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Niccolò dell'Arca --- Rubiales, de, Pedro --- Art [Italian ] --- Art italien --- Kunst [Italiaanse ] --- Art patronage --- Italy --- Christian art and symbolism --- 1450-1600 (Renaissance) --- Confraternities
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Sculpture --- sculpture [visual works] --- Renaissance --- anno 1400-1499 --- anno 1500-1599 --- Venice --- Sculpture, Italian --- Sculpture, Renaissance --- Plastik --- Geschichte 1450-1600 --- Venedig --- Plastik. --- Venedig.
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De Renaissance creëerde een nieuwe visie van vrouwelijkheid en zelfs een 'Nieuwe Vrouw', zo stelt de auteur van dit boek. Haar Renaissance begint met de uitvinding van de boekdrukkunst (1456) die boeken ook voor vrouwen beschikbaar maakte. Centraal in het verhaal staan de levens van vrouwen als Vittoria Colonna, wiens buitengewone liefdesrelatie met Michelango hier uit de doeken wordt gedaan; Tullia d'Aragona, dichteres en de beroemdste courtisane van haar tijd en de Franse dichteres Louise Labé, die in mannenkleren meevocht in de strijd. De auteur volgt deze 'nieuwe vrouwen' tijdens de opkomst en val van de Renaissance in Italië en Frankrijk, naar het noorden naar de Lage Landen en in de persoon van Elisabeth I naar Engeland. Zij staan centraal in het machtsvertoon, schilderijen en architectuur, courtisanes en pausen, muziek en manieren, mode, voeding, cosmetica, veranderende maatschappijen en de taal van dichtkunst en symbolen.
Sociology of the family. Sociology of sexuality --- History of civilization --- anno 1400-1499 --- anno 1500-1599 --- Women --- History --- Colonna, Vittoria --- France --- Belgium --- Italy --- 1450-1600 (Renaissance) --- Heretic movements --- Renaissance --- Monarchies --- Images of women --- Book --- Nobility
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"An examination of the development of the nude as an artistic motif in the visual culture of Renaissance Europe, 1400-1530"--Provided by publisher.
Renaissance --- art [fine art] --- nudes [representations] --- anno 1400-1499 --- anno 1500-1599 --- Nude in art --- Art, Renaissance --- Christian art and symbolism --- kunst --- schilderkunst --- beeldhouwkunst --- tekenkunst --- renaissance --- naakt --- lichamelijkheid --- vijftiende eeuw --- zestiende eeuw --- Italië --- 7.041 --- 7.034 --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Exhibitions --- Themes, motives --- Exhibitions. --- Symbolism in art --- Naakt in de kunst --- Kunst [Renaissance] --- Christelijke kunst en symboliek --- Tentoonstellingen --- Art --- humanisme --- iconografie --- klassieke oudheid --- menselijk lichaam --- reformatie --- religieuze kunst --- 1450 - 1600 --- 15de eeuw --- 16de eeuw --- Europa --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- klassieke oudheid (historisch tijdvak) --- Nude in art - Exhibitions --- Art, Renaissance - Themes, motives - Exhibitions --- Christian art and symbolism - Renaissance, 1450-1600 - Exhibitions --- naakt. --- religieuze kunst. --- iconografie. --- humanisme. --- menselijk lichaam. --- klassieke oudheid (historisch tijdvak). --- reformatie. --- 1450 - 1600. --- 15de eeuw. --- 16de eeuw. --- Europa. --- art [discipline]
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Comparative literature --- Thematology --- anno 500-1499 --- anno 1500-1599 --- Ironie dans la littérature --- Ironie in de literatuur --- Irony in literature --- Literature, Medieval --- European literature --- Irony in literature. --- History and criticism. --- 82-7 --- -Irony in literature --- -European literature --- Medieval literature --- Humor. Satire --- History and criticism --- -Humor. Satire --- 82-7 Humor. Satire --- -82-7 Humor. Satire --- Literature [Medieval ] --- 1450-1600 (Renaissance) --- 82-7 Prose satire. Humour, epigram, parody etc. --- Prose satire. Humour, epigram, parody etc. --- Literature, Medieval - History and criticism. --- European literature - Renaissance, 1450-1600 - History and criticism.
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In 2006, 500 years after his death, the Royal Library of Belgium organised an exhibition revealing treasures from the era of Philip the Fair (1478-1506), last duke of Burgundy. This volume reunites most of the papers delivered at a conference held during the exhibition, increased with four new chapters. Ten specialists from Belgium, the Netherlands and the United States discuss the book market and its place in society in this transitional period when manuscripts and printed books were produced and used next to one another. The contributions are organised in pairs around five topics, whereby in each case one author treats manuscripts and the other printed books: Philip the Fair and his books, art in books, music in books, politics in books, the book market. Contributions by: Renaud Adam, Jean-Marie Cauchies, Marieke van Delft, Lieve De Kesel, Samuel Mareel, Zoe Saunders, Susie Speakman Sutch, Herman Pleij, Rob Wegman, and Hanno Wijsman.
Book history --- History of the Low Countries --- anno 1400-1499 --- anno 1500-1599 --- Books --- Manuscripts --- Illumination of books and manuscripts, Flemish. --- Livres --- Manuscrits --- Enluminure flamande --- History --- Histoire --- Philip --- Illumination of books and manuscripts, Flemish --- Netherlands --- Belgium --- Civilization --- Education --- Social Sciences --- Book Studies & Arts --- 09 --- 090 --- Handschriften. Oude en merkwaardige drukken. Curiosa --- General Manuscripts and rare books --- 09 Handschriften. Oude en merkwaardige drukken. Curiosa --- Codices --- Nonbook materials --- Archival materials --- Charters --- Codicology --- Diplomatics --- Illumination of books and manuscripts --- Paleography --- Transmission of texts --- Flemish illumination of books and manuscripts --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Early printed books --- Incunabula --- Felipe --- Felipe, --- Philip, --- Philippe, --- Filips, --- Civilization. --- Philip I --- Congresses --- 1450-1600 (Renaissance) --- Illumination of books and manuscripts [Flemish ] --- 091 "1250/14" --- 091 <492/493> --- 091 <492/493> Handschriftenkunde. Handschriftencatalogi--De Nederlanden --- Handschriftenkunde. Handschriftencatalogi--De Nederlanden --- 091 "1250/14" Handschriftenkunde. Handschriftencatalogi--13e-15e eeuw. Periode 1250-1499 ('late middeleeuwen') --- Handschriftenkunde. Handschriftencatalogi--13e-15e eeuw. Periode 1250-1499 ('late middeleeuwen') --- Books - Netherlands - History - 1450-1600 --- Books - Belgium - History - 1450-1600 --- Books - History - 1450-1600 --- Manuscripts - Netherlands --- Manuscripts - Belgium --- Philip - I, - King of Castile, - 1478-1506 --- Netherlands - Civilization --- Belgium - Civilization --- Philippe (roi de castille ; 1478-1506) --- Flandre (comté) --- 1400-1600
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sculpting --- Sculpture --- congres / 1990 --- Pilon, Germain --- anno 1500-1599 --- Sculpture de la Renaissance --- Monuments funeraires --- Art chrétien --- Histoire --- Beeldhouwkunst --- beeldhouwen --- beeldhouwkunst --- renaissance --- 16de eeuw --- Frankrijk --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Sculpture de la Renaissance - France - Congres --- Monuments funeraires - France - Histoire - 16e siècle - Congres --- Art chrétien - France - 1450-1600 (Renaissance) - Congres. --- sculptuur --- Pilon, Germain. --- 16de eeuw. --- Frankrijk. --- Franse school
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painting [image-making] --- religious art --- Bassano, Jacopo --- Christian art and symbolism --- Art et symbolisme chrétiens --- Bassano, Jacopo, --- Bassano, Jacopo, ca.1518-1592 --- Criticism and interpretation --- Critique et interprétation --- Bible --- Illustrations --- Art et symbolisme chrétiens --- Criticism and interpretation. --- Critique et interprétation --- 1450-1600 (Renaissance) --- Bassano, Jacopo, - ca. 1518-1592 - Criticism and interpretation. --- Illustrations.
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History of civilization --- Semiotics --- Ancient history --- Classical literature --- Epical, mythological and fictitious figures --- anno 500-1499 --- Antiquity --- anno 1500-1599 --- Western world --- Europe --- Mythologie classique dans la litterature --- Litterature medievale --- Litterature europeenne --- Mythologie dans la litterature --- Allegories --- Mythologie classique dans l'art --- Dictionnaires --- Themes, motifs --- Renaissance, 1450-1600 --- Moyen âge --- Renaissance
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This book is the first detailed investigation to focus on the late medieval use of Tree of Jesse imagery, traditionally a representation of the genealogical tree of Christ. In northern Europe, from the mid-fifteenth to the early sixteenth centuries, it could be found across a wide range of media. Yet, as this book vividly illustrates, it had evolved beyond a simple genealogy into something more complex, which could be modified to satisfy specific religious requirements. It was also able to function on a more temporal level, reflecting not only a clerical preoccupation with a sense of communal identity, but a more general interest in displaying a family's heritage, continuity and/or social status. It is this dynamic and polyvalent element that makes the subject so fascinating
Christian art and symbolism --- Art, Late Gothic --- Art and society --- Themes, motives. --- History --- Themes, motives --- Christian religion --- Iconography --- iconography --- religious art --- Gothic [Medieval] --- Virga Jesse --- anno 1400-1499 --- anno 1500-1599 --- Europe: North --- Christian art and symbolism - Europe, Northern - Renaissance, 1450-1600 --- Art, Late Gothic - Europe, Northern - Themes, motives --- Art and society - Europe - History - To 1500 --- Art and society - Europe, Northern - History - 16th century
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