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Braque, Georges

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"Pieter Bruegel the Elder. Art discourse in the sixteenth-century Netherlands" examines the later images by Bruegel in the context of two contemporary discourses - art theoretical and convivial. The first concerns the purely visual interactions between artists and artistic practices that unfolds in pictures, which often transgress the categorical boundaries modern scholars place on their work, such as sacred and profane, antique and modern, and Italian and Northern. In this context, the images themselves - those of Bruegel, his contemporaries and predecessors - make up the primary source material from which the author argues. The second deals with the dialogue that occurred between viewers in front of pictures and the way in which pictorial strategies facilitated their visual experience and challenged their analytical capabilities.

Bruegel, Pieter [Elder] --- Art and society --- Art et société --- History --- Histoire --- Bruegel, Pieter, --- Criticism and interpretation --- Criticism and interpretation. --- Art et société --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Bruegel, Pieter --- Bolugaier --- Breĭgelʹ, Piter --- Brʹogel, Piter --- Broigel, Peṭer --- Bruegel, Pierre --- Bruegel, --- Brueghel, Pieter --- Bryūgeru, Pītā --- Po-lu-kai-erh --- Breughel, Pieter --- Breugel, Pieter --- Bolugaier, --- Breĭgelʹ, Piter, --- Brʹogel, Piter, --- Broigel, Peṭer, --- Breughel de Oude, Pieter --- Bruegel, Pierre, --- Brueghel, Pieter, --- Bryūgeru, Pītā, --- Po-lu-kai-erh, --- ברויגל, פיטר --- Art and society - Netherlands - History - 16th century --- Bruegel, Pieter, - ca. 1525-1569 - Criticism and interpretation --- Bruegel, Pieter, - ca. 1525-1569

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Picasso, Pablo

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Painting --- Detroit Institute of Arts --- anno 1400-1499 --- anno 1500-1599 --- Flanders

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Leonardo da Vinci --- Verrocchio, del, Andrea --- Detroit Institute of Arts