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Painting --- Vanriet, Jan --- Exhibitions --- Belgium --- 21st century --- Painting, Belgian --- Violence in art --- Figurative art --- Vanriet, Jan,
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Mannaers, Werner --- Exhibitions --- Painting [Belgian ] --- 21st century
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kunst --- eenentwintigste eeuw --- schilderkunst --- 75.039 --- Poons Larry --- Moses Ed --- Manes Paul --- Lane Lois --- Kretschmer Melissa --- Kline Martin --- Gunderson Karen --- Darby Bannard Walter --- Vanriet Jan --- Vandevijvere Bart --- Noiret-Thomé Xavier --- Mannaers Werner --- Maet Marc --- Gilbert Bernard --- Ghekiere Joris --- Ceulemans Mil --- Verenigde Staten --- België --- Exhibitions --- art criticism --- Aesthetics of art --- kunstkritiek --- postmodernisme (kunst) --- painting [image-making] --- Painting --- Postmodern --- Ceulemans, Mil --- Noiret-Thomé, Xavier --- Vandevijvere, Bart --- Kretschmer, Melissa --- Ghekiere, Joris --- Mannaers, Werner --- Bannard, Walter Darby --- Poons, Larry --- Gunderson, Karen --- Lane, Lois --- Vanriet, Jan --- Manes, Paul --- Kline, Martin --- Moses, Ed --- Gilbert, Bernard --- Maet, Marc --- United States --- Belgium --- Painting [Modern ] --- 20th century --- 21st century --- United States of America
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Vanity is een boeiende rondleiding in het steeds uitdeinende universum van de kunstenaar. Jan Vanriet is een sleutelfiguur in de hedendaagse Belgische schilderkunst. In 2010 sloot hij het Museum voor Schone Kunsten in Antwerpen met de overzichtstentoonstelling Closing Time en in 2014 gooide hij opnieuw hoge ogen met Gezichtsverlies in de Kazerne Dossin, een expo die in januari 2015 naar Moskou doorreist. In Vanity toont hij de meer dan 100 olieverfschilderijen die hij in 2013 en 2014 maakte. De thematische en stilistische verscheidenheid en de wisselende toonaard zetten het eens te meer in de verf: hij is een kunstenaar die nieuwe wegen durft te exploreren. Exhibition: Roberto Polo Gallery, Brussel, Belgium (06.02-05.04.2015)
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Maet, Marc --- Dierickx, Karel --- Exhibitions
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Karel Dierickx's existential radicalism will always keep him aloof from the current generation of Flemish painters, but over the years the aristocratic appeal of his aloofness has grown. It is the detachment, the integrity of someone who is such an integral part of the great painting tradition that he no longer needs any environment, a school or trend. He has enough work in the time and space around him. It is the breath of a body of work that is self-sufficient in the iconographic space of its own intimacy, while simultaneously recognisable as a human living space. It is the freedom of the old master who has reached the moment about which Paul Klee says: 'Drawing is taking a line out for a walk.' It is the freedom of the old Henri Matisse: the hand knows its way through the complex paths of painting laid down through the centuries, yet settled in its own existence. Freedom and rigour, a room filled with light and reflection, and work that spreads out towards the window. An artist could not ask for more. (Stefan Hertmans). Exhibition: Roberto Polo Gallery, Brussels, Belgium (28.03-18.05.2014).
Painting, Belgian --- 75.07 --- 73.07 --- Schilderkunst ; 21ste eeuw ; 1999-2013 ; Karel Dierickx --- Dierickx, Karel 1940-2014 (°Gent, België) --- Dierickx, Karel ; het late werk --- Belgische kunstenaars --- Tentoonstellingscatalogi ; Brussel ; Roberto Polo Gallery --- Belgian painting --- Schilderkunst ; schilders --- Beeldhouwkunst ; beeldhouwers A - Z --- Dierickx, Karel, --- Exhibitions --- Art --- art [fine art] --- Dierickx, Karel --- art [discipline]
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