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Art --- Museum of Chora [Istanbul]

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Public buildings --- History of Southern Europe --- History of Belgium and Luxembourg --- city walls --- Brussels --- Istanbul [city]

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Art --- Vanmour, Jean Baptiste --- Istanbul [city] --- orientalisme --- Calkoen, Cornelis --- Vanmour, Jean-Baptiste --- 17de eeuw --- 18de eeuw --- Istanbul --- Ambassadeurs. --- Art patronage. --- Hofcultuur. --- Painting, Flemish --- Painting, Flemish. --- Schilderijen. --- Ahmed --- Calkoen, Cornelis, --- Vanmour, Jean-Baptiste, --- 1288-1918. --- Turkey --- Turkey. --- History --- Calkoen, Cornelis. --- Vanmour, Jean-Baptiste. --- 17de eeuw. --- 18de eeuw. --- Istanbul.

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Summary: Catalogue de l'exposition présentée au musée des Beaux Arts de Valenciennes du 23 octobre 2009 au 7 février 2010. Cette exposition est la 1e rétrospective consacrée en France à cet artiste. Cet événement, organisé avec la collaboration exceptionnelle du Rijksmuseum d'Amsterdam, s'inscrit dans la programmation de l'Année de la Turquie en France. Né à Valenciennes, Jean-Baptiste Vanmour (1671-1737) passa l'essentiel de sa vie et de sa carrière dans la ville de Constantinople. Fasciné par les paysages du Bosphore et les fastes somptueux de la Cour des sultans. Il fut un témoin précieux dépeignant toutes les facettes de la vie ottomane au 18e siècle. Intimité des harems, représentation de dignitaires du régime turc, et paysages. A la tête d'un atelier florissant, les voyageurs européens charmés par ses œvres pittoresque rapportèrent de très nombreux tableaux en occident. Seth Gopin, dans cette publication met en évidence l'importance de ces échanges entre orient et occident et le rôle joué par Vanmour dans le développement de l'orientalisme en Europe.

Vanmour, Jean Baptiste --- Calkoen, Cornelis --- Painters --- Expatriate painters --- Orientalism in art --- Painting, Modern --- Peintres --- Peintres expatriés --- Orientalisme dans l'art --- Peinture --- Exhibitions --- Exhibitions. --- Expositions --- Vanmour, Jean-Baptiste, --- orientalisme --- Ottomaanse Rijk --- Vanmour, Jean-Baptiste --- 18de eeuw --- Istanbul --- Peintres expatriés --- orientalisme. --- Ottomaanse Rijk. --- Vanmour, Jean-Baptiste. --- Calkoen, Cornelis. --- 18de eeuw. --- Istanbul. --- tentoonstelling Gent (1820). --- Salon van Gent (1820). --- 19de eeuw.

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Living Icons is the first book to explore the emergence and function of a novel pictorial format in the Middle Ages, the vita icon, which displayed the magnified portrait of a saint framed by scenes from his or her life. The vita icon was used for depicting the most popular figures in the Orthodox calendar and, in the Latin West, was deployed most vigorously in the service of Francis of Assisi. This book offers a compelling account of how this type of image embodied and challenged the prevailing structures of vision, representation, and sanctity in Byzantium and among the Franciscans in Italy between the eleventh and thirteenth centuries. Through the lens of this format, Paroma Chatterjee uncovers the complexities of the philosophical and theological issues that had long engaged both the medieval East and West, such as the fraught relations between words and images, relics and icons, a representation and its subject, and the very nature of holy presence.

Painting --- Iconography --- anno 1100-1199 --- anno 1200-1299 --- anno 1000-1099 --- Istanbul [city] --- Italy --- Christian saints in art --- Vita icons --- Painting, Byzantine --- Painting, Italian --- Saints chrétiens dans l'art --- Icônes biographiques --- Peinture byzantine --- Peinture italienne --- History. --- Histoire --- Francis, --- Art --- Saints chrétiens dans l'art --- Icônes biographiques --- Art. --- Biographical icons --- Icons --- Icons [Byzantine ] --- Icon painting --- Saints --- Iconographie --- Icônes --- Art byzantin --- Italie