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Angelico [Fra] --- Michelangelo --- Pasture, de le, Roger --- Michelangelo Buonarroti 1475-1564 (° Caprese, Italië) --- Schilderkunst ; beeldhouwkunst ; Renaissance ; Michelangelo --- Beeldhouwkunst ; tekeningen ; Italië ; Hoog-Renaissance --- Humanisme --- 75.07 --- 73.07 --- Schilderkunst ; schilders --- Beeldhouwkunst ; beeldhouwers A - Z --- Jesus Christ --- Michelangelo Buonarroti, --- Mikelandzhelo Buonarroti, --- Michelangelo, --- Mikelʹ-Andzhelo, --- Michael Angelo, --- Miguel Angel, --- Mīkilānjilū, --- Michelangiolo, --- Michel-Ange, --- Michał Anioł, --- Buonarroti, Michel Angelo, --- Miguel Angelo, --- Michelagniolo Buonarroti, --- Buonarroti, Michelagniolo, --- Buonarroti, Michelangelo, --- Michelangiolo Buonarroti, --- Michaelangelo, --- Michelagnolo di Lodovico Buonarroti Simoni, --- Микеланджело Буонарроти, --- מיכאל־אנג׳לו בואונארוטי, --- Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Jezus --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- عيسىٰ --- Art --- Michelangelo Buonarroti, - 1475-1564 - Contributions in Christian art. --- Michelangelo Buonarroti --- Buonarroti, Michelangelo --- Mikelandzhelo Buonarroti --- Mikelʹ-Andzhelo --- Michael Angelo --- Miguel Angel --- Mīkilānjilū --- Michelangiolo --- Michel-Ange --- Michał Anioł --- Buonarroti, Michel Angelo --- Miguel Angelo --- Michelagniolo Buonarroti --- Buonarroti, Michelagniolo --- Michelangiolo Buonarroti --- Michaelangelo --- Michelagnolo di Lodovico Buonarroti Simoni --- di Lodovico Buonarroti Simoni, Michelangelo --- Микеланджело Буонарроти --- عيسىٰ
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Erasmus, Desiderius --- Raphaël --- Ficino, Marsilio --- Riccio, Andrea --- Cortese, Gregorio --- Raimondi, Marcantonio --- Ghiberti, Lorenzo --- Giberti, Gian Matteo --- Borromeo, Carlo --- Art --- anno 1400-1499 --- anno 1500-1599 --- renaissance --- geschiedenis --- reformatie --- christelijke kunst --- beeldenstorm --- Christus --- 15de eeuw --- 16de eeuw --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- geschiedenis. --- reformatie. --- renaissance. --- christelijke kunst. --- beeldenstorm. --- Erasmus, Desiderius. --- Rafaël. --- Ficino, Marsilio. --- Christus. --- Riccio, Andrea. --- Cortese, Gregorio. --- Raimondi, Marcantonio. --- Ghiberti, Lorenzo. --- Giberti, Gian Matteo. --- Borromeo, Carlo. --- 15de eeuw. --- 16de eeuw. --- Rafaël
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painting [image-making] --- Art --- art history --- art theory --- sculpting --- architecture [discipline] --- Nauman, Bruce --- Rubens, Peter Paul --- Johns, Jasper --- Flavin, Dan --- Andre, Carl --- Serra, Richard --- Warhol, Andy --- Albers, Josef --- Schlemmer, Oskar --- Kooning, de, Willem --- Picasso, Pablo --- Judd, Donald --- Rauschenberg, Robert --- Fontana, Lucio --- Smithson, Robert --- Kollwitz, Käthe --- Feininger, Lyonel --- Kabakov, Ilija Iosefovich --- Lissitzky, Eliezer --- Rothko, Mark --- Beuys, Joseph --- Moholy-Nagy, László --- Pollock, Jackson --- Stockholder, Jessica --- Mendieta, Ana --- Reinhardt, Ad --- Bruegel, Pieter [Elder] --- Kaprow, Allan --- Duchamp, Marcel --- Kandinsky, Vasili Vassileevich --- Schneemann, Carolee --- Schwitters, Kurt --- LeWitt, Sol --- Hirst, Damien --- Holt, Nancy --- Michelangelo --- Cage, John --- Brancusi, Constantin --- anno 1800-1999 --- anno 2010-2019 --- anno 2000-2009 --- anno 1200-1799 --- anno 500-1199 --- MAD-faculty 13 --- middeleeuwen --- esthetica --- hedendaagse kunst --- Lissitzky, El --- Buonarroti, Michelangelo --- Kandinsky, Wassily
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Christian religion --- Art styles --- Antique, the --- religious art --- Byzantine [culture and style] --- Renaissance --- anno 1400-1499 --- anno 1500-1599 --- Europe
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A global reconsideration and broadening of the definition of art conservation through the lenses of theory, ethics, culture, and history. Thought-provoking and timely, this volume challenges inherited thinking on art conservation practice and purposefully reconsiders the definition of the field. Scholars from around the world discuss topics including the conservation of global painting practices, cold storage and digitization, conservation within institutions, and the decolonization of art conservation. The authors seek to broaden the scope of conservation practice and challenge the boundaries that set it apart from art history and art making. They thoughtfully consider the implications of conservation beyond museum walls. This volume in the esteemed Clark Studies in the Visual Arts maintains the series's tradition of providing a nuanced reckoning with vital themes in the field
Art --- Conservation and restoration --- Conservation et restauration. --- Conservation. Restoration --- restoration [process] --- Conservation and restoration.
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Two leading contemporary art historians present a stunning reconsideration of the problem of time in the Renaissance. With intellectual brilliance, Alexander Nagel and Christopher S. Wood reexamine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. [...] The buildings, paintings, drawings, prints, sculptures, and medals addressed in this book were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be early Christian antiquities, the acheiropoeton or image made without hands, the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. The authors show how the complex and layered temporalities of images offered a counterpoint to the linear chronologies that increasingly structured commerce, politics, travel, and everyday life in the fourteenth and fifteenth centuries. While a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. The authors conclude with an analysis of Roman episodes and projects of the decades around 1500, culminating in Raphael's Stanza della Segnatura.
Art --- anno 500-1499 --- anno 1500-1599 --- Art, Renaissance. --- Architecture, Renaissance. --- Building materials --- Time and art. --- Recycling. --- Architecture, Renaissance --- Art, Renaissance --- Time and art --- Art and time --- Architectural materials --- Architecture --- Building --- Building supplies --- Buildings --- Construction materials --- Structural materials --- Materials --- Renaissance art --- Renaissance architecture --- Renaissance revival (Architecture) --- Recycling --- Renaissance --- Analyse de l'art --- kunst --- kunsttheorie --- 7.01 --- 7.034 --- renaissance --- tijdelijkheid --- tijd --- Geschichte 1420-1550. --- Geschichte 1420-1600. --- 1400-1500. --- 1500-1600. --- Art de la Renaissance --- Architecture de la Renaissance --- Construction --- Temps et art --- Matériaux --- Recyclage
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