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Protest movements --- Political culture --- Contestation --- Culture politique --- History --- Histoire --- Chine --- S11/0820 --- S11/0480 --- S11/0485 --- S06/0261 --- -Protest movements --- China: Social sciences--Labour conditions and trade unions: general and before 1949 --- China: Social sciences--Rural life, rural studies: general and before 1949 --- China: Social sciences--Rural change --- China: Politics and government--Class conflict --- -S06/0500 --- S06/0500 --- S11/0830 --- S11/0490 --- -Political culture --- Social movements --- Culture --- Political science --- China: Politics and government--Other modern political movements (e.g. anarchism, Socialism, dissident movements, Beijing Spring, Tian'anmen) --- China: Social sciences--Labour conditions and trade unions: since 1949 --- China: Social sciences--Society: general --- -History --- -History -
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This book investigates the relationship between music and war from the end of the XVIII century to WWI. The centennial commemorations of the Great War in 2014 have yielded significant research on the relationship between music and this first world-wide conflict. Thanks to several conferences and publications, our knowledge about the musical repertoire played on the home front, the musical practices of the soldiers, or the war's impact on European musical life, is expanding. While joining the efforts to enlighten this particularly little-known period of music history, this book aims to investigate that relationship by adopting a larger time-span: from the end of eighteenth century until the outbreak of the First World War. What kind of connections can be found between music, musicians or the musical economy (editions, the circulation of scores, opera and concert programming, professionalisation) and the different conflicts that would tear the European continent apart? Bringing together more than twenty case studies dealing with several European wars, this volume also investigates the evolution of the perception of the sound of war (by Martin Kaltenecker), and proposes new perspectives based on recent 20th-century music and war studies
Music and war --- World War, 1914-1918 --- Musique et guerre --- Première guerre mondiale --- History --- Art and the war --- Histoire --- Art et guerre --- Franse Revolutie --- muziekgeschiedenis --- Eerste Wereldoorlog --- Music --- Europe --- Guerre mondiale, 1914-1918 --- Political aspects --- 20th century --- Protest songs --- History and criticism --- 78.49.5 --- 78.18 --- 78.26 --- 78.27
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Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to antiauthoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond a narrow view of the 'protest song' to explore how politics and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song, and film and theatre music.
Popular music --- Protest songs --- Nineteen sixty-eight, A.D. --- Social aspects --- History --- Political aspects --- History and criticism. --- 1961-1970 --- History and criticism --- 20th century --- 78.87.1 --- 1968 A.D. --- Nineteen hundred sixty-eight, A.D. --- Year nineteen sixty-eight, A.D. --- Nineteen sixties --- Political ballads and songs --- Songs --- Topical songs --- Radicalism --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions
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