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"Hector Berlioz publie en 1843 un Grand Traité d'instrumentation et d'orchestration modernes dont il donne une édition augmentée de "L'art du chef d'orchestre" en 1855 : il y manifeste de façon éclatante sa créativité de musicien et d'écrivain. Ce volume tente de montrer l'originalité de sa démarche à une époque où la facture instrumentale se développe considérablement, mais où Berlioz est presque l'un des seuls à mener en France une réflexion d'ensemble sur l'orchestre. Dans ce texte surprenant, où se mêlent rêve utopique sur l'orchestre idéal et conseils très précis livrés aux instrumentistes et aux chefs, envolées lyriques et analyses d'exemples musicaux, l'orchestre apparaît comme un vaste théâtre où se joue l'avenir de l'art. Livre de chevet de plusieurs musiciens français, de Camille Saint-Saëns à Maurice Ravel, l'ouvrage est mieux accueilli encore à l'étranger, en Russie, en Allemagne et en Angleterre. Ce traité riche en perspectives sur la musique et la société futures concerne-t-il encore les musiciens de notre temps ? C'est ce qu'interroge cet ensemble d'études qui, nous l'espérons, ne manque pas d'actualité."--Page 4 de couverture
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Flute --- Instrumentation and orchestration --- History. --- 78.45.1 --- Fluit
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Instrumentation and orchestration --- History --- 78.65 --- 78.64
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Berlioz, Hector --- Instrumentation and orchestration --- Orchestration --- Composition (Music) --- Arrangement (Music) --- History --- Berlioz, Hector, --- Berlioz, Gektor, --- Berlioz, Khektor, --- Berlioz, Louis Hector, --- Berlioz, H. --- 78.21.1 Berlioz
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Music --- Instrumentation and orchestration. --- Acoustics and physics. --- Psychological aspects. --- Instrumentation and orchestration --- Musical instruments --- Musical instruments. --- Acoustics and physics --- Psychological aspects --- 78.82 --- 78.65 --- Music - Acoustics and physics. --- Music - Psychological aspects.
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Berlioz's Orchestration Treatise is a classic textbook which has been used as a guide to orchestration and as a source book for the understanding both of Berlioz's music and of orchestral practice in the nineteenth century. This was the first English translation of Berlioz's complete text since 1856, and it is accompanied throughout by Hugh Macdonald's extensive and authoritative commentary on the instruments of Berlioz's time and on his own orchestral practice, as revealed in his scores. It also includes extracts from Berlioz's writings on instruments in his Memoirs and in his many articles for the Parisian press. The Treatise has been highly valued both for its technical information about instruments but also for its poetic and visionary approach to the art of instrumentation. Berlioz was not only one of the great orchestrators of the nineteenth century, he was also the author with the clearest understanding of the art.
78.21.1 Berlioz --- 78.65 --- Instrumentation and orchestration. --- Conducting. --- Orchestration --- Composition (Music) --- Arrangement (Music) --- Band conducting --- Conducting (Music) --- Music conducting --- Orchestra conducting --- Music --- Performance --- instrumentatie --- methoden (muziek) --- orkestratie --- anno 1800-1899 --- France
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The Orchestral Revolution explores the changing listening culture of the eighteenth and early nineteenth centuries. Delving into Enlightenment philosophy, the nature of instruments, compositional practices and reception history, this book describes the birth of a new form of attention to sonority and uncovers the intimate relationship between the development of modern musical aesthetics and the emergence of orchestration. By focusing upon Joseph Haydn's innovative strategies of orchestration and tracing their reception and influence, Emily Dolan shows that the consolidation of the modern orchestra radically altered how people listened to and thought about the expressive capacity of instruments. The orchestra transformed from a mere gathering of instruments into an ideal community full of diverse, nuanced and expressive characters. In addressing this key moment in the history of music, Dolan demonstrates the importance of the materiality of sound in the formation of the modern musical artwork.
Instrumentation and orchestration --- Orchestra --- Instrumentation et orchestration --- Orchestre --- History. --- History --- Histoire --- Haydn, Joseph, --- Criticism and interpretation. --- Haydn, Jozef --- Orchestras --- Musical groups --- Orchestration --- Composition (Music) --- Arrangement (Music) --- Gaĭdn, Ĭ., --- Gaĭdn, Ĭosif, --- Gaĭdn, Ĭozef, --- Haiden, Josip, --- Haidnas, J., --- Haidun, --- Hayden, Joseph, --- Haydn, --- Haydn, F. J. --- Haydn, Franz Josef, --- Haydn, Franz Joseph, --- Haydn, Giuseppe, --- Haydn, Ios. --- Haydn, J. --- Haydn, Jos. --- Haydn, Josef, --- Haydn, Joseph --- Heyden, Joseph, --- Khaĭdn, Ĭozef, --- היידן, י., --- 78.65 --- 78.26 --- Haydn, Franz Joseph
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Composers --- Pianists --- Music --- Instrumentation and orchestration --- Compositeurs --- Pianistes --- Musique --- Instrumentation et orchestration --- Biography --- Manuscripts --- Facsimiles --- Biographies --- Biographie --- Manuscrits --- Fac-similés --- Liszt, Franz, --- Zarembski, Juliusz, --- Fac-similés --- Zarębski, Juliusz, --- Liszt, Franz --- 78.21.1 Liszt --- Romantiek --- Orkestratie --- Programma's --- Muziekleven --- Musea --- Brussel --- Muziekinstrumentenmuseum (MIM) --- 20e eeuw --- België
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Mozart, Wolfgang Amadeus --- Instrumentation and orchestration --- Orchestration --- -Mozart, Wolfgang Amadeus --- Mozart, Johannes Chrysostomus Wolfgangus Theophilus --- Criticism and interpretation --- Composition (Music) --- Arrangement (Music) --- Mozart, Wolfgang Amadeus, --- Criticism and interpretation. --- 78.45.0 --- 78.21.1 Mozart --- Mot︠s︡art, Volʹfgang Amadeĭ, --- Mōtsaruto, --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib, --- Mozart, Johann Chrysostom Wolfgang Amadeus, --- Mozart, W. A. --- Mozart, Wolfgango Amadeo, --- Mot︠s︡art, V. A. --- Mocartas, V. A., --- Motsart, Volphnkank Amedaios, --- Mot︠s︡art, Volfang Amadeus, --- Mozzart, Apollo, --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus, --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus, --- Mozhate, --- Моцарт, Вольфганг Амадей, --- מוצרט, --- מוצרט, וולפגנג אמדאוס, --- 莫札特, --- Mozart, Wolfgang Amadeusz, --- Mozart, W.A. --- Mot︠s︡art, Volʹfgang Amadeĭ --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib --- Mozart, Johann Chrysostom Wolfgang Amadeus --- Mozart, Wolfgango Amadeo --- Mocartas, V. A. --- Motsart, Volphnkank Amedaios --- Mot︠s︡art, Volfang Amadeus --- Mozzart, Apollo --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus --- Mozhate --- Моцарт, Вольфганг Амадей --- Mozart, Wolfgang Amadeusz
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