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956 --- Muziekgeschiedenis: tijdschriften --- Enlightenment --- Music --- Aufklärung --- Eighteenth century --- Philosophy, Modern --- Rationalism --- History and criticism --- Enlightenment. --- 78.21 --- 78.26 --- 911 --- Muziekencyclopedieën

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Around the middle of the eighteenth century the leading figures of the French Enlightenment engaged in a philosophical debate about the nature of music. This book traces the development of the ideas discussed, focusing on three different events that occurred roughly simultaneously: Rameau's formulation of the principle of the fundamental bass; the writing of the Encyclop'edie, edited by Diderot and d'Alembert, with articles on music by Rousseau; and the "Querelle des Bouffons," over Italian comic opera and French tragic opera. The philosophes, in the typical manner of Enlightenment thinkers, were able to move freely from the broad issues of philosophy and criticism, to the more technical questions of music theory, considering music as both art and science. Their dialogue was one of extraordinary depth and richness and dealt with some of the most fundamental issues of the French Enlightenment. Verba reconstructs the link between music theory and criticism that has been lost over time, presenting intensive passages from the debate in English translation for the first time.

Enlightenment --- Lumières (Philosophie) --- Lumières [Siècle des ] --- Siècle des Lumières --- Verlichting (Filosofie) --- Music --- -Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Aufklärung --- Eighteenth century --- Philosophy, Modern --- Rationalism --- Philosophy and aesthetics --- History and criticism --- Enlightenment. --- Philosophy and aesthetics. --- History and criticism. --- -Philosophy and aesthetics --- -Aufklärung --- Art music --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy --- France --- 18th century --- 78.81

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History of civilization --- anno 1700-1799 --- Art --- Geschiedenis van de nieuwe tijden --- Histoire des temps modernes --- Kunst --- Letterkunde --- Littérature --- Civilization, Modern --- Enlightenment --- Civilisation --- Siècle des Lumières --- Influence --- France --- Civilization --- muziek --- neoclassicisme --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- Siècle des lumieres --- Musique --- Arts --- Dix-huitième siècle --- Siècle des Lumières --- DNHISTO DNLITTE DNPHILO DNSOCIA DNU-EUB EPUB-ALPHA-R EPUB-DNU-FT EPUB-LIV-FT LIVHISTO LIVLITTE LIVPHILO LIVSOCIA EDITIONSULB-B --- Civilization [Modern ] --- 18th century --- Eighteenth century --- 924.6 --- Civilisation - 18e siècle - Influence --- Siècle des lumieres - Influence --- Musique - 18e siècle --- Arts - 18e siècle --- Civilisation - 18e siècle --- muziek. --- neoclassicisme. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw.

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1974(1)-. 20 Français. 12 Ann. 02 EX. 34 H

Vonck, Jean-François --- Belgique ; histoire --- België ; geschiedenis --- Biographies --- Levensbeschrijvingen --- Politiek --- Politique --- Vonck, J.-F. --- Civilization, Modern --- Enlightenment --- Civilisation --- Siècle des Lumières --- Influence --- Vonck, Jean-François, --- Belgium --- Belgique --- History --- Histoire --- #BUAR:bibl.de Bock --- Siècle des Lumières --- Vonck, Jean-François, --- DNHISTO DNPHILO DNPOLIT DNU-EUB EPUB-ALPHA-J EPUB-DNU-FT EPUB-LIV-FT LIVHISTO LIVPHILO LIVPOLIT EDITIONSULB-B --- biografieën --- Verlichting --- Oostenrijkse Nederlanden --- History of civilization --- anno 1700-1799 --- Régime autrichien --- Revue --- Eighteenth century --- France --- Civilization --- DNHISTO DNLITTE DNPHILO DNU-EUB EDITIONSULB-E EJHISTO EJLITTE EJPHILO EPUB-ALPHA-E EPUB-ALPHA-P EPUB-DNU-PER EPUB-PER-FT --- Cultuurgeschiedenis --- 934.6 --- 937.4 --- Dix-huitième siècle --- Mouvement des Lumières --- Vie intellectuelle --- Dix-huitième siècle --- Mouvement des Lumières

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'Music at German Courts' serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these 'Kapellen' had in common. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. 'Music at German Courts' serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these 'Kapellen' had in common. What was musical life at German courts really like during the first six decades of the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of 'snapshots' - in effect 'core sample' years - which highlight both individual and shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. SAMANTHA OWENS is Senior Lecturer in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia.'

muziekgeschiedenis --- Music --- anno 1700-1799 --- Germany --- Musique --- History and criticism. --- Histoire et critique --- Allemagne --- Court and courtiers --- History --- Social life and customs --- Cour et courtisans --- Histoire --- Moeurs et coutumes --- 18th century --- History and criticism --- 78.25 --- Musicians --- Chapels (Music) --- Social conditions --- Economic conditions --- 530 --- Muziekwetenschappelijke essays --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (East) --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- Deguo --- 德国 --- Gėrman --- Герман Улс --- Music - Germany - 18th century - History and criticism --- Musicians - Germany - Social conditions - 18th century --- Musicians - Germany - Economic conditions - 18th century --- Chapels (Music) - Germany - 18th century --- Chapels royal (Music) --- Music chapels --- Musical groups --- Artists --- 522 --- Muziekgeschiedenis (Barok) --- 1715-1760. --- Artistic Priorities. --- Book Design Styles. --- Core Sample Years. --- Cultural Change. --- Eighteenth Century. --- European Courts. --- German Courts. --- Instrumentalists. --- Music Directors. --- Music History. --- Music Making. --- Music. --- Musical Ensembles. --- Vocalists.