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Comparative religion --- Comparative literature --- Mythology --- Religion --- Mythologie --- Dictionaries --- French --- Dictionnaires français --- Encyclopedias. --- Encyclopedias --- 291 <03> --- 291.13 --- -Religion --- -291.2 --- Religion, Primitive --- Atheism --- God --- Irreligion --- Religions --- Theology --- Myths --- Legends --- Folklore --- Gods --- Myth --- Godsdienstwetenschap: vergelijkend--Naslagwerken. Referentiewerken --- Mythe. Vergelijkende mythologie --- 291.13 Mythe. Vergelijkende mythologie --- Dictionnaires français --- 291.2 --- French. --- Mythology - Encyclopedias --- Religion - Encyclopedias --- Mythology - Dictionaries - French --- Religion - Dictionaries - French --- #gsdb3
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Duchamp, Marcel --- Ready made --- Ecrit d'artiste --- Artiste --- Artists --- Interviews --- Duchamp, Marcel, --- 20e siècle --- Interviews. --- Artists - France - Interviews --- Duchamp, Marcel, - 1887-1968 - Interviews --- Duchamp, Marcel, - 1887-1968
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Art styles --- Painting --- painting [image-making] --- Gothic [Medieval] --- gotische kunst --- schilderkunst --- anno 1200-1499 --- France
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Directeur général des Arts et Lettres auprès d'André Malraux de 1959 à 1966, Gaëtan Picon ne cesse jamais d'être un critique des écrivains et des artistes. Alors que son Ministre veut partout, par les Maisons de la Culture, diffuser l'héritage total des productions du passé, il privilégie, en philosophe inspiré par Nietzsche, l'élan créateur de la génération des René Char ou Jean Dubuffet. Inventeur d'une théorisation de la Culture contemporaine, il préconise un Musée d'Art moderne, renouvelé dans ses postulats intellectuels autant que dans ses structures. Hors du temps politique et à l'écart des recherches structuralistes, il se passionne pour l'interprétation de la genèse des œuvres issue des ateliers de leurs auteurs. Dès lors, il configure les règles d'une critique « consciente », poétique et philosophique qui, par la densité d'un style à la fois sensualiste et abstrait, l'a cependant marginalisé dans les imaginaires sociaux.
Picon, Gaëtan --- Critiques d'art. --- Politique culturelle. --- Picon, Gaëtan, --- France --- Picon, Gaëtan,
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sculpting --- Sculpture --- beeldhouwkunst --- Caro, Anthony --- Paolozzi, Eduardo --- King, Philip --- Moore, Henry --- Gilbert and George --- Great Britain --- Sculpture, English --- Sculpture anglaise --- Exhibitions. --- Expositions --- Dictionnaire --- Nouvelle sculpture --- Histoire de la sculpture --- 20e siècle --- Royaume-Uni --- public art --- outdoor sculpture --- sculpture [visual work] --- assemblages [sculpture] --- Kneale, Bryan --- Drury, Alfred --- de Monchaux, Cathy --- Latham, John --- Skeaping, John Rattenbury --- Flanagan, Barry --- Chadwick, Helen --- Epstein, Jacob --- Underwood, Leon --- Plackman, Carl --- Long, Richard --- Kapoor, Anish --- Boyle, Mark --- Hill, Anthony --- Allington, Edward --- Mistry, Dhruva --- Gill, Eric --- Head, Tim --- Martin, Kenneth --- McWilliam, Frederick Edward --- Jagger, Sargeant --- McLean, Bruce --- Nicholson, Ben --- Harris, Richard --- Onslow Ford, Edward --- Wilding, Alison --- Frink, Elisabeth --- Lambert, Maurice --- Blacker, Kate --- Pomeroy, Frederick William --- Cox, Stephen --- Dalwood, Hubert --- Whiteread, Rachel --- Barker, Clive --- Nash, David --- Thornycroft, Hamo --- Holden, Charles Henry --- Mach, David --- Kennington, Eric --- Hepworth, Barbara --- Hirst, Damien --- Goldsworthy, Andy --- Finlay, Ian Hamilton --- Gilbert, Alfred --- Gaudier-Brzeska, Henri --- Foulkes, Glyn --- Witkin, Isaac --- Scott, Tim --- Armitage, Kenneth --- Sandle, Michael --- Culbert, Bill --- Butler, Reginald --- Davey, Grenville --- Deacon, Richard --- Opie, Julian --- Cragg, Tony --- Meadows, Bernard --- Rodin, Auguste --- Gormley, Antony --- Bolus, Michael --- Bates, Harry --- Wentworth, Richard --- Davies, John --- Tremlett, David --- Craig-Martin, Michael --- Pye, William --- Smith, Kate --- Woodrow, Bill --- Frampton, George --- Smith, David --- Martin, Mary --- Chadwick, Lynn --- Clarke, Geoffrey --- Brock, Thomas --- Annesley, David --- Tucker, William --- Naylor, Martin --- Hesse, Eva --- Medalla, David --- Mason, Raymond --- Houshiary, Shirazeh --- Adams, Robert --- Turnbull, William --- Wilson, Richard --- Hall, Nigel --- Hilliard, John --- Quinn, Marc --- Dobson, Frank --- Saint Martin's School --- Art & Language --- Royal College of Art [London] --- Slade School of Fine Art --- Royal Academy School --- anno 1900-1999 --- comm. Daniel Abadie ; ass. d'Anthony Spira --- Groot-Brittannië --- naslagwerk --- twintigste eeuw --- kunst --- Epstein Jacob --- Hepworth Barbara --- Nicholson Ben --- Moore Henry --- Paolozzi Eduardo --- Caro Anthony --- King Philip --- Gilbert & George --- Long Richard --- land art --- Kapoor Anish --- Gormley Antony --- Whiteread Rachel --- Hirst Damien --- kunstonderwijs --- Goldsworthy Andy --- Flanagan Barry --- Woodrow Bill --- Cragg Tony --- Deacon Richard --- Craig-Martin Michael --- Mason Raymond --- 73.036 --- sculpture [visual works] --- Monchaux, de, Cathy --- Skeaping, John --- Jagger, Charles Sargeant --- Ford, Edward Onslow --- English sculpture --- King, Phillip --- Sculpture, English - 20th century - Exhibitions
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sculpting --- Sculpture --- Painting --- Graphic arts --- art [fine art] --- graphic arts --- painting [image-making] --- Art --- Dubuffet, Jean --- France --- Dubuffet, Jean, --- 20e eeuw --- 737.8 --- schilderkunst --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- art [discipline]
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28 récits mythologiques d'amour et de désir entre dieux et mortels, commentés et analysés à travers 120 chefs-d'oeuvre de l'art, et plus particulièrement de la peinture : Rubens, Titien, Poussin, Girodet, Tintoret, Le Bernin, Botticelli, etc. Un essai retrace l'évolution du rapport des êtres humains aux dieux de la mythologie entre l'Antiquité et l'âge du baroque. ©Electre 2015
Comparative religion --- Art --- Sexology --- Epical, mythological and fictitious figures --- Mythology, Classical, in art --- Erotic art --- Painting --- Mythologie ancienne dans l'art --- Art érotique --- Peinture --- Themes, motives --- Thèmes, motifs --- Art érotique --- Thèmes, motifs
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Painting --- Abstract [modern European style] --- easel paintings [paintings by form] --- Francis, Sam
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