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sculpting --- Sculpture --- porcelain [material] --- installations [visual works] --- Art --- Applied arts. Arts and crafts --- Stockmans, Piet --- anno 1900-1999 --- Belgium --- Vaart, van der, Jan --- Loon, van, Johan --- van Loon, Johan --- van der Vaart, Jan --- Kunstnijverheid --- keramiek --- porselein --- toegepaste kunsten --- Loon, Jahon van, --- Stockmans, Piet, --- Vaart, Jan van der, --- Van Der Vaart, Jan

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History is increasingly made in images, not only because its records are largely photographic but also because our ideas about the past are formed in visual terms. In Images Performing History, Katarzyna Ruchel-Stockmans offers a discussion of contemporary art practices that question received notions of historical representations after the pivotal changes of 1989 in Europe. These art practices reveal, in different ways, the operative role of the photographic media in making and remaking history. Not limited to a particular artistic medium, they demonstrate how history is forged through enacting or reenacting its past forms, while they indicate how copying and quoting can contribute to creating a new, operative aesthetics. Ruchel-Stockmans foregrounds the performative character of images, showing how art constructs an alternative knowledge of the past.

History as a science --- Photography --- photography [process] --- Philosophy and psychology of culture --- anno 2000-2099 --- anno 1990-1999 --- Europe --- Art and history --- Art and revolutions --- Art et histoire --- Art et revolutions --- Documentaire fotografie --- Documentary photography --- Fotografie [Documentaire ] --- Fotografie in de geschiedschrijving --- Geschiedenis en kunst --- Geschiedenis in de kunst --- Geschiedenis in de massamedia --- Geschiedenis in de media --- Histoire dans l'art --- Histoire dans les mass media --- Histoire dans les media --- Histoire et art --- Historical painting --- Historieschilderkunst --- History and art --- History in art --- History in mass media --- History in the media --- History painting --- Installaties (Kunst) --- Installations (Art) --- Kunst en geschiedenis --- Kunst en revoluties --- Peinture d'histoire --- Photographie dans l'historiographie --- Photographie documentaire --- Photography [Documentary ] --- Photography in historiography --- Revoluties en kunst --- Revolutions and art --- Revolutions et art --- Histoire dans les médias --- Photographie en historiographie --- Art et révolutions --- Medienwissenschaft --- Kunst --- Geschichte 1989-2015 --- Europa --- Academic collection --- Art and history. --- Art and photography --- Art and photography. --- 1900-2099. --- Europe. --- Histoire dans les médias --- Art et révolutions --- Medienwissenschaft. --- Kunst. --- Europa. --- kunst --- 77.01 --- 7.01 --- 77.038/039 --- 7.038/039 --- Schmidt Dierk --- Tuymans Luc --- Ujic Andrej --- Farocki Harun --- Bartana Yael --- Kulik Zofia --- eenentwintigste eeuw --- twintigste eeuw --- kunsttheorie --- kunst en geschiedenis --- fotografie en geschiedenis --- fotografietheorie --- fotografie --- cultuurgeschiedenis --- cultuurfilosofie

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History of Belgium and Luxembourg --- Mortsel

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"An underground view of the Antwerp art scene. Nico Dockx interviewed artist Dennis Tyfus for an entire year. One question a day resulted in this journey through Dennis's oeuvre. Be a silent and privileged witness of a very close but far away art scene that could be alive and kicking just around the corner. Welcome to discover street tones of music, live radio shows, collages, drawings and paintings, tattoos, performances, improvised concert gigs, zines, LP sleeves, leaflets and other guerrilla posters..."--Publisher's website.

art [fine art] --- Art --- Tyfus, Dennis --- Dockx, Nico --- Kunst --- kunst --- MAD-faculty 19 --- grafische kunst --- hedendaagse kunstenaars --- artists' books [books] --- Artists --- eenentwintigste eeuw --- schilderkunst --- tekenkunst --- muziek --- performances --- performance --- installaties --- 7.071 DOCKX --- 7.071 TYFUS --- Dockx Nico --- Tyfus Dennis --- Antwerpen --- België --- Persons --- Tyfus, Dennis, --- Faes, Dennis, --- art [discipline]

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In December 2005, Bruno Vekemans decided for the first time in his oeuvre to create an extensive series of artworks on a particular theme. In May of 2006, Bruno Vekemans stayed in Kinshasa, Congo - 2 months prior to the first round of the first democratic elections in 40 years - to prepare for a series of gouaches, oils on canvas and verres églomisés.

His physical presence and the emotional experience of this study trip to Kinshasa made an overwhelming impression on Bruno Vekemans, both as a person and as an artist. He allowed this project to occupy two years of his life. At the centre of it all lies authenticity.

They are not affected; neither are they influenced by the media: qualities that enable Bruno Vekemans to portray them in their full glory. He gives the Congolese a starring role. The image material - photos and film - collected as a sort of sketchbook for this series, is "genuine" and experienced by the artist. This art book recreates that Kinshasa Congo experience for the reader, not only through its text, but also and above all through its images.

Bruno Vekemans is a personality, and, beyond that, a man with a great deal of respect for other people, both in his daily life and as subjects.

He retains everything of the authentic artist, and has been painting since the age of seven. Throughout his career, Vekemans has always maintained that he does not like to theorise or even philosophise about his work. His life and his mission are simply to paint. That reflexive response reveals how his art is a highly intuitive and everyday activity to him.

Iconography --- Vekemans, Bruno --- Congo --- Congo (Democratic Republic) --- Pictorial works --- Kinshasa (Congo) --- Painting