salongskultur. --- Salons. --- Historia. --- History --- 1800-1899. --- 1800-talet. --- Painting --- anno 1800-1899 --- academisme. --- Wereldtentoonstellingen. --- 19de eeuw. --- Aparicio, José.
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Corinth, Lovis --- 75.071 CORINTH --- CDL --- Exhibitions --- academisme --- avant-garde --- Kiefer, Anselm --- Heisig, Bernhard --- Corinth, Lovis, --- Corinth, Franz Heinrich Louis, --- Corinth, Louis, --- Korint, Lovis, --- academisme. --- avant-garde. --- Corinth, Lovis. --- Kiefer, Anselm. --- Heisig, Bernhard. --- oude meesters. --- Wereldtentoonstelling 1913 (Gent).
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Lenepvue, Jules-Eugène --- Baudry, Paul --- Bouguereau, Adolphe William --- kunstonderwijs --- academisme --- geschiedenis --- Prijs van Rome --- Bouguereau, William --- Lenepveu, Jules-Eugène --- 19de eeuw --- kunstonderwijs. --- academisme. --- geschiedenis. --- Prijs van Rome. --- Baudry, Paul. --- Bouguereau, William. --- Lenepveu, Jules-Eugène. --- 19de eeuw.
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Aesthetics of art --- Painting --- Orientalism --- art criticism --- easel paintings [paintings by form] --- Gérôme, Jean Léon --- Asia --- academisme --- orientalisme --- Gérôme, Jean-Léon --- 19de eeuw --- orientalisme. --- academisme. --- Gérôme, Jean-Léon. --- 19de eeuw.
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Art --- academic art --- Dahesh Museum of Art [New York, N.Y.] --- anno 1800-1899 --- Dahesh Museum of Art (New York) --- academisme --- Dahesh Museum of Art (New York). --- academisme. --- Pettoruti, Emilio.
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Philosophical anthropology --- History of philosophy --- melancholie --- Dejection --- Depression, Mental --- Sadness --- Melancholy --- Emotions --- History --- geschiedenis --- filosofie --- christelijke iconografie --- academisme --- 19de eeuw. --- Frankrijk.
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Art --- Journalism --- anno 1910-1919 --- anno 1900-1909 --- anno 1930-1939 --- anno 1940-1949 --- anno 1920-1929 --- Paris --- tijdschriften --- dadaïsme --- surrealisme --- abstracte kunst --- avant-garde --- academisme --- 1905 - 1940 --- 20ste eeuw --- Parijs --- abstracte, niet-figuratieve kunst --- tijdschriften. --- dadaïsme. --- surrealisme. --- abstracte kunst. --- avant-garde. --- academisme. --- 1905 - 1940. --- 20ste eeuw. --- Parijs.
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In the juxtaposition of so-called 'Salon painters' and 'Reformers of painting' this volume offers a discriminating look at the controversial styles in French painting between 1820 and 1880 and the developments within the traditional genres. Romanticism, Realism, Impressionism -- these are still the most important stylistic labels which acted as slogans for French painting during the 19th century. At that time Delacroix, Courbet, Manet and many others left the 'straight and narrow' of painting, the academic-neo-classical manner. Highly controversial at the time, today these painters are celebrated worldwide as precursors of Modernism. The situation is very different when it comes to the Salon painters like Meissonier, Cabanel, Gérôme and Bouguereau, who were highly regarded at the time. Today they have been consigned to the fringes, especially in the German-speaking region -- unjustifiably, because they play an outstanding role with regard to our understanding of developments in art at the time. Exhibition: Kunsthaus Zürich, Switzerland (10.11.2017-28.01.2018).
Painting --- modern French fine arts styles and movements --- easel paintings [paintings by form] --- anno 1800-1899 --- France --- Salons (Frankrijk) --- kunstkritiek --- academisme --- romantiek --- realisme --- impressionisme --- neoclassicisme --- modernisme --- Chardin, Jean Baptiste Siméon --- Manet, Edouard --- 1820 - 1880 --- 19de eeuw --- Frankrijk --- Painting, French --- Manet, Édouard --- Salons (Frankrijk). --- kunstkritiek. --- academisme. --- romantiek. --- realisme. --- impressionisme. --- neoclassicisme. --- modernisme. --- Chardin, Jean Baptiste Siméon. --- Manet, Édouard. --- 1820 - 1880. --- 19de eeuw. --- Frankrijk.
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